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The Expression of the Emotions in Man and Animals

by Charles Darwin

Length: 112,132 words, about 449 pages, about 8 hours to read

Science and nature, Psychology and mind

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CHAPTER I. GENERAL PRINCIPLES OF EXPRESSION.

Another familiar instance of a reflex action is the involuntary closing of the eyelids when the surface of the eye is touched. A similar winking movement is caused when a blow is directed towards the face; but this is an habitual and not a strictly reflex action, as the stimulus is conveyed through the mind and not by the excitement of a peripheral nerve. The whole body and head are generally at the same time drawn suddenly backwards. These latter movements, however, can be prevented, if the danger does not appear to the imagination imminent; but our reason telling us that there is no danger does not suffice. I may mention a trifling fact, illustrating this point, and which at the time amused me. I put my face close to the thick glass-plate in front of a puff-adder in the Zoological Gardens, with the firm determination of not starting back if the snake struck at me; but, as soon as the blow was struck, my resolution went for nothing, and I jumped a yard or two backwards with astonishing rapidity. My will and reason were powerless against the imagination of a danger which had never been experienced.

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CHAPTER II. GENERAL PRINCIPLES OF EXPRESSION—continued.

I will here give one other instance of antithesis in expression. I formerly possessed a large dog, who, like every other dog, was much pleased to go out walking. He showed his pleasure by trotting gravely before me with high steps, head much raised, moderately erected ears, and tail carried aloft but not stiffly. Not far from my house a path branches off to the right, leading to the hot-house, which I used often to visit for a few moments, to look at my experimental plants. This was always a great disappointment to the dog, as he did not know whether I should continue my walk; and the instantaneous and complete change of expression which came over him as soon as my body swerved in the least towards the path (and I sometimes tried this as an experiment) was laughable. His look of dejection was known to every member of the family, and was called his hot-house face. This consisted in the head drooping much, the whole body sinking a little and remaining motionless; the ears and tail falling suddenly down, but the tail was by no means wagged. With the falling of the ears and of his great chaps, the eyes became much changed in appearance, and I fancied that they looked less bright. His aspect was that of piteous, hopeless dejection; and it was, as I have said, laughable, as the cause was so slight.

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CHAPTER V. SPECIAL EXPRESSIONS OF ANIMALS.

The feeling of affection of a dog towards his master is combined with a strong sense of submission, which is akin to fear. Hence dogs not only lower their bodies and crouch a little as they approach their masters, but sometimes throw themselves on the ground with their bellies upwards. This is a movement as completely opposite as is possible to any show of resistance. I formerly possessed a large dog who was not at all afraid to fight with other dogs; but a wolf-like shepherd-dog in the neighbourhood, though not ferocious and not so powerful as my dog, had a strange influence over him. When they met on the road, my dog used to run to meet him, with his tail partly tucked in between his legs and hair not erected; and then he would throw himself on the ground, belly upwards. By this action he seemed to say more plainly than by words, “Behold, I am your slave.”

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CHAPTER V. SPECIAL EXPRESSIONS OF ANIMALS.

Many years ago, in the Zoological Gardens, I placed a looking-glass on the floor before two young orangs, who, as far as it was known, had never before seen one. At first they gazed at their own images with the most steady surprise, and often changed their point of view. They then approached close and protruded their lips towards the image, as if to kiss it, in exactly the same manner as they had previously done towards each other, when first placed, a few days before, in the same room. They next made all sorts of grimaces, and put themselves in various attitudes before the mirror; they pressed and rubbed the surface; they placed their hands at different distances behind it; looked behind it; and finally seemed almost frightened, started a little, became cross, and refused to look any longer.

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CHAPTER VII. LOW SPIRITS, ANXIETY, GRIEF, DEJECTION, DESPAIR.

I may here mention a trifling observation, as it will serve to sum up our present subject. An old lady with a comfortable but absorbed expression sat nearly opposite to me in a railway carriage. Whilst I was looking at her, I saw that her depressores anguli oris became very slightly, yet decidedly, contracted; but as her countenance remained as placid as ever, I reflected how meaningless was this contraction, and how easily one might be deceived. The thought had hardly occurred to me when I saw that her eyes suddenly became suffused with tears almost to overflowing, and her whole countenance fell. There could now be no doubt that some painful recollection, perhaps that of a long-lost child, was passing through her mind. As soon as her sensorium was thus affected, certain nerve-cells from long habit instantly transmitted an order to all the respiratory muscles, and to those round the mouth, to prepare for a fit of crying. But the order was countermanded by the will, or rather by a later acquired habit, and all the muscles were obedient, excepting in a slight degree the depressores anguli oris. The mouth was not even opened; the respiration was not hurried; and no muscle was affected except those which draw down the corners of the mouth.

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10 of the best lines

I have thought the foregoing sentences worth quoting, as specimens of the surprising nonsense which has been written on the subject.

INTRODUCTION.Keep reading from here

Joy quickens the circulation, and this stimulates the brain, which again reacts on the whole body.

CHAPTER III. GENERAL PRINCIPLES OF EXPRESSION—concluded.Keep reading from here

A New Zealand chief “cried like a child because the sailors spoilt his favourite cloak by powdering it with flour.”

CHAPTER VI. SPECIAL EXPRESSIONS OF MAN: SUFFERING AND WEEPING.Keep reading from here

The man stood thus for a minute, then heaving a deep sigh, burst into tears, raised up his two hands, blessed the goat, turned round, and without looking again, went away.

CHAPTER VII. LOW SPIRITS, ANXIETY, GRIEF, DEJECTION, DESPAIR.Keep reading from here

Although the emotion of love, for instance that of a mother for her infant, is one of the strongest of which the mind is capable, it can hardly be said to have any proper or peculiar means of expression

CHAPTER VIII. JOY, HIGH SPIRITS, LOVE, TENDER FEELINGS, DEVOTION.Keep reading from here

Most of our emotions are so closely connected with their expression, that they hardly exist if the body remains passive

CHAPTER X. HATRED AND ANGER.Keep reading from here

Attention, if sudden and close, graduates into surprise; and this into astonishment; and this into stupefied amazement.

CHAPTER XII. SURPRISE—ASTONISHMENT—FEAR—HORROR.Keep reading from here

It is not the simple act of reflecting on our own appearance, but the thinking what others think of us, which excites a blush.

CHAPTER XIII. SELF-ATTENTION—SHAME—SHYNESS—MODESTY: BLUSHING.Keep reading from here

It is not the sense of guilt, but the thought that others think or know us to be guilty which crimsons the face.

CHAPTER XIII. SELF-ATTENTION—SHAME—SHYNESS—MODESTY: BLUSHING.Keep reading from here

The free expression by outward signs of an emotion intensifies it.

CHAPTER XIV. CONCLUDING REMARKS AND SUMMARY.Keep reading from here

All 42 The Expression of the Emotions in Man and Animals quotes, with the words around each

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Contents

  1. With Photographic And Other Illustrations New York D. Appleton And Company 1899
  2. DETAILED CONTENTS.
  3. ON THE EXPRESSION OF THE EMOTIONS IN MAN AND ANIMALS.
  4. INTRODUCTION.
  5. CHAPTER I. GENERAL PRINCIPLES OF EXPRESSION.
  6. CHAPTER II. GENERAL PRINCIPLES OF EXPRESSION—continued.
  7. CHAPTER III. GENERAL PRINCIPLES OF EXPRESSION—concluded.
  8. CHAPTER IV. MEANS OF EXPRESSION IN ANIMALS.
  9. CHAPTER V. SPECIAL EXPRESSIONS OF ANIMALS.
  10. CHAPTER VI. SPECIAL EXPRESSIONS OF MAN: SUFFERING AND WEEPING.
  11. CHAPTER VII. LOW SPIRITS, ANXIETY, GRIEF, DEJECTION, DESPAIR.
  12. CHAPTER VIII. JOY, HIGH SPIRITS, LOVE, TENDER FEELINGS, DEVOTION.
  13. CHAPTER IX. REFLECTION—MEDITATION-ILL-TEMPER—SULKINESS—DETERMINATION.
  14. CHAPTER X. HATRED AND ANGER.
  15. CHAPTER XI. DISDAIN—CONTEMPT—DISGUST-GUILT—PRIDE, ETC.—HELPLESSNESS—PATIENCE—AFFIRMATION AND NEGATION.
  16. CHAPTER XII. SURPRISE—ASTONISHMENT—FEAR—HORROR.
  17. CHAPTER XIII. SELF-ATTENTION—SHAME—SHYNESS—MODESTY: BLUSHING.
  18. CHAPTER XIV. CONCLUDING REMARKS AND SUMMARY.
  19. FOOTNOTES:

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Text from Project Gutenberg. In the public domain in the USA. The Project Gutenberg License is kept inside the file. Every passage and line on this page is the book's own words, checked against the text.