Indiscretions of Archie

“I say, laddie!” said Archie.

“Sir?” replied the desk clerk alertly. All the employees of the Hotel Cosmopolis were alert. It was one of the things on which Mr. Daniel Brewster, the proprietor, insisted. And as he was always wandering about the lobby of the hotel keeping a personal eye on affairs, it was never safe to relax.

“I want to see the manager.”

“Is there anything I could do, sir?”

Archie looked at him doubtfully.

“Well, as a matter of fact, my dear old desk clerk,” he said, “I want to kick up a fearful row, and it hardly seems fair to lug you into it. Why you, I mean to say? The blighter whose head I want on a charger is the bally manager.”

At this point a massive, grey-haired man, who had been standing close by, gazing on the lobby with an air of restrained severity, as if daring it to start anything, joined in the conversation.

“I am the manager,” he said.

His eye was cold and hostile. Others, it seemed to say, might like Archie Moffam, but not he. Daniel Brewster was bristling for combat. What he had overheard had shocked him to the core of his being. The Hotel Cosmopolis was his own private, personal property, and the thing dearest to him in the world, after his daughter Lucille. He prided himself on the fact that his hotel was not like other New York hotels, which were run by impersonal companies and shareholders and boards of directors, and consequently lacked the paternal touch which made the Cosmopolis what it was.

Consequently, when he perceived Archie, he got a bit of a shock.

“Hullo⁠—ullo⁠—ullo!” said Archie, advancing happily.

“Archie, darling, this is father,” said Lucille.

“Good Lord!” said Archie.

There was one of those silences. Mr. Brewster looked at Archie. Archie gazed at Mr. Brewster. Lucille, perceiving without understanding why that the big introduction scene had stubbed its toe on some unlooked-for obstacle, waited anxiously for enlightenment. Meanwhile, Archie continued to inspect Mr. Brewster, and Mr. Brewster continued to drink in Archie.

After an awkward pause of about three and a quarter minutes, Mr. Brewster swallowed once or twice, and finally spoke.

“Lu!”

“Yes, father?”

“Is this true?”

Lucille’s grey eyes clouded over with perplexity and apprehension.

“True?”

“Have you really inflicted this⁠—this on me for a son-in-law?” Mr. Brewster swallowed a few more times, Archie the while watching with a frozen fascination the rapid shimmying of his new relative’s Adam’s apple. “Go away! I want to have a few words alone with this⁠—This⁠—wassyourdamname?” he demanded, in an overwrought manner, addressing Archie for the first time.

“I told you, father. It’s Moom.”

“Moom?”

“It’s spelt M-o-f-f-a-m, but pronounced Moom.”

“To rhyme,” said Archie, helpfully, “with Bluffinghame.”

“Lu,” said Mr. Brewster, “run away! I want to speak to-to-to⁠—”

“You called me this before,” said Archie.

“You aren’t angry, father, dear?” said Lucilla.

“Oh no! Oh no! I’m tickled to death!”

When his daughter had withdrawn, Mr. Brewster drew a long breath.

“Now then!” he said.

“Bit embarrassing, all this, what!” said Archie, chattily. “I mean to say, having met before in less happy circs. and whatnot. Rum coincidence and so forth!

The only other occupant of the lift was a striking-looking woman of foreign appearance, dressed in a way that made Archie feel that she must be somebody or she couldn’t look like that. Her face, too, seemed vaguely familiar. She entered the lift at the second floor where the tearoom is, and she had the contented expression of one who had tea’d to her satisfaction. She got off at the same floor as Archie, and walked swiftly, in a lithe, pantherish way, round the bend in the corridor. Archie followed more slowly. When he reached the door of his room, the passage was empty. He inserted the key in his door, turned it, pushed the door open, and pocketed the key. He was about to enter when the bag again squirmed gently in his grip.

From the days of Pandora, through the epoch of Bluebeard’s wife, down to the present time, one of the chief failings of humanity has been the disposition to open things that were better closed. It would have been simple for Archie to have taken another step and put a door between himself and the world, but there came to him the irresistible desire to peep into the bag now⁠—not three seconds later, but now. All the way up in the lift he had been battling with the temptation, and now he succumbed.

The bag was one of those simple bags with a thingummy which you press. Archie pressed it. And, as it opened, out popped the head of Peter. His eyes met Archie’s. Over his head there seemed to be an invisible mark of interrogation. His gaze was curious, but kindly. He appeared to be saying to himself, “Have I found a friend?”

He had the feeling⁠—precisely as every chappie in those stories had had⁠—that he was not alone.

Nor was he. In a basket behind an armchair, curled up, with his massive chin resting on the edge of the wickerwork, lay a fine bulldog.

“Urrf!” said the bulldog.

“Good God!” said Archie.

There was a lengthy pause in which the bulldog looked earnestly at Archie and Archie looked earnestly at the bulldog.

Normally, Archie was a dog-lover. His hurry was never so great as to prevent him stopping, when in the street, and introducing himself to any dog he met. In a strange house, his first act was to assemble the canine population, roll it on its back or backs, and punch it in the ribs. As a boy, his earliest ambition had been to become a veterinary surgeon; and, though the years had cheated him of his career, he knew all about dogs, their points, their manners, their customs, and their treatment in sickness and in health. In short, he loved dogs, and, had they met under happier conditions, he would undoubtedly have been on excellent terms with this one within the space of a minute. But, as things were, he abstained from fraternising and continued to goggle dumbly.

And then his eye, wandering aside, collided with the following objects: a fluffy pink dressing gown, hung over the back of a chair, an entirely strange suitcase, and, on the bureau, a photograph in a silver frame of a stout gentleman in evening dress whom he had never seen before in his life.

Suddenly he became aware that he was not the only person present who was deriving enjoyment from the scent of the meal. Standing beside the waiter and gazing wistfully at the foodstuffs was a long, thin boy of about sixteen. He was one of those boys who seem all legs and knuckles. He had pale red hair, sandy eyelashes, and a long neck; and his eyes, as he removed them from the table and raised them to Archie’s, had a hungry look. He reminded Archie of a half-grown, half-starved hound.

“That smells good!” said the long boy. He inhaled deeply. “Yes, sir,” he continued, as one whose mind is definitely made up, “that smells good!”

Before Archie could reply, the telephone bell rang. It was Lucille, confirming her prophecy that the pest Jane would insist on her staying to dine.

“Jane,” said Archie, into the telephone, “is a pot of poison. The waiter is here now, setting out a rich banquet, and I shall have to eat two of everything by myself.”

He hung up the receiver, and, turning, met the pale eye of the long boy, who had propped himself up in the doorway.

“Were you expecting somebody to dinner?” asked the boy.

“Why, yes, old friend, I was.”

“I wish⁠—”

“Yes?”

“Oh, nothing.”

The waiter left. The long boy hitched his back more firmly against the doorpost, and returned to his original theme.

“That surely does smell good!” He basked a moment in the aroma. “Yes, sir! I’ll tell the world it does!”