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Piccadilly Jim

by P. G. Wodehouse

Length: 80,848 words, about 323 pages, about 6 hours to read

Novels, Satire and humour

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What it is

Jimmy Crocker gets embroiled in convoluted comedic escapades, involving impersonations, kidnapping and theft, on both sides of the Atlantic.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: A Red-Haired Girl

The residence of Mr. Peter Pett, the well-known financier, on Riverside Drive is one of the leading eyesores of that breezy and expensive boulevard. As you pass by in your limousine, or while enjoying ten cents worth of fresh air on top of a green omnibus, it jumps out and bites at you. Architects, confronted with it, reel and throw up their hands defensively, and even the lay observer has a sense of shock. The place resembles in almost equal proportions a cathedral, a suburban villa, a hotel and a Chinese pagoda. Many of its windows are of stained glass, and above the porch stand two terra-cotta lions, considerably more repulsive even than the complacent animals which guard New York’s Public Library. It is a house which is impossible to overlook: and it was probably for this reason that Mrs. Pett insisted on her husband buying it, for she was a woman who liked to be noticed.

Through the rich interior of this mansion Mr. Pett, its nominal proprietor, was wandering like a lost spirit. The hour was about ten of a fine Sunday morning, but the Sabbath calm which was upon the house had not communicated itself to him. There was a look of exasperation on his usually patient face, and a muttered oath, picked up no doubt on the godless Stock Exchange, escaped his lips.

“Darn it!”

He was afflicted by a sense of the pathos of his position. It was not as if he demanded much from life. He asked but little here below.

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II: The Exiled Fan

He pined away in a country where they said “Well played, sir!” when they meant “attaboy!”

“Bayliss, do you play cricket?”

“I am a little past the age, sir. In my younger days.⁠ ⁠…”

“Do you understand it?”

“Yes, sir. I frequently spend an afternoon at Lord’s or the Oval when there is a good match.”

Many who enjoyed a merely casual acquaintance with the butler would have looked on this as an astonishingly unexpected revelation of humanity in Bayliss, but Mr. Crocker was not surprised. To him, from the very beginning, Bayliss had been a man and a brother who was always willing to suspend his duties in order to answer questions dealing with the thousand and one problems which the social life of England presented. Mr. Crocker’s mind had adjusted itself with difficulty to the niceties of class distinction: and, while he had cured himself of his early tendency to address the butler as “Bill,” he never failed to consult him as man to man in his moments of perplexity. Bayliss was always eager to be of assistance. He liked Mr. Crocker. True, his manner might have struck a more sensitive man than his employer as a shade too closely resembling that of an indulgent father towards a son who was not quite right in the head: but it had genuine affection in it.

Mr. Crocker picked up his paper and folded it back at the sporting page, pointing with a stubby forefinger.

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IV: Jimmy’s Disturbing News

Jimmy Crocker was a tall and well-knit young man who later on in the day would no doubt be at least passably good-looking. At the moment an unbecoming pallor marred his face, and beneath his eyes were marks that suggested that he had slept little and ill. He stood at the foot of the stairs, yawning cavernously.

“Bayliss,” he said, “have you been painting yourself yellow?”

“No, sir.”

“Strange! Your face looks a bright gamboge to me, and your outlines wobble. Bayliss, never mix your drinks. I say this to you as a friend. Is there anyone in the morning-room?”

“No, Mr. James.”

“Speak softly, Bayliss, for I am not well. I am conscious of a strange weakness. Lead me to the morning-room, then, and lay me gently on a sofa. These are the times that try men’s souls.”

The sun was now shining strongly through the windows of the morning-room. Bayliss lowered the shades. Jimmy Crocker sank onto the sofa, and closed his eyes.

“Bayliss.”

“Sir?”

“A conviction is stealing over me that I am about to expire.”

“Shall I bring you a little breakfast, Mr. James?”

A strong shudder shook Jimmy.

“Don’t be flippant, Bayliss,” he protested. “Try to cure yourself of this passion for being funny at the wrong time. Your comedy is good, but tact is a finer quality than humour. Perhaps you think I have forgotten that morning when I was feeling just as I do today and you came to my bedside and asked me if I would like a nice rasher of ham.

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VI: Jimmy Abandons Piccadilly

melody never failed to produce, had bowed for the last time, a clear, musical voice spoke from the other side of the pillar.

“Jimmy Crocker is a worm!”

Jimmy spilled his cocktail. It might have been the voice of Conscience.

“I despise him more than anyone on earth. I hate to think that he’s an American.”

Jimmy drank the few drops that remained in his glass, partly to make sure of them, partly as a restorative. It is an unnerving thing to be despised by a red-haired girl whose life you have just saved. To Jimmy it was not only unnerving; it was uncanny. This girl had not known him when they met on the street a few moments before. How then was she able to display such intimate acquaintance with his character now as to describe him⁠—justly enough⁠—as a worm? Mingled with the mystery of the thing was its pathos. The thought that a girl could be as pretty as this one and yet dislike him so much was one of the saddest things Jimmy had ever come across. It was like one of those Things Which Make Me Weep In This Great City so dear to the hearts of the sob-writers of his late newspaper.

A waiter bustled up with a highball. Jimmy thanked him with his eyes. He needed it. He raised it to his lips.

“He’s always drinking⁠—”

He set it down hurriedly.

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XVII: Miss Trimble, Detective

Mr. Crocker retired, closing the door gently behind him.

A meaning sniff proceeded from Mrs. Pett’s visitor as she looked round at the achievements of the interior decorator, who had lavished his art unsparingly in this particular room. At this close range she more than fulfilled the promise of that distant view which Mrs. Pett had had of her from the window. Her face was not only shrewd and determined: it was menacing. She had thick eyebrows, from beneath which small, glittering eyes looked out like dangerous beasts in undergrowth: and the impressive effect of these was accentuated by the fact that, while the left eye looked straight out at its object, the right eye had a sort of roving commission and was now, while its colleague fixed Mrs. Pett with a gimlet stare, examining the ceiling. As to the rest of the appearance of this remarkable woman, her nose was stubby and aggressive, and her mouth had the coldly forbidding look of the closed door of a subway express when you have just missed the train. It bade you keep your distance on pain of injury. Mrs. Pett, though herself a strong woman, was conscious of a curious weakness as she looked at a female of the species so much deadlier than any male whom she had ever encountered: and came near feeling a half-pity for the unhappy wretches on whom this dynamic maiden was to be unleashed. She hardly knew how to open the conversation.

Miss Trimble, however, was equal to the occasion. She always preferred to open conversations herself. Her lips parted, and words flew out as if shot from a machine-gun.

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10 of the best lines

The place resembles in almost equal proportions a cathedral, a suburban villa, a hotel and a Chinese pagoda.

I: A Red-Haired GirlKeep reading from here

It was an enterprising, swashbuckling sort of mouth, the mouth of one who would lead forlorn hopes with a jest or plot whimsically lawless conspiracies against convention.

I: A Red-Haired GirlKeep reading from here

“Then, Bill,” said Mr. Crocker, reverting in his emotion to the bad habit of his early London days, “you haven’t lived. See here!”

II: The Exiled FanKeep reading from here

“Bayliss,” he said, “have you been painting yourself yellow?”

IV: Jimmy’s Disturbing NewsKeep reading from here

An empty stomach breeds imagination.

VI: Jimmy Abandons PiccadillyKeep reading from here

“Dad’s a little upset at my going,” whispered Jimmy confidentially. “He’s not quite himself.”

VI: Jimmy Abandons PiccadillyKeep reading from here

“Every day from ten to four, with an hour off for lunch. I keep regular office hours. Admission on presentation of visiting card.”

IX: Mrs. Pett Is ShockedKeep reading from here

You have the aspect of one whom Fate has smitten in the spiritual solar plexus, or of one who has been searching for the leak in Life’s gaspipe with a lighted candle.

XI: Jimmy Decides to Be HimselfKeep reading from here

It is but rarely that anyone is found who is not dazzled by the glamour of incivility.

XVII: Miss Trimble, DetectiveKeep reading from here

Then it dawned upon him that what was lacking was the applause. The scene had deserved a round.

XXI: Chicago Ed.Keep reading from here

All 37 Piccadilly Jim quotes, with the words around each

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Contents

All 26 parts
  1. I: A Red-Haired Girl
  2. II: The Exiled Fan
  3. III: Family Jars
  4. IV: Jimmy’s Disturbing News
  5. V: The Morning After
  6. VI: Jimmy Abandons Piccadilly
  7. VII: On the Boat-Deck
  8. VIII: Painful Scene in a Café
  9. IX: Mrs. Pett Is Shocked
  10. X: Instruction in Deportment
  11. XI: Jimmy Decides to Be Himself
  12. XII: Jimmy Catches the Boss’s Eye
  13. XIII: Slight Complications
  14. XIV: Lord Wisbeach
  15. XV: A Little Business Chat
  16. XVI: Mrs. Pett Takes Precautions
  17. XVII: Miss Trimble, Detective
  18. XVIII: The Voice from the Past
  19. XIX: Between Father and Son
  20. XX: Celestine Imparts Information
  21. XXI: Chicago Ed.
  22. XXII: In the Library
  23. XXIII: Stirring Times for the Petts
  24. XXIV: Sensational Turning of a Worm
  25. XXV: Nearly Everybody Happy
  26. XXVI: Everybody Happy

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.