Something New

The sunshine of a fair spring morning fell graciously on London town. Out in Piccadilly its heartening warmth seemed to infuse into traffic and pedestrians alike a novel jauntiness, so that bus drivers jested and even the lips of chauffeurs uncurled into not unkindly smiles. Policemen whistled at their posts⁠—clerks, on their way to work; beggars approached the task of trying to persuade perfect strangers to bear the burden of their maintenance with that optimistic vim which makes all the difference. It was one of those happy mornings.

At nine o’clock precisely the door of Number Seven Arundell Street, Leicester Square, opened and a young man stepped out.

Of all the spots in London which may fairly be described as backwaters there is none that answers so completely to the description as Arundell Street, Leicester Square.

He was a tall, well-built, fit-looking young man, with a clear eye and a strong chin; and he was dressed, as he closed the front door behind him, in a sweater, flannel trousers, and rubber-soled gymnasium shoes. In one hand he bore a pair of Indian clubs, in the other a skipping rope.

Having drawn in and expelled the morning air in a measured and solemn fashion, which the initiated observer would have recognized as that scientific deep breathing so popular nowadays, he laid down his clubs, adjusted his rope and began to skip.

When he had taken the second-floor front of Number Seven, three months before, Ashe Marson had realized that he must forego those morning exercises which had become a second nature to him, or else defy London’s unwritten law and brave London’s mockery. He had not hesitated long. Physical fitness was his gospel. On the subject of exercise he was confessedly a crank. He decided to defy London.

It was simply too infernal to be endured if his work time was to be cut into like this. Ashe ran over in his mind a few opening remarks.

“Come in!” he shouted, and braced himself for battle.

A girl walked in⁠—the girl of the first-floor front; the girl with the blue eyes, who had laughed at his Larsen Exercises.

Various circumstances contributed to the poorness of the figure Ashe cut in the opening moments of this interview. In the first place, he was expecting to see his landlady, whose height was about four feet six, and the sudden entry of somebody who was about five feet seven threw the universe temporarily out of focus. In the second place, in anticipation of Mrs. Bell’s entry, he had twisted his face into a forbidding scowl, and it was no slight matter to change this on the spur of the moment into a pleasant smile. Finally, a man who has been sitting for half an hour in front of a sheet of paper bearing the words: “The Adventure of the Wand of Death,” and trying to decide what a wand of death might be, has not his mind under proper control.

The net result of these things was that, for perhaps half a minute, Ashe behaved absurdly. He goggled and he yammered. An alienist, had one been present, would have made up his mind about him without further investigation. For an appreciable time he did not think of rising from his seat. When he did, the combined leap and twist he executed practically amounted to a Larsen Exercise.

“Joan Valentine!” cried Judson, bringing his hands down on the tablecloth with a bang. “I’ve just remembered it. That was the name of the girl Freddie used to write the letters and poems to; and that’s who it is I’ve been trying all along to think you reminded me of, Miss Simpson. You’re the living image of Freddie’s Miss Joan Valentine.”

Ashe was not normally a young man of particularly ready wit; but on this occasion it may have been that the shock of this revelation, added to the fact that something must be done speedily if Joan’s discomposure was not to become obvious to all present, quickened his intelligence. Joan, usually so sure of herself, so ready of resource, had gone temporarily to pieces. She was quite white, and her eyes met Ashe’s with almost a hunted expression.

If the attention of the company was to be diverted, something drastic must be done. A mere verbal attempt to change the conversation would be useless. Inspiration descended on Ashe.

In the days of his childhood in Hayling, Massachusetts, he had played truant from Sunday school again and again in order to frequent the society of one Eddie Waffles, the official bad boy of the locality. It was not so much Eddie’s charm of conversation which had attracted him⁠—though that had been great⁠—as the fact that Eddie, among his other accomplishments, could give a lifelike imitation of two cats fighting in a back yard; and Ashe felt that he could never be happy until he had acquired this gift from the master.

There was no doubt that the man was dead. Insensibility alone could never have produced this icy chill. He raised his head in the darkness, and cried aloud to those approaching. He meant to cry: “Help! Murder!” But fear prevented clear articulation. What he shouted was: “Heh! Mer!” On which, from the neighborhood of the staircase, somebody began to fire a revolver.

The Earl of Emsworth had been sleeping a sound and peaceful sleep when the imbroglio began downstairs. He sat up and listened. Yes; undoubtedly burglars! He switched on his light and jumped out of bed. He took a pistol from a drawer, and thus armed went to look into the matter. The dreamy peer was no poltroon.

It was quite dark when he arrived on the scene of conflict, in the van of a mixed bevy of pyjamaed and dressing-gowned relations. He was in the van because, meeting these relations in the passage above, he had said to them: “Let me go first. I have a pistol.” And they had let him go first. They were, indeed, awfully nice about it, not thrusting themselves forward or jostling or anything, but behaving in a modest and self-effacing manner that was pretty to watch.

When Lord Emsworth said, “Let me go first,” young Algernon Wooster, who was on the very point of leaping to the fore, said, “Yes, by Jove!