Prejudices, First Series

Every now and then, a sense of the futility of their daily endeavors falling suddenly upon them, the critics of Christendom turn to a somewhat sour and depressing consideration of the nature and objects of their own craft. That is to say, they turn to criticizing criticism. What is it in plain words? What is its aim, exactly stated in legal terms? How far can it go? What good can it do? What is its normal effect upon the artist and the work of art?

Such a spell of self-searching has been in progress for several years past, and the critics of various countries have contributed theories of more or less lucidity and plausibility to the discussion. Their views of their own art, it appears, are quite as divergent as their views of the arts they more commonly deal with.

Ten or twelve years ago, being engaged in a bombastic discussion with what was then known as an intellectual Socialist (like the rest of the intelligentsia, he succumbed to the first fife-corps of the war, pulled down the red flag, damned Marx as a German spy, and began whooping for Elihu Root, Otto Kahn and Abraham Lincoln), I was greatly belabored and incommoded by his long quotations from a certain Prof. Dr. Thorstein Veblen, then quite unknown to me. My antagonist manifestly attached a great deal of importance to these borrowed sagacities, for he often heaved them at me in lengths of a column or two, and urged me to read every word of them. I tried hard enough, but found it impossible going. The more I read them, in fact, the less I could make of them, and so in the end, growing impatient and impolite, I denounced this Prof. Veblen as a geyser of pishposh, refused to waste any more time upon his incomprehensible syllogisms, and applied myself to the other Socialist witnesses in the case, seeking to set fire to their shirts.

But if a sense of duty tortures a man, it also enables him to achieve prodigies, and so I managed to get through the whole infernal job. I read “The Theory of the Leisure Class,” I read “The Theory of Business Enterprise,” and then I read “The Instinct of Workmanship.” An hiatus followed; I was racked by a severe neuralgia, with delusions of persecution. On recovering I tackled “Imperial Germany and the Industrial Revolution.” Malaria for a month, and then “The Nature of Peace and the Terms of Its Perpetuation.” What ensued was never diagnosed; probably it was some low infection of the mesentery or spleen. When it passed off, leaving only an asthmatic cough, I read “The Higher Learning in America,” and then went to Mt. Clemens to drink the Glauber’s salts. Eureka! the business was done! It had strained me, but now it was over. Alas, a good part of the agony had been needless. What I found myself aware of, coming to the end, was that practically the whole system of Prof. Dr. Veblen was in his first book and his last—that is, in “The Theory of the Leisure Class,” and “The Higher Learning in America.” I pass on the good news. Read these two, and you won’t have to read the others. And if even two daunt you, then read the first. Once through it, though you will have missed many a pearl and many a pain, you will have a fairly good general acquaintance with the gifted metaphysician’s ideas.

Of all the pseudo-rebels who have raised a tarletan black flag in These States, surely Mary MacLane is one of the most pathetic. When, at nineteen, she fluttered Vassar with “The Story of Mary MacLane,” the truth about her was still left somewhat obscure; the charm of her flapperhood, so to speak, distracted attention from it, and so concealed it. But when, at thirty-five, she achieved “I, Mary MacLane,” it emerged crystal-clear; she had learned to describe her malady accurately, though she still wondered, a bit wistfully, just what it was. And that malady? That truth? Simply that a Scotch Presbyterian with a soaring soul is as cruelly beset as a wolf with fleas, a zebra with the botts. Let a spark of the divine fire spring to life in that arid corpse, and it must fight its way to flame through a drum fire of wet sponges. A humming bird immersed in Kartoffelsuppe. Walter Pater writing for the London Daily Mail. Lucullus traveling steerage.... A Puritan wooed and tortured by the leers of beauty, Mary MacLane in a moral republic, in a Presbyterian diocese, in Butte....

I hope my figures of speech are not too abstruse. What I mean to say is simply this: that the secret of Mary MacLane is simply this: that the origin of all her inchoate naughtiness is simply this: that she is a Puritan who has heard the call of joy and is struggling against it damnably. Remember so much, and the whole of her wistful heresy becomes intelligible.