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The Will to Power, Books III and IV

by Friedrich Nietzsche

Length: 102,393 words, about 410 pages, about 7 hours to read

Philosophy

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I. THE WILL TO POWER IN SCIENCE.

All methods, all the hypotheses on which the science of our day depends, were treated with the profoundest contempt for centuries: on their account a man used to be banished from the society of respectable people—he was held to be an "enemy of God," a reviler of the highest ideal, a madman.

We had the whole pathos of mankind against us,—our notion of what "truth" ought to be, of what the service of truth ought to be, our objectivity, our method, our calm, cautious and distrustful manner were altogether despicable.... At bottom, that which has kept men back most, is an æsthetic taste: they believed in the picturesque effect of truth; what they demanded of the scientist was, that he should make a strong appeal to their imagination.

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I. THE WILL TO POWER IN SCIENCE.

(c) The Belief in the "Ego." Subject.

481.

In opposition to Positivism, which halts at phenomena and says, "These are only facts and nothing more," I would say: No, facts are precisely what is lacking, all that exists consists of interpretations. We cannot establish any fact "in itself": it may even be nonsense to desire to do such a thing. "Everything is subjective," ye say: but that in itself is interpretation. The subject is nothing given, but something superimposed by fancy, something introduced behind.—Is it necessary to set an interpreter behind the interpretation already to hand? Even that would be fantasy, hypothesis.

To the extent to which knowledge has any sense at all, the world is knowable: but it may be interpreted differently, it has not one sense behind it, but hundreds of senses.—"Perspectivity."

It is our needs that interpret the world; our instincts and their impulses for and against. Every instinct is a sort of thirst for power; each has its point of view, which it would fain impose upon all the other instincts as their norm.

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I. THE WILL TO POWER IN SCIENCE.

A.

Man seeks "the truth": a world that does not contradict itself, that does not deceive, that does not change, a real world—a world in which there is no suffering: contradiction, deception, variability—-the causes of suffering! He does not doubt that there is such a thing as a world as it ought to be; he would fain find a road to it. (Indian criticism: even the ego is apparent and not real.)

Whence does man derive the concept of reality? —Why does he make variability, deception, contradiction, the origin of suffering; why not rather of his happiness? ...

The contempt and hatred of all that perishes, changes, and varies: whence comes this valuation of stability? Obviously, the will to truth is merely the longing for a stable world.

The senses deceive; reason corrects the errors: therefore, it was concluded, reason is the road to a static state; the most spiritual ideas must be nearest to the "real world."—It is from the senses that the greatest number of misfortunes come they are cheats, deluders, and destroyers.

Happiness can be promised only by Being: change and happiness exclude each other. The loftiest desire is thus to be one with Being. That is the formula for the way to happiness.

In summa: The world as it ought to be exists; this world in which we live is an error—this our world should not exist.

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II. THE WILL TO POWER IN NATURE.

to the other, an action we can neither see nor weigh, is just exactly what makes one material something different—with specifically different qualities.

624.

Against the physical atom.—In order to understand the world, we must be able to reckon it up; in order to be able to reckon it up, we must be aware of constant causes; but since we find no such constant causes in reality, we invent them for ourselves and call them atoms. This is the origin of the atomic theory.

The possibility of calculating the world, the possibility of expressing all phenomena by means of formulæ—is that really "understanding"? What would be understood of a piece of music, if all that were calculable in it and capable of being expressed in formulas, were reckoned up?—Thus "constant causes", things, substances, something "unconditioned," were therefore invented;—what has been attained thereby?

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IV. THE WILL TO POWER IN ART.

I.

The conception of the work which lies right in the background of this book, is extraordinarily gloomy and unpleasant: among all the types of pessimism which have ever been known hitherto, none seems to have attained to this degree of malice. The contrast of a true and of an apparent world is entirely absent here: there is but one world, and it is false, cruel, contradictory, seductive, and without sense. A world, thus constituted is the true world. We are in need of lies in order to rise superior to this reality, to this truth—that is to say, in order to live.... That lies should be necessary to life is part and parcel of the terrible and questionable character of existence.

Metaphysics, morality, religion, science, in this book, all these things are regarded merely as different forms of falsehood: by means of them we are led to believe in life. "Life, must inspire confidence"; the task which this imposes upon us is enormous. In order to solve, this problem man must already be a liar in his heart, but he must above all else be an artist. And he is that. Metaphysics, religion, morality, science, all these things are but the offshoot of his will to art, to falsehood, to a flight from "truth," to a denial of "truth." This ability, this artistic capacity par excellence of man—thanks to which he overcomes reality with lies,—is a quality which he has in common with all other forms of existence. He himself is indeed a piece of reality, of truth, of nature: how could he help being also a piece of genius in prevarication!

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10 of the best lines

At bottom, that which has kept men back most, is an æsthetic taste: they believed in the picturesque effect of truth; what they demanded of the scientist was, that he should make a strong appeal to their imagination.

I. THE WILL TO POWER IN SCIENCE.Keep reading from here

We can only take cognisance of a world which we ourselves have made.

I. THE WILL TO POWER IN SCIENCE.Keep reading from here

The belief, "It is thus and thus," must be altered into the will, "Thus and thus shall it be."

I. THE WILL TO POWER IN SCIENCE.Keep reading from here

I recognised the active and creative power within the accidental.—Accident is in itself nothing more than the clashing of creative impulses.

II. THE WILL TO POWER IN NATURE.Keep reading from here

For on love no institution can be founded.

III THE WILL TO POWER AS EXEMPLIFIED IN SOCIETY AND THE INDIVIDUAL.Keep reading from here

The sober-minded man, the tired man, the exhausted and dried-up man (e.g. the scholar), can have no feeling for art, because he does not possess the primitive force of art, which is the tyranny of inner riches: he who cannot give anything away cannot feel anything either.

IV. THE WILL TO POWER IN ART.Keep reading from here

Is art the result of dissatisfaction with reality? or is it the expression of gratitude for happiness experienced?

IV. THE WILL TO POWER IN ART.Keep reading from here

What will become of a man who no longer has any reasons for either defence or attack? What will remain of his passions when he has lost those which form his defence and his weapons?

I. THE ORDER OF RANK.Keep reading from here

Is one proud enough not to feel ashamed even of one's vanity?

II. DIONYSUS.Keep reading from here

The perishable nature of existence might be interpreted as the joy of procreative and destructive force, as unremitting creation.

II. DIONYSUS.Keep reading from here

All 142 The Will to Power, Books III and IV quotes, with the words around each

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Contents

  1. AN ATTEMPTED TRANSVALUATION OF ALL VALUES By
  2. FRIEDRICH NIETZSCHE
  3. The Complete Works of Friedrich Nietzsche
  4. CONTENTS OF VOL. II.
  5. TRANSLATOR'S PREFACE.
  6. THIRD BOOK.
  7. THE PRINCIPLES OF A NEW VALUATION.
  8. I. THE WILL TO POWER IN SCIENCE.
  9. II. THE WILL TO POWER IN NATURE.
  10. III THE WILL TO POWER AS EXEMPLIFIED IN SOCIETY AND THE INDIVIDUAL.
  11. IV. THE WILL TO POWER IN ART.
  12. FOURTH BOOK
  13. DISCIPLINE AND BREEDING.
  14. I. THE ORDER OF RANK.
  15. II. DIONYSUS.
  16. III. ETERNAL RECURRENCE.

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Text from Project Gutenberg. In the public domain in the USA. The Project Gutenberg License is kept inside the file. Every passage and line on this page is the book's own words, checked against the text.