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The Slaves of Paris

by Émile Gaboriau

Length: 204,562 words, about 818 pages, about 14 hours to read

Mystery

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What it is

A group of blackmailers play a long game on several families.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Putting on the Screw

The cold on the 8th of February, 186‒, was more intense than the Parisians had experienced during the whole of the severe winter which had preceded it, for at twelve o’clock on that day Chevalier’s thermometer, so well known by the denizens of Paris, registered three degrees below zero. The sky was overcast and full of threatening signs of snow, while the moisture on the pavement and roads had frozen hard, rendering traffic of all kinds exceedingly hazardous. The whole great city wore an air of dreariness and desolation, for even when a thin crust of ice covers the waters of the Seine, the mind involuntarily turns to those who have neither food, shelter, nor fuel.

This bitterly cold day actually made the landlady of the Hotel de Perou, though she was a hard, grasping woman of Auvergne, give a thought to the condition of her lodgers, and one quite different from her usual idea of obtaining the maximum of rent for the minimum of accommodation.

“The cold,” remarked she to her husband, who was busily engaged in replenishing the stove with fuel, “is enough to frighten the wits out of a Polar bear. In this kind of weather I always feel very anxious, for it was during a winter like this that one of our lodgers hung himself, a trick which cost us fifty francs, in good, honest money, besides giving us a bad name in the neighborhood.

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I: Putting on the Screw

“I know not,” she replied, after a brief pause; “but if I were a man, I do not think I would permit the woman, for whom I pretended that I had the most sincere affection, to be in want of the actual necessities of life. I would strain every effort to obtain them.”

“I have no trade; I am no mechanic,” broke in Paul passionately.

“Then I would learn one. Pray how much does a man earn who climbs the ladder with a bricklayer’s hod upon his shoulders? It may be hard work, I know, but surely the business is not difficult to learn. You have, or say you have, great musical talents. I say nothing about them; but had I any vocal powers and if there was not a morsel to eat in the house, I would go and sing in the taverns or even in the public streets, and would earn money, and care little for the means by which I made it.”

“When you say those things, you seem to forget that I am an honest man.”

“One would really suppose that I had suggested some questionable act to you. Your reply, Paul, plainly proves to me that you are one of those who, for want of determination, fall, helpless, by the wayside in the journey of life. They flaunt their rags and tatters in the eyes of the world, and with saddened hearts and empty stomachs utter the boast, ‘I am an honest man.’ Do you think that, in order to be rich, you must perforce be a rogue? This is simple imbecility.”

She uttered this tirade in clear and vibrant accents, and her eyes gleamed with the fire of savage resolution.

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I: Putting on the Screw

Daddy Tantaine unbuttoned his great coat with grave deliberation, and drew from an inner pocket a small scrap of paper which had been fastened to the lining by a pin. This he unfolded with the greatest of care and laid upon the table.

“A banknote for five hundred francs!” exclaimed Rose, with extreme surprise. Paul did not utter a word. Had he seen the woodwork of the chair upon which he was leaning burst into flower and leaf, he could not have looked more surprised. Who could have expected to find such a sum concealed beneath the old man’s tatters, and how could he have obtained so much money? The idea that some robbery had been committed at once occurred to both the young people, and they exchanged a meaning glance, which, however, did not escape the observation of their visitor.

“Pooh, pooh!” said he, without appearing in the slightest degree annoyed. “You must not give way to evil thoughts or suspicions. It is a fact that banknotes for five hundred francs don’t often grow out of a ragged pocket like mine. But I got this fellow honestly⁠—that I can guarantee.”

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V: A Forgotten Crime

“Take care; if you ring that bell, you will regret it to the last day of your life.”

This was too much for the Count’s patience, and letting go the bell rope, he snatched up a walking cane that was leaning against the chimneypiece, and made a rush toward his visitor. But Mascarin did not move or lift his hand in self-defence, contenting himself with saying calmly⁠—

“No violence, Count; remember Montlouis.”

At this name the Count grew livid, and dropping the cane from his nerveless hand staggered back a pace or two. Had a spectre suddenly stood up before him with threatening hand, he could not have been more horrified.

“Montlouis!” he murmured; “Montlouis!”

But now Mascarin, thoroughly assured of the value of his weapon, had resumed all his humbleness of demeanor.

“Believe me, my lord,” said he, “that I only mentioned this name on account of the immediate danger that threatens you.”

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VIII: The Little Glass Bottle

While he spoke the Counsellor had taken the little bottle from beside his account books and was turning it over and over between his fingers.

“Yes,” murmured he, thoughtfully; “the Duke is quite likely to outlive us all, unless, indeed⁠—”

He took the cork from the bottle, and poured a little of the contents into the palm of his hand. A few grains of fine white powder, glittering like crystal, appeared on the brown skin of the Counsellor.

“And yet,” he went on, in cold, sinister accents, “let him take but a small pinch of this, and no one need fear his tyranny again in this world. No one is much afraid of a man who lies some six feet under ground, shut up in a strong oak coffin, with a finely carved gravestone over his head.”

He stopped short, and fixed his keen eyes upon the agitated girl, who stood in front of him. For at least two minutes the man and the girl stood face to face, motionless, and without exchanging a word. Through the dead, weird silence, the pulsations of their hearts were plainly audible. It seemed as if before speaking again each wished to fathom the depths of guilt that lay in the other’s heart. It was a compact entered into by look and not by speech; and Daumon so well understood this, that at length, when he did speak, his voice sank to a hoarse whisper, as though he himself feared to listen to the utterance of his own thoughts.

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10 of the best lines

“That is not at all the same thing,” answered she coolly. “I was not made for work.”

I: Putting on the ScrewKeep reading from here

Since the time of Montaigne, a servant’s portrait of his employer should always be distrusted.

V: A Forgotten CrimeKeep reading from here

When Mascarin was asked what was the best way to achieve certain results, his invariable reply was, “Keep moving, keep moving.”

X: “You Are a Thief”Keep reading from here

“If you are afraid of your own husband, go to someone else’s,” said he roughly

XI: The Man-MillinerKeep reading from here

I went into that house an honest man, and left it a degraded scoundrel.

XVII: Some Scraps of PaperKeep reading from here

“Who presumes to be unhappy in this establishment?”

XXII: Diamond Cut DiamondKeep reading from here

Never did any man more successfully assume an air of astonishment than did Daumon at this moment.

IV: A Financial TransactionKeep reading from here

No one is much afraid of a man who lies some six feet under ground, shut up in a strong oak coffin, with a finely carved gravestone over his head.

VIII: The Little Glass BottleKeep reading from here

It is said that blood will wash out any stain, but it is false; for even if all yours is shed, it will not remove the stain from my escutcheon.

XVI: Husband and LoverKeep reading from here

Misfortune is a harsh teacher; some weeks ago he would have smiled superciliously at the mere idea of granting his daughter’s hand to a struggling artist

XXX: The Veiled PortraitKeep reading from here

All 44 The Slaves of Paris quotes, with the words around each

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Contents

All 64 parts
  1. Part I: Caught in the Net
  2. I: Putting on the Screw
  3. II: A Registry Office
  4. III: The Opinion of Dr. Hortebise
  5. IV: A Trustworthy Servant
  6. V: A Forgotten Crime
  7. VI: A Medical Advisor
  8. VII: In the Studio
  9. VIII: Mademoiselle de Mussidan
  10. IX: Rose’s Promotion
  11. X: “You Are a Thief”
  12. XI: The Man-Milliner
  13. XII: A Startling Revelation
  14. XIII: Husband and Wife
  15. XIV: Father and Daughter
  16. XV: Master Chupin
  17. XVI: A Turn of the Screw
  18. XVII: Some Scraps of Paper
  19. XVIII: An Infamous Trade
  20. XIX: A Friendly Rival
  21. XX: A Council of War
  22. XXI: An Academy of Music
  23. XXII: Diamond Cut Diamond
  24. XXIII: Father and Son
  25. XXIV: An Artful Trick
  26. XXV: A New Skin
  27. XXVI: At the Grand Turk
  28. XXVII: The Last Link
  29. Part II: The Champdoce Mystery
  30. I: A Ducal Monomaniac
  31. II: A Dangerous Acquaintance
  32. III: A Bold Adventure
  33. IV: A Financial Transaction
  34. V: A Bad Start
  35. VI: The Count de Puymandour
  36. VII: An Unlucky Blow
  37. VIII: The Little Glass Bottle
  38. IX: The Honor of the Name
  39. X: A Thunderbolt
  40. XI: Marriage Bells; Funeral Knells
  41. XII: “Rash Word, Rash Deed”
  42. XIII: A Scheme of Vengeance
  43. XIV: False Friend, Old Lover
  44. XV: A Stab in the Dark
  45. XVI: Husband and Lover
  46. XVII: Blade to Blade
  47. XVIII: The Heir of Champdoce
  48. XIX: Mascarin Speaks
  49. XX: A Sudden Check
  50. XXI: A Melancholy Masher
  51. XXII: A Gentleman in Difficulties
  52. XXIII: Ringing the Changes
  53. XXIV: The Vanishing Bills
  54. XXV: The Spy
  55. XXVI: Mascarin Moves
  56. XXVII: A Cruel Slur
  57. XXVIII: The Tempter
  58. XXIX: The Tafila Copper Mines, Limited
  59. XXX: The Veiled Portrait
  60. XXXI: Gaston’s Dilemma
  61. XXXII: M. Lecoq
  62. XXXIII: Through the Air
  63. XXXIV: The Day of Reckoning
  64. XXXV: “Every Man to His Own Place”

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.