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The Maltese Falcon

by Dashiell Hammett

Length: 67,343 words, about 269 pages, about 5 hours to read

Mystery

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What it is

A detective becomes embroiled in a series of murders and intrigues, all seemingly related to a mysterious figurine.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Spade & Archer

Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The v motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down⁠—from high flat temples⁠—in a point on his forehead. He looked rather pleasantly like a blond satan.

He said to Effie Perine: “Yes, sweetheart?”

She was a lanky sunburned girl whose tan dress of thin woolen stuff clung to her with an effect of dampness. Her eyes were brown and playful in a shiny boyish face. She finished shutting the door behind her, leaned against it, and said: “There’s a girl wants to see you. Her name’s Wonderly.”

“A customer?”

“I guess so. You’ll want to see her anyway: she’s a knockout.”

“Shoo her in, darling,” said Spade. “Shoo her in.”

Effie Perine opened the door again, following it back into the outer office, standing with a hand on the knob while saying: “Will you come in, Miss Wonderly?”

A voice said, “Thank you,” so softly that only the purest articulation made the words intelligible, and a young woman came through the doorway. She advanced slowly, with tentative steps, looking at Spade with cobalt-blue eyes that were both shy and probing.

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VI: The Undersized Shadow

He stood there until it seemed plain that he meant to ignore her invitation to sit beside her, and then crossed to the settee.

“You aren’t,” he asked as he sat down, “exactly the sort of person you pretend to be, are you?”

“I’m not sure I know what you mean,” she said in her hushed voice, looking at him with puzzled eyes.

“Schoolgirl manner,” he explained, “stammering and blushing and all that.”

She blushed and replied hurriedly, not looking at him: “I told you this afternoon that I’ve been bad⁠—worse than you could know.”

“That’s what I mean,” he said. “You told me that this afternoon in the same words, same tone. It’s a speech you’ve practiced.”

After a moment in which she seemed confused almost to the point of tears she laughed and said: “Very well, then, Mr. Spade, I’m not at all the sort of person I pretend to be. I’m eighty years old, incredibly wicked, and an iron-molder by trade. But if it’s a pose it’s one I’ve grown into, so you won’t expect me to drop it entirely, will you?”

“Oh, it’s all right,” he assured her. “Only it wouldn’t be all right if you were actually that innocent. We’d never get anywhere.”

“I won’t be innocent,” she promised with a hand on her heart.

“I saw Joel Cairo tonight,” he said in the manner of one making polite conversation.

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VII: G in the Air

A man named Flitcraft had left his real-estate-office, in Tacoma, to go to luncheon one day and had never returned. He did not keep an engagement to play golf after four that afternoon, though he had taken the initiative in making the engagement less than half an hour before he went out to luncheon. His wife and children never saw him again. His wife and he were supposed to be on the best of terms. He had two children, boys, one five and the other three. He owned his house in a Tacoma suburb, a new Packard, and the rest of the appurtenances of successful American living.

Flitcraft had inherited seventy thousand dollars from his father, and, with his success in real estate, was worth something in the neighborhood of two hundred thousand dollars at the time he vanished. His affairs were in order, though there were enough loose ends to indicate that he had not been setting them in order preparatory to vanishing. A deal that would have brought him an attractive profit, for instance, was to have been concluded the day after the one on which he disappeared. There was nothing to suggest that he had more than fifty or sixty dollars in his immediate possession at the time of his going.

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XI: The Fat Man

Spade went in. A fat man came to meet him.

The fat man was flabbily fat with bulbous pink cheeks and lips and chins and neck, with a great soft egg of a belly that was all his torso, and pendant cones for arms and legs. As he advanced to meet Spade all his bulbs rose and shook and fell separately with each step, in the manner of clustered soap-bubbles not yet released from the pipe through which they had been blown. His eyes, made small by fat puffs around them, were dark and sleek. Dark ringlets thinly covered his broad scalp. He wore a black cutaway coat, black vest, black satin Ascot tie holding a pinkish pearl, striped grey worsted trousers, and patent-leather shoes.

His voice was a throaty purr. “Ah, Mr. Spade,” he said with enthusiasm and held out a hand like a fat pink star.

Spade took the hand and smiled and said: “How do you do, Mr. Gutman?”

Holding Spade’s hand, the fat man turned beside him, put his other hand to Spade’s elbow, and guided him across a green rug to a green plush chair beside a table that held a siphon, some glasses, and a bottle of Johnnie Walker whiskey on a tray, a box of cigars⁠—Coronas del Ritz⁠—two newspapers, and a small and plain yellow soapstone box.

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XVI: The Third Murder

The corridor door opened. Spade shut his mouth. Effie Perine jumped down from the desk, but a man opened the connecting door before she could reach it.

“Where’s Spade?” the man asked.

His voice brought Spade up erect and alert in his chair. It was a voice harsh and rasping with agony and with the strain of keeping two words from being smothered by the liquid bubbling that ran under and behind them.

Effie Perine, frightened, stepped out of the man’s way.

He stood in the doorway with his soft hat crushed between his head and the top of the doorframe: he was nearly seven feet tall. A black overcoat cut long and straight and like a sheath, buttoned from throat to knees, exaggerated his leanness. His shoulders stuck out, high, thin, angular. His bony face⁠—weather-coarsened, age-lined⁠—was the color of wet sand and was wet with sweat on cheeks and chin. His eyes were dark and bloodshot and mad above lower lids that hung down to show pink inner membrane. Held tight against the left side of his chest by a black-sleeved arm that ended in a yellowish claw was a brown-paper-wrapped parcel bound with thin rope⁠—an ellipsoid somewhat larger than an American football.

The tall man stood in the doorway and there was nothing to show that he saw Spade. He said, “You know⁠—” and then the liquid bubbling came up in his throat and submerged whatever else he said. He put his other hand over the hand that held the ellipsoid. Holding himself stiffly straight, not putting his hands out to break his fall, he fell forward as a tree falls.

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10 of the best lines

He looked rather pleasantly like a blond satan.

I: Spade & ArcherKeep reading from here

“We believed your two hundred dollars.”

IV: The Black BirdKeep reading from here

“Most things in San Francisco can be bought, or taken.”

VI: The Undersized ShadowKeep reading from here

He felt like somebody had taken the lid off life and let him look at the works.

VII: G in the AirKeep reading from here

My way of learning is to heave a wild and unpredictable monkey-wrench into the machinery.

IX: BrigidKeep reading from here

I distrust a closemouthed man. He generally picks the wrong time to talk and says the wrong things.

XI: The Fat ManKeep reading from here

My guess might be excellent, or it might be crummy, but Mrs. Spade didn’t raise any children dippy enough to make guesses in front of a district attorney, an assistant district attorney, and a stenographer.

XV: Every CrackpotKeep reading from here

“Dead gamblers don’t have any friends,” Spade said.

XV: Every CrackpotKeep reading from here

“If you kill me, how are you going to get the bird? If I know you can’t afford to kill me till you have it, how are you going to scare me into giving it to you?”

XVIII: The Fall-GuyKeep reading from here

“When you’re young you simply don’t understand things.”

XIX: The Russian’s HandKeep reading from here

All 31 The Maltese Falcon quotes, with the words around each

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Contents

  1. I: Spade & Archer
  2. II: Death in the Fog
  3. III: Three Women
  4. IV: The Black Bird
  5. V: The Levantine
  6. VI: The Undersized Shadow
  7. VII: G in the Air
  8. VIII: Horse Feathers
  9. IX: Brigid
  10. X: The Belvedere Divan
  11. XI: The Fat Man
  12. XII: Merry-Go-Round
  13. XIII: The Emperor’s Gift
  14. XIV: La Paloma
  15. XV: Every Crackpot
  16. XVI: The Third Murder
  17. XVII: Saturday Night
  18. XVIII: The Fall-Guy
  19. XIX: The Russian’s Hand
  20. XX: If They Hang You

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.