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The Dain Curse

by Dashiell Hammett

Length: 68,687 words, about 275 pages, about 5 hours to read

Mystery

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What it is

A detective assigned to investigate a diamond theft finds himself entangled by a family curse.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Eight Diamonds

It was a diamond all right, shining in the grass half a dozen feet from the blue brick walk. It was small, not more than a quarter of a carat in weight, and unmounted. I put it in my pocket and began searching the lawn as closely as I could without going at it on all fours.

I had covered a couple of square yards of sod when the Leggetts’ front door opened.

A woman came out on the broad stone top step and looked down at me with good-humored curiosity.

She was a woman of about my age, forty, with darkish blond hair, a pleasant plump face, and dimpled pink cheeks. She had on a lavender-flowered white housedress.

I stopped poking at the grass and went up to her, asking: “Is Mr. Leggett in?”

“Yes.” Her voice was placid as her face. “You wish to see him?”

I said I did.

She smiled at me and at the lawn.

“You’re another detective, aren’t you?”

I admitted that.

She took me up to a green, orange, and chocolate room on the second floor, put me in a brocaded chair, and went to call her husband from his laboratory. While I waited, I looked around the room, deciding that the dull orange rug under my feet was probably both genuinely oriental and genuinely ancient, that the walnut furniture hadn’t been ground out by machinery, and that the Japanese pictures on the wall hadn’t been selected by a prude.

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V: Gabrielle

I rang the bell. The door was opened immediately by a broad-shouldered, meaty woman of some year close to fifty. She was a good three inches taller than my five feet six. Flesh hung in little bags on her face, but there was neither softness nor looseness in her eyes and mouth. Her long upper lip had been shaved. She was dressed in black, black clothes that covered her from chin and earlobes to within less than an inch of the floor.

“We want to see Miss Leggett,” I said.

She pretended she hadn’t understood me.

“We want to see Miss Leggett,” I repeated. “Miss Gabrielle Leggett.”

“I don’t know.” Her voice was bass. “But come in.”

She took us not very cheerfully into a small, dimly lighted reception room to one side of the foyer, told us to wait there, and went away.

“Who’s the village-blacksmith?” I asked Collinson.

He said he didn’t know her. He fidgeted around the room. I sat down. Drawn blinds let in too little light for me to make out much of the room, but the rug was soft and thick, and what I could see of the furniture leaned towards luxury rather than severity.

Except for Collinson’s fidgeting, no sound came from anywhere in the building. I looked at the open door and saw that we were being examined.

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X: Dead Flowers

So far as we could see we had the joint to ourselves. And then we didn’t.

Gabrielle Leggett came around a corner just ahead of us. She was barefooted. Her only clothing was a yellow silk nightgown that was splashed with dark stains. In both hands, held out in front of her as she walked, she carried a large dagger, almost a sword. It was red and wet. Her hands and bare arms were red and wet. There was a dab of blood on one of her cheeks. Her eyes were clear, bright, and calm. Her small forehead was smooth, her mouth and chin firmly set.

She walked up to me, her untroubled gaze holding my probably troubled one, and said evenly, just as if she had expected to find me there, had come there to find me:

“Take it. It is evidence. I killed him.”

I said: “Huh?”

Still looking straight into my eyes, she said:

“You are a detective. Take me to where they will hang me.”

It was easier to move my hand than my tongue. I took the bloody dagger from her. It was a broad, thick-bladed weapon, double-edged, with a bronze hilt like a cross.

Eric Collinson pushed past me, babbling words that nobody could have made out, going for the girl with shaking outstretched hands. She shrank over against the wall, away from him, fear in her face.

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XI: God

Not more than three feet away, there in the black room, a pale bright thing like a body, but not like flesh, stood writhing before me.

It was tall, yet not so tall as it seemed, because it didn’t stand on the floor, but hovered with its feet a foot or more above the floor. Its feet⁠—it had feet, but I don’t know what their shape was. They had no shape, just as the thing’s legs and torso, arms and hands, head and face, had no shape, no fixed form. They writhed, swelling and contracting, stretching and shrinking, not greatly, but without pause. An arm drifted into the body, was swallowed by the body, came out again as if poured out. The nose stretched down over the gaping shapeless mouth, shrank back up into the face till it was flush with the pulpy cheeks, grew out again. Eyes spread until they were one gigantic eye that blotted out the whole upper face, diminished until there was no eye, and opened in their places again. The legs were now one leg like a twisting, living pedestal, and then three, and then two. No feature or member ever stopped twisting, quivering, writhing long enough for its average outline, its proper shape, to be seen. The thing was a thing like a man who floated above the floor, with a horrible grimacing greenish face and pale flesh that was not flesh, that was visible in the dark, and that was as fluid and as unresting and as transparent as tidal water.

I knew⁠—then⁠—that I was off-balance from breathing the dead-flower stuff, but I couldn’t⁠—though I tried to⁠—tell myself that I did not see this thing. It was there.

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XVI: The Night Hunt

We finished the ground-floor with a blank score, and went upstairs. There, after ten minutes of poking around, we found something. Rolly pulled it out from between bed-slats and mattress. It was a small flat bundle wrapped in a white linen towel.

Cotton dropped the mattress, which he had been holding up for the deputy to look under, and joined us as we crowded around Rolly’s package. Vernon took it from the deputy sheriff and unrolled it on the bed. Inside the towel were a package of hairpins, a lace-edged white handkerchief, a silver hairbrush and comb engraved G. D. L., and a pair of black kid gloves, small and feminine.

I was more surprised than anyone else could have been.

“G. D. L.,” I said, to be saying something, “could be Gabrielle Something Leggett⁠—Mrs. Collinson’s name before she was married.”

Cotton said triumphantly: “You’re durned right it could.”

A heavy voice said from the doorway:

“Have you got a search-warrant? What the hell are you doing here if you haven’t? It’s burglary, and you know it.”

Harvey Whidden was there. His big body, in a yellow slicker, filled the doorway. His heavy-featured face was dark and angry.

Vernon began: “Whidden, I⁠—”

The marshal screamed, “It’s him!” and pulled a gun from under his coat.

I pushed his arm as he fired at the man in the doorway. The bullet hit the wall.

Whidden’s face was now more astonished than angry. He jumped back through the doorway and ran downstairs. Cotton, upset by my push, straightened himself up, cursed me, and ran out after Whidden. Vernon, Feeney, and Rolly stood staring after them.

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10 of the best lines

“I was afraid I’d read them and understand them,” I explained, “and then you’d have felt insulted.”

III: Something BlackKeep reading from here

“Relieves congestion,” I said.

III: Something BlackKeep reading from here

“It’s fellows like you that take all the color out of life.”

VIII: But and IfKeep reading from here

“Take it. It is evidence. I killed him.”

X: Dead FlowersKeep reading from here

“What a childish mind you’ve got,” I said.

XII: The Unholy GrailKeep reading from here

You don’t catch murderers by amusing yourself with interesting thoughts.

XVIII: The PineappleKeep reading from here

Nobody thinks clearly, no matter what they pretend.

XIX: The DegenerateKeep reading from here

The outcome of successful planning always looks like luck to saps.

XX: The House in the CoveKeep reading from here

You know there’s not necessarily any connection between what’s true and what you go into court with⁠—or into the newspapers.

XXI: Aaronia HaldornKeep reading from here

“It’s no fun if I’m really cracked.”

XXII: ConfessionalKeep reading from here

All 22 The Dain Curse quotes, with the words around each

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Contents

All 26 parts
  1. Part I: The Dains
  2. I: Eight Diamonds
  3. II: Long-Nose
  4. III: Something Black
  5. IV: The Vague Harpers
  6. V: Gabrielle
  7. VI: The Man from Devil’s Island
  8. VII: The Curse
  9. VIII: But and If
  10. Part II: The Temple
  11. IX: Tad’s Blind Man
  12. X: Dead Flowers
  13. XI: God
  14. XII: The Unholy Grail
  15. Part III: Quesada
  16. XIII: The Cliff Road
  17. XIV: The Crumpled Chrysler
  18. XV: I’ve Killed Him
  19. XVI: The Night Hunt
  20. XVII: Below Dull Point
  21. XVIII: The Pineapple
  22. XIX: The Degenerate
  23. XX: The House in the Cove
  24. XXI: Aaronia Haldorn
  25. XXII: Confessional
  26. XXIII: The Circus

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.