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Continental Op Stories

by Dashiell Hammett

Length: 307,967 words, about 1,232 pages, about 22 hours to read

Short stories

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What it is

A collection of short stories about an unnamed agent of a detective agency in the early 1920s.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Arson Plus

Jim Tarr picked up the cigar I rolled across his desk, looked at the band, bit off an end, and reached for a match.

“Fifteen cents straight,” he said. “You must want me to break a couple of laws for you this time.”

I had been doing business with this fat sheriff of Sacramento County for four or five years⁠—ever since I came to the Continental Detective Agency’s San Francisco office⁠—and I had never known him to miss an opening for a sour crack; but it didn’t mean anything.

“Wrong both times,” I told him. “I get two of them for a quarter; and I’m here to do you a favor instead of asking for one. The company that insured Thornburgh’s house thinks somebody touched it off.”

“That’s right enough, according to the fire department. They tell me the lower part of the house was soaked with gasoline, but God knows how they could tell⁠—there wasn’t a stick left standing. I’ve got McClump working on it, but he hasn’t found anything to get excited about yet.”

“What’s the layout? All I know is that there was a fire.”

Tarr leaned back in his chair, turned his red face to the ceiling, and bellowed:

“Hey, Mac!”

The pearl push-buttons on his desk are ornaments as far as he is concerned. Deputy sheriffs McHale, McClump and Macklin came to the door together⁠—MacNab apparently wasn’t within hearing.

“What’s the idea?” the sheriff demanded of McClump. “Are you carrying a bodyguard around with you?”

The two other deputies, thus informed as to who “Mac” referred to this time, went back to their cribbage game.

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Crooked Souls

Harvey Gatewood had issued orders that I was to be admitted as soon as I arrived, so it only took me a little less than fifteen minutes to thread my way past the doorkeepers, office boys, and secretaries who filled up most of the space between the Gatewood Lumber Corporation’s front door and the president’s private office. His office was large, all mahogany and bronze and green plush, with a mahogany desk as big as a bed in the center of the floor.

Gatewood, leaning across the desk, began to bark at me as soon as the obsequious clerk who had bowed me in bowed himself out.

“My daughter was kidnapped last night! I want the ⸻ that did it if it takes every cent I got!”

“Tell me about it,” I suggested, drawing up the chair that he hadn’t thought to offer me.

But he wanted results, it seemed, and not questions, and so I wasted nearly an hour getting information that he could have given me in fifteen minutes.

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Bodies Piled Up

The Montgomery is a quiet hotel of the better sort, and so I had a very restful time of it⁠—until the third and last day.

Then things changed.

I came down into the lobby that afternoon to find Stacey, the assistant manager on duty at the time, hunting for me.

“One of the maids just phoned that there’s something wrong up in 906,” he said.

We went up to that room together. The door was open. In the center of the floor stood a maid, staring goggle-eyed at the closed door of the clothespress. From under it, extending perhaps a foot across the floor toward us, was a snake-shaped ribbon of blood.

I stepped past the maid and tried the door. It was unlocked. I opened it. Slowly, rigidly, a man pitched out into my arms⁠—pitched out backward⁠—and there was a six-inch slit down the back of his coat, and the coat was wet and sticky.

That wasn’t altogether a surprise: the blood on the floor had prepared me for something of the sort. But when another followed him⁠—facing me, this one, with a dark, distorted face⁠—I dropped the one I had caught and jumped back.

And as I jumped a third man came tumbling out after the others.

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Bodies Piled Up

Peering through the smoke, I saw Orrett at once, seated alone in a far corner, looking at the dancers with the set blank face of one who masks an all-seeing watchfulness. I walked down the other side of the room and crossed the strip of dance-floor directly under a light, so that the scar might be clearly visible to him. Then I selected a vacant table not far from his, and sat down facing him.

Ten minutes passed while he pretended an interest in the dancers and I affected a thoughtful stare at the dirty cloth on my table; but neither of us missed so much as a flicker of the other’s lids.

His eyes⁠—grey eyes that were pale without being shallow, with black needlepoint pupils⁠—met mine after a while in a cold, steady, inscrutable stare; and, very slowly, he got to his feet. One hand⁠—his right⁠—in a side pocket of his dark coat, he walked straight across to my table and sat down opposite me.

“Cudner?”

“Looking for me, I hear,” I replied, trying to match the icy smoothness of his voice, as I was matching the steadiness of his gaze.

He had sat down with his left side turned slightly toward me, which put his right arm in not too cramped a position for straight shooting from the pocket that still held his hand.

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The House in Turk Street

Something cold touched the nape of my neck.

“Stand up!”

I didn’t stand up: I couldn’t. I was paralyzed. I sat and blinked at the Quarres.

And looking at them, I knew that something cold couldn’t be against the back of my neck; a harsh voice couldn’t have ordered me to stand up. It wasn’t possible!

Mrs. Quarre still sat primly upright against the cushions her husband had adjusted to her back; her eyes still twinkled with friendliness behind her glasses; her hands were still motionless in her lap, crossed at the wrists over the piece of knitting. The old man still stroked his white beard, and let cigar smoke drift unhurriedly from his nostrils.

They would go on talking about the young men in the neighborhood who might be the man I wanted. Nothing had happened. I had dozed.

“Get up!”

The cold thing against my neck jabbed deep into the flesh.

I stood up.

“Frisk him,” the harsh voice came from behind.

The old man carefully laid his cigar down, came to me, and ran his hands over my body. Satisfied that I was unarmed, he emptied my pockets, dropping the contents upon the chair that I had just left.

Mrs. Quarre was pouring herself some more tea.

“Thomas,” she said; “you’ve overlooked that little watch pocket in the trousers.”

He found nothing there.

“That’s all,” he told the man behind me, and returned to his chair and cigar.

Keep reading from here

10 of the best lines

We poked around in the ashes for a few minutes⁠—not that we expected to find anything, but because it’s the nature of man to poke around in ruins.

Arson PlusKeep reading from here

I don’t like eloquence: if it isn’t effective enough to pierce your hide, it’s tiresome; and if it is effective enough, then it muddles your thoughts.

Chapter IKeep reading from here

“If you’d saved up all the time different judges have given you, you’d have plenty.”

Chapter XIVKeep reading from here

He ain’t hampered by nothing like imagination or fear of consequences.

Chapter IKeep reading from here

The folks on the Hill aren’t a curious lot⁠—perhaps because most of them have something to hide on their own account.

Chapter VIIKeep reading from here

She talked a blend of thieves’ slang and high-school English, and didn’t say much about herself.

Chapter XIKeep reading from here

There was no place for us in the world. Outcasts easily become outlaws.

Chapter VIIIKeep reading from here

Honest, brother, I haven’t killed a millionaire in weeks, if that’s what’s worrying you.

Chapter IKeep reading from here

It’s crazy, God knows, but not silly. Your judgment was gummy, but your nerve’s all right.

VII: Lionel’s PlansKeep reading from here

The road looked like a seal’s back in the rain.

Chapter IKeep reading from here

All 162 Continental Op Stories quotes, with the words around each

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Contents

All 217 parts
  1. Arson Plus
  2. Crooked Souls
  3. Slippery Fingers
  4. It
  5. Bodies Piled Up
  6. The Tenth Clue
  7. I: “Do You Know … Emil Bonfils?”
  8. II: “That’s Something!”
  9. III: “A Sleek Kitten That Dame!”
  10. IV: “Maybe That Ain’t So Foolish!”
  11. V: “Meet Mr. Smith”
  12. VI: “Those Damned Horns!”
  13. VII: “You Have a Lot of Fun, Don’t You?”
  14. VIII: “I Hope You Swing!”
  15. Night Shots
  16. Chapter I
  17. Chapter II
  18. Chapter III
  19. Chapter IV
  20. Zigzags of Treachery
  21. Chapter I
  22. Chapter II
  23. Chapter III
  24. Chapter IV
  25. Chapter V
  26. Chapter VI
  27. Chapter VII
  28. Chapter VIII
  29. Chapter IX
  30. Chapter X
  31. Chapter XI
  32. Chapter XII
  33. One Hour
  34. Chapter I
  35. Chapter II
  36. Chapter III
  37. The House in Turk Street
  38. The Girl with the Silver Eyes
  39. Chapter I
  40. Chapter II
  41. Chapter III
  42. Chapter IV
  43. Chapter V
  44. Chapter VI
  45. Chapter VII
  46. Chapter VIII
  47. Chapter IX
  48. Chapter X
  49. Chapter XI
  50. Chapter XII
  51. Chapter XIII
  52. Chapter XIV
  53. Chapter XV
  54. Chapter XVI
  55. Chapter XVII
  56. Chapter XVIII
  57. Chapter XIX
  58. Women, Politics & Murder
  59. Chapter II
  60. Chapter III
  61. Chapter IV
  62. Chapter V
  63. Chapter VI
  64. Chapter VII
  65. Chapter VIII
  66. The Golden Horseshoe
  67. Chapter I
  68. Chapter II
  69. Chapter III
  70. Chapter IV
  71. Chapter V
  72. Chapter VI
  73. Chapter VII
  74. Chapter VIII
  75. Chapter IX
  76. Who Killed Bob Teal?
  77. Mike or Alec or Rufus
  78. The Whosis Kid
  79. Chapter I
  80. Chapter II
  81. Chapter III
  82. Chapter IV
  83. Chapter V
  84. Chapter VI
  85. Chapter VII
  86. Chapter VIII
  87. Chapter IX
  88. Chapter X
  89. Chapter XI
  90. Chapter XII
  91. Chapter XIII
  92. The Scorched Face
  93. Chapter I
  94. Chapter II
  95. Chapter III
  96. Chapter IV
  97. Chapter V
  98. Chapter VI
  99. Chapter VII
  100. Chapter VIII
  101. Chapter IX
  102. Chapter X
  103. Chapter XI
  104. Corkscrew
  105. Chapter I
  106. Chapter II
  107. Chapter III
  108. Chapter IV
  109. Chapter V
  110. Chapter VI
  111. Chapter VII
  112. Chapter VIII
  113. Chapter IX
  114. Chapter X
  115. Chapter XI
  116. Chapter XII
  117. Chapter XIII
  118. Chapter XIV
  119. Chapter XV
  120. Chapter XVI
  121. Chapter XVII
  122. Dead Yellow Women
  123. Chapter I
  124. Chapter II
  125. Chapter III
  126. Chapter IV
  127. Chapter V
  128. Chapter VI
  129. Chapter VII
  130. Chapter VIII
  131. Chapter IX
  132. Chapter X
  133. Chapter XI
  134. The Gutting of Couffignal
  135. Chapter I
  136. Chapter II
  137. Chapter III
  138. Chapter IV
  139. Chapter V
  140. Chapter VI
  141. Chapter VII
  142. Chapter VIII
  143. Chapter IX
  144. Creeping Siamese
  145. Chapter I
  146. Chapter II
  147. The Big Knock-Over
  148. Chapter II
  149. Chapter III
  150. Chapter IV
  151. Chapter V
  152. Chapter VI
  153. Chapter VII
  154. Chapter VIII
  155. Chapter IX
  156. Chapter X
  157. Chapter XI
  158. Chapter XII
  159. Chapter XIII
  160. Chapter XIV
  161. Chapter XV
  162. $106,000 Blood Money
  163. Chapter I
  164. Chapter II
  165. Chapter III
  166. Chapter IV
  167. Chapter V
  168. Chapter VI
  169. Chapter VII
  170. Chapter VIII
  171. Chapter IX
  172. Chapter X
  173. Chapter XI
  174. Chapter XII
  175. The Main Death
  176. This King Business
  177. I: “Yes”—and “No”
  178. II: Romaine
  179. III: Shadowing
  180. IV: Introductions
  181. V: A Flogging
  182. VI: Cards on the Table
  183. VII: Lionel’s Plans
  184. VIII: An Enlightening Interview
  185. IX: Conjectures
  186. X: Einarson in Control
  187. XI: A Romantic Interlude
  188. XII: The Night Before
  189. XIII: Progress Goes “Betune”
  190. XIV: Coronation
  191. XV: Bargain Hunters
  192. XVI: Lionel Rex
  193. XVII: Mob Law
  194. Flypaper
  195. Chapter I
  196. Chapter II
  197. Chapter III
  198. Chapter IV
  199. Chapter V
  200. Chapter VI
  201. Chapter VII
  202. Chapter VIII
  203. Chapter IX
  204. Chapter X
  205. The Farewell Murder
  206. Chapter I
  207. Chapter II
  208. Chapter III
  209. Chapter IV
  210. Chapter V
  211. Chapter VI
  212. Chapter VII
  213. Chapter VIII
  214. Chapter IX
  215. Chapter X
  216. Chapter XI
  217. Death and Company

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.