The Mill on the Floss

A wide plain, where the broadening Floss hurries on between its green banks to the sea, and the loving tide, rushing to meet it, checks its passage with an impetuous embrace. On this mighty tide the black ships⁠—laden with the fresh-scented fir-planks, with rounded sacks of oil-bearing seed, or with the dark glitter of coal⁠—are borne along to the town of St. Ogg’s, which shows its aged, fluted red roofs and the broad gables of its wharves between the low wooded hill and the river-brink, tingeing the water with a soft purple hue under the transient glance of this February sun. Far away on each hand stretch the rich pastures, and the patches of dark earth made ready for the seed of broad-leaved green crops, or touched already with the tint of the tender-bladed autumn-sown corn. There is a remnant still of last year’s golden clusters of beehive-ricks rising at intervals beyond the hedgerows; and everywhere the hedgerows are studded with trees; the distant ships seem to be lifting their masts and stretching their red-brown sails close among the branches of the spreading ash. Just by the red-roofed town the tributary Ripple flows with a lively current into the Floss. How lovely the little river is, with its dark changing wavelets! It seems to me like a living companion while I wander along the bank, and listen to its low, placid voice, as to the voice of one who is deaf and loving. I remember those large dipping willows. I remember the stone bridge.

And this is Dorlcote Mill. I must stand a minute or two here on the bridge and look at it, though the clouds are threatening, and it is far on in the afternoon.

Mr. Riley was turning over the leaves of the book, and she could make nothing of his face, with its high-arched eyebrows; but he presently looked at her, and said⁠—

“Come, come and tell me something about this book; here are some pictures⁠—I want to know what they mean.”

Maggie, with deepening colour, went without hesitation to Mr. Riley’s elbow and looked over the book, eagerly seizing one corner, and tossing back her mane, while she said⁠—

“Oh, I’ll tell you what that means. It’s a dreadful picture, isn’t it? But I can’t help looking at it. That old woman in the water’s a witch⁠—they’ve put her in to find out whether she’s a witch or no; and if she swims she’s a witch, and if she’s drowned⁠—and killed, you know⁠—she’s innocent, and not a witch, but only a poor silly old woman. But what good would it do her then, you know, when she was drowned? Only, I suppose, she’d go to heaven, and God would make it up to her. And this dreadful blacksmith with his arms akimbo, laughing⁠—oh, isn’t he ugly?⁠—I’ll tell you what he is. He’s the Devil really” (here Maggie’s voice became louder and more emphatic), “and not a right blacksmith; for the Devil takes the shape of wicked men, and walks about and sets people doing wicked things, and he’s oftener in the shape of a bad man than any other, because, you know, if people saw he was the Devil, and he roared at ’em, they’d run away, and he couldn’t make ’em do what he pleased.”

It was a heavy disappointment to Maggie that she was not allowed to go with her father in the gig when he went to fetch Tom home from the academy; but the morning was too wet, Mrs. Tulliver said, for a little girl to go out in her best bonnet. Maggie took the opposite view very strongly, and it was a direct consequence of this difference of opinion that when her mother was in the act of brushing out the reluctant black crop Maggie suddenly rushed from under her hands and dipped her head in a basin of water standing near, in the vindictive determination that there should be no more chance of curls that day.

“Maggie, Maggie!” exclaimed Mrs. Tulliver, sitting stout and helpless with the brushes on her lap, “what is to become of you if you’re so naughty? I’ll tell your aunt Glegg and your aunt Pullet when they come next week, and they’ll never love you any more. Oh dear, oh dear! look at your clean pinafore, wet from top to bottom. Folks ’ull think it’s a judgment on me as I’ve got such a child⁠—they’ll think I’ve done summat wicked.”

“Oh yes, there is time for this; do come, Tom.”

Tom followed Maggie upstairs into her mother’s room, and saw her go at once to a drawer, from which she took out a large pair of scissors.

“What are they for, Maggie?” said Tom, feeling his curiosity awakened.

Maggie answered by seizing her front locks and cutting them straight across the middle of her forehead.

“Oh, my buttons! Maggie, you’ll catch it!” exclaimed Tom; “you’d better not cut any more off.”

Snip! went the great scissors again while Tom was speaking, and he couldn’t help feeling it was rather good fun; Maggie would look so queer.

“Here, Tom, cut it behind for me,” said Maggie, excited by her own daring, and anxious to finish the deed.

“You’ll catch it, you know,” said Tom, nodding his head in an admonitory manner, and hesitating a little as he took the scissors.

“Never mind, make haste!” said Maggie, giving a little stamp with her foot. Her cheeks were quite flushed.

The black locks were so thick, nothing could be more tempting to a lad who had already tasted the forbidden pleasure of cutting the pony’s mane. I speak to those who know the satisfaction of making a pair of scissors meet through a duly resisting mass of hair. One delicious grinding snip, and then another and another, and the hinder-locks fell heavily on the floor, and Maggie stood cropped in a jagged, uneven manner, but with a sense of clearness and freedom, as if she had emerged from a wood into the open plain.

The swiftest pace and the shortest road took him to the gate, and he was pausing to open it deliberately, that he might walk into the house with an appearance of perfect composure, when Maggie came out at the front door in bonnet and shawl. His conjecture was fulfilled, and he waited for her at the gate. She started violently when she saw him.

“Tom, how is it you are come home? Is there anything the matter?” Maggie spoke in a low, tremulous voice.

“I’m come to walk with you to the Red Deeps, and meet Philip Wakem,” said Tom, the central fold in his brow, which had become habitual with him, deepening as he spoke.

Maggie stood helpless, pale and cold. By some means, then, Tom knew everything. At last she said, “I’m not going,” and turned round.

“Yes, you are; but I want to speak to you first. Where is my father?”

“Out on horseback.”

“And my mother?”

“In the yard, I think, with the poultry.”

“I can go in, then, without her seeing me?”

They walked in together, and Tom, entering the parlour, said to Maggie, “Come in here.”

She obeyed, and he closed the door behind her.

“Now, Maggie, tell me this instant everything that has passed between you and Philip Wakem.”

“Does my father know anything?” said Maggie, still trembling.

“No,” said Tom indignantly. “But he shall know, if you attempt to use deceit toward me any further.”

“I don’t wish to use deceit,” said Maggie, flushing into resentment at hearing this word applied to her conduct.

“Tell me the whole truth, then.”

“Perhaps you know it.”

“Never mind whether I know it or not. Tell me exactly what has happened, or my father shall know everything.”