Romola

Under this loggia, in the early morning of the 9th of April 1492, two men had their eyes fixed on each other: one was stooping slightly, and looking downward with the scrutiny of curiosity; the other, lying on the pavement, was looking upward with the startled gaze of a suddenly-awakened dreamer.

The standing figure was the first to speak. He was a grey-haired, broad-shouldered man, of the type which, in Tuscan phrase, is moulded with the fist and polished with the pickaxe; but the self-important gravity which had written itself out in the deep lines about his brow and mouth seemed intended to correct any contemptuous inferences from the hasty workmanship which Nature had bestowed on his exterior. He had deposited a large well-filled bag, made of skins, on the pavement, and before him hung a pedlar’s basket, garnished partly with small woman’s-ware, such as thread and pins, and partly with fragments of glass, which had probably been taken in exchange for those commodities.

“Young man,” he said, pointing to a ring on the finger of the reclining figure, “when your chin has got a stiffer crop on it, you’ll know better than to take your nap in street-corners with a ring like that on your forefinger. By the holy ’vangels! if it had been anybody but me standing over you two minutes ago⁠—but Bratti Ferravecchi is not the man to steal.

After Bratti had joined the knot of talkers, the young stranger, hopeless of learning what was the cause of the general agitation, and not much caring to know what was probably of little interest to any but born Florentines, soon became tired of waiting for Bratti’s escort; and chose to stroll round the piazza, looking out for some vendor of eatables who might happen to have less than the average curiosity about public news. But as if at the suggestion of a sudden thought, he thrust his hand into a purse or wallet that hung at his waist, and explored it again and again with a look of frustration.

“Not an obolus, by Jupiter!” he murmured, in a language which was not Tuscan or even Italian. “I thought I had one poor piece left. I must get my breakfast for love, then!”

He had not gone many steps farther before it seemed likely that he had found a quarter of the market where that medium of exchange might not be rejected.

In a corner, away from any group of talkers, two mules were standing, well adorned with red tassels and collars. One of them carried wooden milk-vessels, the other a pair of panniers filled with herbs and salads. Resting her elbow on the neck of the mule that carried the milk, there leaned a young girl, apparently not more than sixteen, with a red hood surrounding her face, which was all the more baby-like in its prettiness from the entire concealment of her hair.

Meanwhile the man who had entered the shop in company with the goldsmith⁠—a tall figure, about fifty, with a short trimmed beard, wearing an old felt hat and a threadbare mantle⁠—had kept his eye fixed on the Greek, and now said abruptly⁠—

“Young man, I am painting a picture of Sinon deceiving old Priam, and I should be glad of your face for my Sinon, if you’d give me a sitting.”

Tito Melema started and looked round with a pale astonishment in his face as if at a sudden accusation; but Nello left him no time to feel at a loss for an answer: “Piero,” said the barber, “thou art the most extraordinary compound of humours and fancies ever packed into a human skin. What trick wilt thou play with the fine visage of this young scholar to make it suit thy traitor? Ask him rather to turn his eyes upward, and thou mayst make a Saint Sebastian of him that will draw troops of devout women; or, if thou art in a classical vein, put myrtle about his curls and make him a young Bacchus, or say rather a Phoebus Apollo, for his face is as warm and bright as a summer morning; it made me his friend in the space of a ‘credo.’ ”

“Ay, Nello,” said the painter, speaking with abrupt pauses; “and if thy tongue can leave off its everlasting chirping long enough for thy understanding to consider the matter, thou mayst see that thou hast just shown the reason why the face of Messere will suit my traitor.

“A man’s ransom!”⁠—who was it that had said five hundred florins was more than a man’s ransom? If now, under this midday sun, on some hot coast far away, a man somewhat stricken in years⁠—a man not without high thoughts and with the most passionate heart⁠—a man who long years ago had rescued a little boy from a life of beggary, filth, and cruel wrong, had reared him tenderly, and been to him as a father⁠—if that man were now under this summer sun toiling as a slave, hewing wood and drawing water, perhaps being smitten and buffeted because he was not deft and active? If he were saying to himself, “Tito will find me: he had but to carry our manuscripts and gems to Venice; he will have raised money, and will never rest till he finds me out”? If that were certain, could he, Tito, see the price of the gems lying before him, and say, “I will stay at Florence, where I am fanned by soft airs of promised love and prosperity; I will not risk myself for his sake”? No, surely not, if it were certain. But nothing could be farther from certainty. The galley had been taken by a Turkish vessel on its way to Delos: that was known by the report of the companion galley, which had escaped. But there had been resistance, and probable bloodshed; a man had been seen falling overboard: who were the survivors, and what had befallen them amongst all the multitude of possibilities? Had not he, Tito, suffered shipwreck, and narrowly escaped drowning? He had good cause for feeling the omnipresence of casualties that threatened all projects with futility. The rumour that there were pirates who had a settlement in Delos was not to be depended on, or might be nothing to the purpose.

It seemed as if the piazza had been decorated for a real Florentine holiday.

Meanwhile in the grey light of the unadorned streets there were on-comers who made no show of linen and brocade, and whose humour was far from merry. Here, too, the French dress and hoofed shoes were conspicuous, but they were being pressed upon by a larger and larger number of non-admiring Florentines. In the van of the crowd were three men in scanty clothing; each had his hands bound together by a cord, and a rope was fastened round his neck and body, in such a way that he who held the extremity of the rope might easily check any rebellious movement by the threat of throttling. The men who held the ropes were French soldiers, and by broken Italian phrases and strokes from the knotted end of the rope, they from time to time stimulated their prisoners to beg. Two of them were obedient, and to every Florentine they had encountered had held out their bound hands and said in piteous tones⁠—

“For the love of God and the Holy Madonna, give us something towards our ransom! We are Tuscans: we were made prisoners in Lunigiana.”

But the third man remained obstinately silent under all the strokes from the knotted cord. He was very different in aspect from his two fellow-prisoners.