Adam Bede

With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader. With this drop of ink at the end of my pen, I will show you the roomy workshop of Mr. Jonathan Burge, carpenter and builder, in the village of Hayslope, as it appeared on the eighteenth of June, in the year of our Lord 1799.

The afternoon sun was warm on the five workmen there, busy upon doors and window-frames and wainscoting. A scent of pine-wood from a tentlike pile of planks outside the open door mingled itself with the scent of the elder-bushes which were spreading their summer snow close to the open window opposite; the slanting sunbeams shone through the transparent shavings that flew before the steady plane, and lit up the fine grain of the oak panelling which stood propped against the wall. On a heap of those soft shavings a rough, grey shepherd dog had made himself a pleasant bed, and was lying with his nose between his fore-paws, occasionally wrinkling his brows to cast a glance at the tallest of the five workmen, who was carving a shield in the centre of a wooden mantelpiece. It was to this workman that the strong barytone belonged which was heard above the sound of plane and hammer singing—

Awake, my soul, and with the sun Thy daily stage of duty run; Shake off dull sloth...

The concert of the tools and Adam’s voice was at last broken by Seth, who, lifting the door at which he had been working intently, placed it against the wall, and said, “There! I’ve finished my door to-day, anyhow.”

The workmen all looked up; Jim Salt, a burly, red-haired man known as Sandy Jim, paused from his planing, and Adam said to Seth, with a sharp glance of surprise, “What! Dost think thee’st finished the door?”

“Aye, sure,” said Seth, with answering surprise; “what’s awanting to’t?”

A loud roar of laughter from the other three workmen made Seth look round confusedly. Adam did not join in the laughter, but there was a slight smile on his face as he said, in a gentler tone than before, “Why, thee’st forgot the panels.”

The laughter burst out afresh as Seth clapped his hands to his head, and coloured over brow and crown.

“Hoorray!” shouted a small lithe fellow called Wiry Ben, running forward and seizing the door. “We’ll hang up th’ door at fur end o’ th’ shop an’ write on’t ‘Seth Bede, the Methody, his work.’ Here, Jim, lend’s hould o’ th’ red pot.”

“Nonsense!” said Adam. “Let it alone, Ben Cranage. You’ll mayhap be making such a slip yourself some day; you’ll laugh o’ th’ other side o’ your mouth then.”

“Catch me at it, Adam. It’ll be a good while afore my head’s full o’ th’ Methodies,” said Ben.

“Nay, but it’s often full o’ drink, and that’s worse.”

“Aye, aye, Seth’s at no harm, mother, thee mayst be sure. But where’s father?” said Adam quickly, as he entered the house and glanced into the room on the left hand, which was used as a workshop. “Hasn’t he done the coffin for Tholer? There’s the stuff standing just as I left it this morning.”

“Done the coffin?” said Lisbeth, following him, and knitting uninterruptedly, though she looked at her son very anxiously. “Eh, my lad, he went aff to Treddles’on this forenoon, an’s niver come back. I doubt he’s got to th’ ‘Waggin Overthrow’ again.”

A deep flush of anger passed rapidly over Adam’s face. He said nothing, but threw off his jacket and began to roll up his shirt-sleeves again.

“What art goin’ to do, Adam?” said the mother, with a tone and look of alarm. “Thee wouldstna go to work again, wi’out ha’in thy bit o’ supper?”

Adam, too angry to speak, walked into the workshop. But his mother threw down her knitting, and, hurrying after him, took hold of his arm, and said, in a tone of plaintive remonstrance, “Nay, my lad, my lad, thee munna go wi’out thy supper; there’s the taters wi’ the gravy in ’em, just as thee lik’st ’em. I saved ’em o’ purpose for thee. Come an’ ha’ thy supper, come.”

“Let be!” said Adam impetuously, shaking her off and seizing one of the planks that stood against the wall.

There are various orders of beauty, causing men to make fools of themselves in various styles, from the desperate to the sheepish; but there is one order of beauty which seems made to turn the heads not only of men, but of all intelligent mammals, even of women. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle and to engage in conscious mischief—a beauty with which you can never be angry, but that you feel ready to crush for inability to comprehend the state of mind into which it throws you. Hetty Sorrel’s was that sort of beauty. Her aunt, Mrs. Poyser, who professed to despise all personal attractions and intended to be the severest of mentors, continually gazed at Hetty’s charms by the sly, fascinated in spite of herself; and after administering such a scolding as naturally flowed from her anxiety to do well by her husband’s niece—who had no mother of her own to scold her, poor thing!—she would often confess to her husband, when they were safe out of hearing, that she firmly believed, “the naughtier the little huzzy behaved, the prettier she looked.”

“Stop a bit, sir,” said Adam, in a hard peremptory voice, without turning round. “I’ve got a word to say to you.”

Arthur paused in surprise. Susceptible persons are more affected by a change of tone than by unexpected words, and Arthur had the susceptibility of a nature at once affectionate and vain. He was still more surprised when he saw that Adam had not moved, but stood with his back to him, as if summoning him to return. What did he mean? He was going to make a serious business of this affair. Arthur felt his temper rising. A patronising disposition always has its meaner side, and in the confusion of his irritation and alarm there entered the feeling that a man to whom he had shown so much favour as to Adam was not in a position to criticize his conduct. And yet he was dominated, as one who feels himself in the wrong always is, by the man whose good opinion he cares for. In spite of pride and temper, there was as much deprecation as anger in his voice when he said, “What do you mean, Adam?”

“I mean, sir”—answered Adam, in the same harsh voice, still without turning round—“I mean, sir, that you don’t deceive me by your light words.