The Magic City

Philip Haldane and his sister lived in a little red-roofed house in a little red-roofed town. They had a little garden and a little balcony, and a little stable with a little pony in it⁠—and a little cart for the pony to draw; a little canary hung in a little cage in the little bow-window, and the neat little servant kept everything as bright and clean as a little new pin.

Philip had no one but his sister, and she had no one but Philip. Their parents were dead, and Helen, who was twenty years older than Philip and was really his half-sister, was all the mother he had ever known. And he had never envied other boys their mothers, because Helen was so kind and clever and dear. She gave up almost all her time to him; she taught him all the lessons he learned; she played with him, inventing the most wonderful new games and adventures. So that every morning when Philip woke he knew that he was waking to a new day of joyous and interesting happenings. And this went on till Philip was ten years old, and he had no least shadow of a doubt that it would go on forever. The beginning of the change came one day when he and Helen had gone for a picnic to the wood where the waterfall was,

The moonlight was very bright.

“I wonder how my city looks by moonlight?” he said.

And then, all in a thrilling instant, he made up his mind to go down and see for himself how it did look.

He slipped on his dressing-gown, opened his door softly, and crept along the corridor and down the broad staircase, then along the gallery and into the drawing-room. It was very dark, but he felt his way to a window and undid the shutter, and there lay his city, flooded with moonlight, just as he had imagined it.

He gazed on it for a moment in ecstasy and then turned to shut the door. As he did so he felt a slight strange giddiness and stood a moment with his hand to his head. He turned and went again towards the city, and when he was close to it he gave a little cry, hastily stifled, for fear someone should hear him and come down and send him to bed. He stood and gazed about him bewildered and, once more, rather giddy. For the city had, in a quick blink of light, followed by darkness, disappeared. So had the drawing-room. So had the chair that stood close to the table. He could see mountainous shapes raising enormous heights in the distance, and the moonlight shone on the tops of them. But he himself seemed to be in a vast, flat plain. There was the softness of long grass round his feet, but there were no trees, no houses, no hedges or fences to break the expanse of grass. It seemed darker in some parts than others. That was all.

There was no one on the stairs, or in the hall, or in the dining-room, or in the drawing-room. The library and billiard-room were empty of living people, and the door of the nursery was locked. So then Philip made his way into the regions beyond the baize door, where the servants’ quarters were. And there was no one in the kitchen, or in the servants’ hall, or in the butler’s pantry, or in the scullery, or the washhouse, or the larder. In all that big house, and it was much bigger than it looked from the front because of the long wings that ran out on each side of its back⁠—in all that big house there was no one but Philip. He felt certain of this before he ran upstairs and looked in all the bedrooms and in the little picture gallery and the music-room, and then in the servants’ bedrooms and the very attics. There were interesting things in those attics, but Philip only remembered that afterwards. Now he tore down the stairs three at a time. All the room doors were open as he had left them, and somehow those open doors frightened him more than anything else. He ran along the corridors, down more stairs, past more open doors and out through the back kitchen, along the moss-grown walk by the brick wall and so round by the three yew trees and the mounting block to the stable-yard. And there was no one there. Neither coachman nor groom nor stable-boys. And there was no one in the stables, or the coach-house, or the harness-room, or the loft.

He rubbed his eyes with his knuckles and also⁠—rather painfully⁠—with Mr. Noah, whom he still held. “What shall I do?” he sobbed.

And a very very teeny tiny voice said:

“Put me down.”

“Eh?” said Philip.

“Put me down,” said the voice again. It was such a teeny tiny voice that he could only just hear it. It was unlikely, of course, that the voice could have been Mr. Noah’s; but then whose else could it be? On the bare chance that it might have been Mr. Noah who spoke⁠—more unlikely things had happened before, as you know⁠—Philip set the little wooden figure down on the chess-table. It stood there, wooden as ever.

“Put who down?” Philip asked. And then, before his eyes, the little wooden figure grew alive, stooped to pick up the yellow disc of wood on which Noah’s Ark people stand, rolled it up like a mat, put it under his arm and began to walk towards the side of the table where Philip stood.

He knelt down to bring his ears nearer the little live moving thing.

“What did you say?” he asked, for he fancied that Mr. Noah had again spoken.

“I said, what’s the matter?” said the little voice.

“It’s Lucy. She’s lost and it’s my fault. And I can only just hear you. It hurts my ears hearing you,” complained Philip.