The Railway Children

They were not railway children to begin with. I don’t suppose they had ever thought about railways except as a means of getting to Maskelyne and Cook’s, the Pantomime, Zoological Gardens, and Madame Tussaud’s. They were just ordinary suburban children, and they lived with their father and mother in an ordinary redbrick-fronted villa, with coloured glass in the front door, a tiled passage that was called a hall, a bathroom with hot and cold water, electric bells, French windows, and a good deal of white paint, and “every modern convenience,” as the house-agents say.

There were three of them. Roberta was the eldest. Of course, mothers never have favourites, but if their mother had had a favourite, it might have been Roberta. Next came Peter, who wished to be an engineer when he grew up; and the youngest was Phyllis, who meant extremely well.

Then the Library bell rang, and everyone heaved a breath of relief.

“They’re going now,” said Phyllis; “he’s rung to have them shown out.”

But instead of showing anybody out, Ruth showed herself in, and she looked queer, the children thought.

“Please’m,” she said, “the Master wants you to just step into the study. He looks like the dead, mum; I think he’s had bad news. You’d best prepare yourself for the worst, ’m⁠—p’raps it’s a death in the family or a bank busted or⁠—”

“That’ll do, Ruth,” said Mother gently; “you can go.”

Then Mother went into the Library. There was more talking. Then the bell rang again, and Ruth fetched a cab. The children heard boots go out and down the steps. The cab drove away, and the front door shut. Then Mother came in. Her dear face was as white as her lace collar, and her eyes looked very big and shining. Her mouth looked like just a line of pale red⁠—her lips were thin and not their proper shape at all.

“It’s bedtime,” she said. “Ruth will put you to bed.”

“But you promised we should sit up late tonight because Father’s come home,” said Phyllis.

“Father’s been called away⁠—on business,” said Mother. “Come, darlings, go at once.”

They kissed her and went. Roberta lingered to give Mother an extra hug and to whisper:

“It wasn’t bad news, Mammy, was it? Is anyone dead⁠—or⁠—”

“Nobody’s dead⁠—no,” said Mother, and she almost seemed to push Roberta away. “I can’t tell you anything tonight, my pet. Go, dear, go now.”

So Roberta went.

But there came a dreadful night when the Station Master put on a pair of old sand shoes that he had worn at the seaside in his summer holiday, and crept out very quietly to the yard where the Sodom and Gomorrah heap of coal was, with the whitewashed line round it. He crept out there, and he waited like a cat by a mousehole. On the top of the heap something small and dark was scrabbling and rattling furtively among the coal.

The Station Master concealed himself in the shadow of a brake-van that had a little tin chimney and was labelled:⁠—

G.N.E. and S.R. 34576 Return at once to White Heather Sidings

and in this concealment he lurked till the small thing on the top of the heap ceased to scrabble and rattle, came to the edge of the heap, cautiously let itself down, and lifted something after it. Then the arm of the Station Master was raised, the hand of the Station Master fell on a collar, and there was Peter firmly held by the jacket, with an old carpenter’s bag full of coal in his trembling clutch.

“So I’ve caught you at last, have I, you young thief?” said the Station Master.

“I’m not a thief,” said Peter, as firmly as he could. “I’m a coal-miner.”

“Tell that to the Marines,” said the Station Master.

“It would be just as true whoever I told it to,” said Peter.

“You’re right there,” said the man, who held him. “Stow your jaw, you young rip, and come along to the station.”

So they went along the fence towards the little swing gate that is at the top of these steps. And they were almost at the gate when Bobbie said:⁠—

“Hush. Stop! What’s that?”

“That” was a very odd noise indeed⁠—a soft noise, but quite plainly to be heard through the sound of the wind in tree branches, and the hum and whir of the telegraph wires. It was a sort of rustling, whispering sound. As they listened it stopped, and then it began again.

And this time it did not stop, but it grew louder and more rustling and rumbling.

“Look”⁠—cried Peter, suddenly⁠—“the tree over there!”

The tree he pointed at was one of those that have rough grey leaves and white flowers. The berries, when they come, are bright scarlet, but if you pick them, they disappoint you by turning black before you get them home. And, as Peter pointed, the tree was moving⁠—not just the way trees ought to move when the wind blows through them, but all in one piece, as though it were a live creature and were walking down the side of the cutting.

“It’s moving!” cried Bobbie. “Oh, look! and so are the others. It’s like the woods in Macbeth.”

“It’s magic,” said Phyllis, breathlessly. “I always knew this railway was enchanted.”

It really did seem a little like magic. For all the trees for about twenty yards of the opposite bank seemed to be slowly walking down towards the railway line, the tree with the grey leaves bringing up the rear like some old shepherd driving a flock of green sheep.

It was not yet quite dark in the tunnel when Phyllis caught at Bobbie’s skirt, ripping out half a yard of gathers, but no one noticed this at the time.

“I want to go back,” she said, “I don’t like it. It’ll be pitch dark in a minute. I won’t go on in the dark. I don’t care what you say, I won’t.”

“Don’t be a silly cuckoo,” said Peter; “I’ve got a candle end and matches, and⁠—what’s that?”

“That” was a low, humming sound on the railway line, a trembling of the wires beside it, a buzzing, humming sound that grew louder and louder as they listened.

“It’s a train,” said Bobbie.

“Which line?”

“Let me go back,” cried Phyllis, struggling to get away from the hand by which Bobbie held her.

“Don’t be a coward,” said Bobbie; “it’s quite safe. Stand back.”

“Come on,” shouted Peter, who was a few yards ahead. “Quick! Manhole!”

The roar of the advancing train was now louder than the noise you hear when your head is under water in the bath and both taps are running, and you are kicking with your heels against the bath’s tin sides. But Peter had shouted for all he was worth, and Bobbie heard him. She dragged Phyllis along to the manhole. Phyllis, of course, stumbled over the wires and grazed both her legs. But they dragged her in, and all three stood in the dark, damp, arched recess while the train roared louder and louder. It seemed as if it would deafen them.