The Humbugs of the World

Monsieur Mangin, the French humbug.

One of the most original, unique, and successful humbugs of the present day was the late Monsieur Mangin, the blacklead pencil maker of Paris. Few persons who have visited the French capital within the last ten or twelve years can have failed to have seen him, and once seen he was not to be forgotten. While passing through the public streets, there was nothing in his personal appearance to distinguish him from any ordinary gentlemen. He drove a pair of bay horses, attached to an open carriage with two seats, the back one always occupied by his valet. Sometimes he would take up his stand in the Champs Élysées; at other times, near the column in the Place Vendôme; but usually he was seen in the afternoon in the Place de la Bastille, or the Place de la Madeleine. On Sundays, his favorite locality was the Place de la Bourse. Mangin was a well-formed, stately-looking individual, with a most self-satisfied countenance, which seemed to say: “I am master here; and all that my auditors have to do is, to listen and obey.” Arriving at his destined stopping-place, his carriage halted. His servant handed him a case from which he took several large portraits of himself, which he hung prominently upon the sides of his carriage, and also placed in front of him a vase filled with medals bearing his likeness on one side and a description of his pencils on the other. He then leisurely commenced a change of costume. His round hat was displaced by a magnificent burnished helmet, mounted with rich plumes of various brilliant colors. His overcoat was laid aside, and he donned in its stead a costly velvet tunic with gold fringes.

During our conversation, Grizzly Adams took off his cap, and showed me the top of his head. His skull was literally broken in. It had on various occasions been struck by the fearful paws of his grizzly students; and the last blow, from the bear called “General Fremont,” had laid open his brain, so that its workings were plainly visible. I remarked that I thought that was a dangerous wound, and might possibly prove fatal.

“Yes,” replied Adams, “that will fix me out. It had nearly healed; but old Fremont opened it for me, for the third or fourth time, before I left California, and he did his business so thoroughly, I’m a used-up man. However, I reckon I may live six months or a year yet.”

This was spoken as coolly as if he had been talking about the life of a dog.

The immediate object of “Old Adams” in calling upon me was this. I had purchased one-half interest in his California menagerie from a man who had come by way of the Isthmus from California, and who claimed to own an equal interest with Adams in the show. Adams declared that the man had only advanced him some money, and did not possess the right to sell half of the concern. However, the man held a bill of sale for one-half of the “California Menagerie,” and Old Adams finally consented to accept me as

I was anxious to get a chance of exposing to Adams his weak point, and of showing him the absurdity of telling such ridiculous stories. A fit occasion soon presented itself. One day, while engaged in my office at the Museum, a man with marked Teutonic features and accent approached the door and asked if I would like to buy a pair of living golden pigeons.

“Yes,” I replied, “I would like a flock of ‘golden pigeons,’ if I could buy them for their weight in silver; for there are no ‘golden’ pigeons in existence, unless they are made from the pure metal.”

“You shall see some golden pigeons alive,” he replied, at the same time entering my office and closing the door after him. He then removed the lid from a small basket which he carried in his hand, and sure enough there were snugly ensconced a pair of beautiful living ruff-necked pigeons, as yellow as saffron and as bright as a double eagle fresh from the mint.

I confess I was somewhat staggered at this sight, and quickly asked the man where those birds came from.

A dull, lazy smile crawled over the sober face of my German visitor, as he replied in a slow, guttural tone of voice:

“What you think yourself?”

Catching his meaning, I quickly answered:

“I think it is a humbug?”

“Of course, I know you will say so; because you ‘forstha’ such things better as any man living, so I shall not try to humbug you. I have color them myself.”

One day, a sharp Yankee lady and her daughter, from Connecticut, called at the Museum. I knew them well; and in answer to their inquiry for the locality of the whale, I directed them to the basement. Half an hour afterward, they called at my office, and the acute mother, in a half-confidential, seriocomic whisper, said:

“Mr. B., it’s astonishing to what a number of purposes the ingenuity of us Yankees has applied India-rubber.”

I asked her meaning, and was soon informed that she was perfectly convinced that it was an India-rubber whale, worked by steam and machinery, by means of which he was made to rise to the surface at short intervals, and puff with the regularity of a pair of bellows. From her earnest, confident manner, I saw it would be useless to attempt to disabuse her mind on the subject. I therefore very candidly acknowledged that she was quite too sharp for me, and I must plead guilty to the imposition; but I begged her not to expose me, for I assured her that she was the only person who had discovered the trick.

It was worth more than a dollar to see with what a smile of satisfaction she received the assurance that nobody else was as shrewd as herself; and the patronizing manner in which she bade me be perfectly tranquil, for the secret should be considered by her as “strictly confidential,” was decidedly rich. She evidently received double her money’s worth in the happy reflection that she could not be humbugged, and that I was terribly humiliated in being detected through her marvelous powers of discrimination!

The Peter Funks and their functions⁠—​The rural divine and the watch⁠—​Rise and progress of mock auctions⁠—​Their decline and fall.

Not many years ago, a dignified and reverend man, whose name is well known to me, was walking sedately down Broadway. He was dressed in clerical garb of black garments and white neckcloth. He was a man of great learning, profound thought, long experience, unaffected piety, and pure and high reputation.

All at once, a kind of chattering shout smote him fair in the left ear:

“Narfnarfnarf! Three shall I have? Narfnarfnarfnarfnarf! Going at two and a half! Gone!!”

And the grave divine, pausing, beheld a doorway, over which waved a little red flag. Within, a company of eager bidders thronged around an auctioneer’s stand; and the auctioneer himself, a well-dressed man with a highly respectable look, was just handing over to the delighted purchaser a gold watch.

“It would be cheap at one hundred dollars,” said he, in a despondent tone. “It’s mere robbery to sell it for that price. I’d buy it myself if ’twas legal.”

And while the others, with exclamations of surprise and congratulation, crowded to see this famous purchase, and the buyer exhibited it with a joyful countenance close by the door, the divine, just out of curiosity, stepped in. He owned no watch; he was a country clergyman, and poor in this world’s goods; so poor that, to use a familiar phrase, “if steamboats were selling at a dime a piece, he would hardly be able to buy a gangplank.” But what if he could, by good luck, buy a good gold watch for two dollars and a half in this wonderful city!