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Struggles and Triumphs

by P. T. Barnum

Length: 244,262 words, about 977 pages, about 17 hours to read

Lives and letters, Business and work, Founders and companies

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What it is

The world’s greatest showman tells the story of his life.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Early Life

I was born in the town of Bethel, in the State of Connecticut, July 5, 1810. My name, Phineas Taylor, is derived from my maternal grandfather, who was a great wag in his way, and who, as I was his first grandchild, gravely handed over to my mother at my christening a gift-deed, in my behalf, of five acres of land situated in that part of the parish of Bethel known as the “Plum Trees.” I was thus a real estate owner almost at my very birth; and of my property, “Ivy Island,” something shall be said anon.

My father, Philo Barnum, was the son of Ephraim Barnum, of Bethel, who was a captain in the revolutionary war. My father was a tailor, a farmer, and sometimes a tavern-keeper, and my advantages and disadvantages were such as fall to the general run of farmers’ boys. I drove cows to and from the pasture, shelled corn, weeded the garden; as I grew larger, I rode horse for ploughing, turned and raked hay; in due time I handled the shovel and the hoe, and when I could do so I went to school.

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I: Early Life

When we arrived at the meadow, which was in that part of the “Plum Trees” known as “East Swamp,” I asked my father where “Ivy Island” was.

“Yonder, at the north end of this meadow, where you see those beautiful trees rising in the distance.”

All the forenoon I turned grass as fast as two men could cut it, and after a hasty repast at noon, one of our hired men, a good natured Irishman, named Edmund, took an axe on his shoulder and announced that he was ready to accompany me to “Ivy Island.” We started, and as we approached the north end of the meadow we found the ground swampy and wet and were soon obliged to leap from bog to bog on our route. A misstep brought me up to my middle in water. To add to the dilemma a swarm of hornets attacked me. Attaining the altitude of another bog I was cheered by the assurance that there was only a quarter of a mile of this kind of travel to the edge of my property. I waded on. In about fifteen minutes more, after floundering through the morass, I found myself half-drowned, hornet-stung, mud-covered, and out of breath, on comparatively dry land.

“Never mind, my boy,” said Edmund, “we have only to cross this little creek, and ye’ll be upon your own valuable property.”

We were on the margin of a stream, the banks of which were thickly covered with alders. I now discovered the use of Edmund’s axe, for he felled a small oak to form a temporary bridge to my “Island” property.

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VIII: The American Museum

I thoroughly understood the art of advertising, not merely by means of printer’s ink, which I have always used freely, and to which I confess myself so much indebted for my success, but by turning every possible circumstance to my account. It was my monomania to make the Museum the town wonder and town talk. I often seized upon an opportunity by instinct, even before I had a very definite conception as to how it should be used, and it seemed, somehow, to mature itself and serve my purpose. As an illustration, one morning a stout, hearty-looking man, came into my ticket-office and begged some money. I asked him why he did not work and earn his living? He replied that he could get nothing to do and that he would be glad of any job at a dollar a day. I handed him a quarter of a dollar, told him to go and get his breakfast and return, and I would employ him at light labor at a dollar and a half a day. When he returned I gave him five common bricks.

“Now,” said I, “go and lay a brick on the sidewalk at the corner of Broadway and Ann Street; another close by the Museum; a third diagonally across the way at the corner of Broadway and Vesey Street, by the Astor House: put down

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IX: The Road to Riches

Early in the following March, I received notice from some of the Irish population that they meant to visit me in great numbers on “St. Patrick’s day in the morning.” “All right,” said I to my carpenter, “get your egress ready for March 17”; and I added, to my assistant manager: “If there is much of a crowd, don’t let a single person pass out at the front, even if it were St. Patrick himself; put every man out through the egress in the rear.” The day came, and before noon we were caught in the same dilemma as we were on the Fourth of July; the Museum was jammed and the sale of tickets was stopped. I went to the egress and asked the sentinel how many hundreds had passed out?

“Hundreds,” he replied, “why only three persons have gone out by this way and they came back, saying that it was a mistake and begging to be let in again.”

“What does this mean?” I inquired; “surely thousands of people have been all over the Museum since they came in.”

“Certainly,” was the reply “but after they have gone from one saloon to another and have been on every floor, even to the roof, they come down and travel the same route over again.”

At this time I espied a tall Irish woman with two good-sized children whom I had happened to notice when they came in early in the morning.

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XX: Incidents of the Tour

Soon after arriving in Havana, I discovered that a strong prejudice existed against our musical enterprise. I might rather say that the Habaneros, not accustomed to the high figure which tickets had commanded in the States, were determined on forcing me to adopt their opera prices, whereas I paid one thousand dollars per night for the Tacon Opera House, and other expenses being in proportion, I was determined to receive remunerating prices, or give no concerts. This determination on my part annoyed the Habaneros, who did not wish to be thought penurious, though they really were so. Their principal spite, therefore, was against me; and one of their papers politely termed me a “Yankee pirate,” who cared for nothing except their doubloons. They attended the concert, but were determined to show the great songstress no favor. I perfectly understood this feeling in advance, but studiously kept all knowledge of it from Miss Lind. I went to the first concert, therefore, with some misgivings in regard to her reception. The following, which I copy from the Havana correspondence of the New York Tribune, gives a correct account of it:

“Jenny Lind soon appeared, led on by Signor Belletti. Some three or four hundred persons clapped their hands at her appearance, but this token of approbation was instantly silenced by at least two thousand five hundred decided hisses.

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10 of the best lines

All autobiographies are necessarily egotistical.

PrefaceKeep reading from here

It was my monomania to make the Museum the town wonder and town talk.

VIII: The American MuseumKeep reading from here

“You and I are like a pair of shears; we seem to cut each other, but we only cut what comes between.”

X: Another Successful SpeculationKeep reading from here

Luck is in no sense the foundation of my fortune; from the beginning of my career I planned and worked for my success.

XVII: The Jenny Lind EnterpriseKeep reading from here

Prosperity is a more severe ordeal than adversity, especially sudden prosperity.

XXXI: The Art of Money GettingKeep reading from here

Preserve your integrity.⁠—It is more precious than diamonds or rubies.

XXXI: The Art of Money GettingKeep reading from here

“No, sir; my fruit is plucked,” he replied.

XXXVII: Mr. and Mrs. General Tom ThumbKeep reading from here

I have always noticed that young newly-married people are very fond of saying “my husband” and “my wife;” they are new terms which sound pleasantly to the ears of those who utter them;

XLII: Public LecturingKeep reading from here

“Because it would be foreordained that I should knock you down,” replied Mr. Dey, with a smile.

XLV: A Story-ChapterKeep reading from here

My motto through life has been: “Get the best, regardless of expense.”

Appendix I: Rest Only Found in ActionKeep reading from here

All 111 Struggles and Triumphs quotes, with the words around each

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Contents

All 51 parts
  1. Preface
  2. I: Early Life
  3. II: Incidents and Anecdotes
  4. III: In Business for Myself
  5. IV: Struggles for a Livelihood
  6. V: My Start as a Showman
  7. VI: My First Travelling Company
  8. VII: At the Foot of the Ladder
  9. VIII: The American Museum
  10. IX: The Road to Riches
  11. X: Another Successful Speculation
  12. XI: General Tom Thumb in England
  13. XII: In France
  14. XIII: In Belgium
  15. XIV: In England Again
  16. XV: Return to America
  17. XVI: At Home
  18. XVII: The Jenny Lind Enterprise
  19. XVIII: The Nightingale in New York
  20. XIX: Successful Management
  21. XX: Incidents of the Tour
  22. XXI: Jenny Lind
  23. XXII: Close of the Campaign
  24. XXIII: Other Enterprises
  25. XXIV: Work and Play
  26. XXV: The Jerome Clock Company Entanglement
  27. XXVI: Clouds and Sunshine
  28. XXVII: Rest, but Not Rust
  29. XXVIII: Abroad Again
  30. XXIX: In Germany
  31. XXX: In Holland
  32. XXXI: The Art of Money Getting
  33. XXXII: An Enterprising Englishman
  34. XXXIII: Richard’s Himself Again
  35. XXXIV: Menagerie and Museum Memoranda
  36. XXXV: East Bridgeport
  37. XXXVI: More About the Museum
  38. XXXVII: Mr. and Mrs. General Tom Thumb
  39. XXXVIII: Political and Personal
  40. XXXIX: The American Museum in Ruins
  41. XL: My War on the Railroads
  42. XLI: Bennett and the Herald
  43. XLII: Public Lecturing
  44. XLIII: The New Museum
  45. XLIV: Curious Coincidences.—Number Thirteen
  46. XLV: A Story-Chapter
  47. XLVI: Seaside Park
  48. XLVII: Waldemere
  49. Appendix I: Rest Only Found in Action
  50. Appendix II: A Remarkable Campaign
  51. Conclusion

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Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.