The Everlasting Man

Introduction The Plan of This Book

There are two ways of getting home; and one of them is to stay there. The other is to walk round the whole world till we come back to the same place; and I tried to trace such a journey in a story I once wrote. It is, however, a relief to turn from that topic to another story that I never wrote. Like every book I never wrote, it is by far the best book I have ever written. It is only too probable that I shall never write it, so I will use it symbolically here; for it was a symbol of the same truth. I conceived it as a romance of those vast valleys with sloping sides, like those along which the ancient White Horses of Wessex are scrawled along the flanks of the hills. It concerned some boy whose farm or cottage stood on such a slope, and who went on his travels to find something, such as the effigy and grave of some giant; and when he was far enough from home he looked back and saw that his own farm and kitchen-garden, shining flat on the hillside like the colours and quarterings of a shield, were but parts of some such gigantic figure, on which he had always lived, but which was too large and too close to be seen. That, I think, is a true picture of the progress of any real independent intelligence today; and that is the point of this book.

Far away in some strange constellation in skies infinitely remote, there is a small star, which astronomers may some day discover. At least I could never observe in the faces or demeanour of most astronomers or men of science any evidence that they had discovered it; though as a matter of fact they were walking about on it all the time. It is a star that brings forth out of itself very strange plants and very strange animals; and none stranger than the men of science. That at least is the way in which I should begin a history of the world if I had to follow the scientific custom of beginning with an account of the astronomical universe. I should try to see even this earth from the outside, not by the hackneyed insistence of its relative position to the sun, but by some imaginative effort to conceive its remote position for the dehumanised spectator. Only I do not believe in being dehumanised in order to study humanity. I do not believe in dwelling upon the distances that are supposed to dwarf the world; I think there is even something a trifle vulgar about this idea of trying to rebuke spirit by size. And as the first idea is not feasible, that of making the earth a strange planet so as to make it significant, I will not stoop to the other trick of making it a small planet in order to make it insignificant.

The modern man looking at the most ancient origins has been like a man watching for daybreak in a strange land; and expecting to see that dawn breaking behind bare uplands or solitary peaks. But that dawn is breaking behind the black bulk of great cities long builded and lost for us in the original night; colossal cities like the houses of giants, in which even the carved ornamental animals are taller than the palm-trees; in which the painted portrait can be twelve times the size of the man; with tombs like mountains of man set foursquare and pointing to the stars; with winged and bearded bulls standing and staring enormous at the gates of temples; standing still eternally as if a stamp would shake the world. The dawn of history reveals a humanity already civilised. Perhaps it reveals a civilisation already old. And among other more important things, it reveals the folly of most of the generalisations about the previous and unknown period when it was really young. The two first human societies of which we have any reliable and detailed record are Babylon and Egypt. It so happens that these two vast and splendid achievements of the genius of the ancients bear witness against two of the commonest and crudest assumptions of the culture of the moderns. If we want to get rid of half the nonsense about nomads and cavemen and the old man of the forest, we need only look steadily at the two solid and stupendous facts called Egypt and Babylon.

Somewhere along the Ionian coast opposite Crete and the islands was a town of some sort, probably of the sort that we should call a village or hamlet with a wall. It was called Ilion but it came to be called Troy, and the name will never perish from the earth. A poet who may have been a beggar and a balladmonger, who may have been unable to read and write, and was described by tradition as blind, composed a poem about the Greeks going to war with this town to recover the most beautiful woman in the world. That the most beautiful woman in the world lived in that one little town sounds like a legend; that the most beautiful poem in the world was written by somebody who knew of nothing larger than such little towns is a historical fact. It is said that the poem came at the end of the period; that the primitive culture brought it forth in its decay; in which case one would like to have seen that culture in its prime. But anyhow it is true that this, which is our first poem, might very well be our last poem too. It might well be the last word as well as the first word spoken by man about his mortal lot, as seen by merely mortal vision. If the world becomes pagan and perishes, the last man left alive would do well to quote the Iliad and die.

I was once sitting on a summer day in a meadow in Kent under the shadow of a little village church, with a rather curious companion with whom I had just been walking through the woods. He was one of a group of eccentrics I had come across in my wanderings who had a new religion called Higher Thought; in which I had been so far initiated as to realise a general atmosphere of loftiness or height, and was hoping at some later and more esoteric stage to discover the beginnings of thought. My companion was the most amusing of them, for however he may have stood towards thought, he was at least very much their superior in experience, having travelled beyond the tropics while they were meditating in the suburbs; though he had been charged with excess in telling travellers’ tales. In spite of anything said against him, I preferred him to his companions and willingly went with him through the wood; where I could not but feel that his sunburnt face and fierce tufted eyebrows and pointed beard gave him something of the look of Pan. Then we sat down in the meadow and gazed idly at the treetops and the spire of the village church; while the warm afternoon began to mellow into early evening and the song