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The Count of Monte Cristo

by Alexandre Dumas

Length: 461,073 words, about 1,844 pages, about 32 hours to read

Novels, Adventure

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What it is

A man seeks revenge for having been falsely imprisoned years earlier.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Marseilles—The Arrival

On the 24th of February, 1815, the lookout at Notre-Dame de la Garde signalled the three-master, the Pharaon from Smyrna, Trieste, and Naples.

As usual, a pilot put off immediately, and rounding the Château d’If, got on board the vessel between Cape Morgiou and Rion island.

Immediately, and according to custom, the ramparts of Fort Saint-Jean were covered with spectators; it is always an event at Marseilles for a ship to come into port, especially when this ship, like the Pharaon, has been built, rigged, and laden at the old Phocee docks, and belongs to an owner of the city.

The ship drew on and had safely passed the strait, which some volcanic shock has made between the Calasareigne and Jaros islands; had doubled Pomègue, and approached the harbor under topsails, jib, and spanker, but so slowly and sedately that the idlers, with that instinct which is the forerunner of evil, asked one another what misfortune could have happened on board. However, those experienced in navigation saw plainly that if any accident had occurred, it was not to the vessel herself, for she bore down with all the evidence of being skilfully handled, the anchor a-cockbill, the jib-boom guys already eased off, and standing by the side of the pilot, who was steering the Pharaon towards the narrow entrance of the inner port, was a young man, who, with activity and vigilant eye, watched every motion of the ship, and repeated each direction of the pilot.

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IV: Conspiracy

“No!⁠—you undertook to do so.”

“True,” replied Danglars; “the French have the superiority over the Spaniards, that the Spaniards ruminate, while the French invent.”

“Do you invent, then,” said Fernand impatiently.

“Waiter,” said Danglars, “pen, ink, and paper.”

“Pen, ink, and paper,” muttered Fernand.

“Yes; I am a supercargo; pen, ink, and paper are my tools, and without my tools I am fit for nothing.”

“Pen, ink, and paper, then,” called Fernand loudly.

“There’s what you want on that table,” said the waiter.

“Bring them here.” The waiter did as he was desired.

“When one thinks,” said Caderousse, letting his hand drop on the paper, “there is here wherewithal to kill a man more sure than if we waited at the corner of a wood to assassinate him! I have always had more dread of a pen, a bottle of ink, and a sheet of paper, than of a sword or pistol.”

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V: The Marriage Feast

The sounds drew nearer. Three blows were struck upon the panel of the door. The company looked at each other in consternation.

“I demand admittance,” said a loud voice outside the room, “in the name of the law!” As no attempt was made to prevent it, the door was opened, and a magistrate, wearing his official scarf, presented himself, followed by four soldiers and a corporal. Uneasiness now yielded to the most extreme dread on the part of those present.

“May I venture to inquire the reason of this unexpected visit?” said M. Morrel, addressing the magistrate, whom he evidently knew; “there is doubtless some mistake easily explained.”

“If it be so,” replied the magistrate, “rely upon every reparation being made; meanwhile, I am the bearer of an order of arrest, and although I most reluctantly perform the task assigned me, it must, nevertheless, be fulfilled. Who among the persons here assembled answers to the name of Edmond Dantès?”

Every eye was turned towards the young man who, spite of the agitation he could not but feel, advanced with dignity, and said, in a firm voice:

“I am he; what is your pleasure with me?”

“Edmond Dantès,” replied the magistrate, “I arrest you in the name of the law!”

“Me!” repeated Edmond, slightly changing color, “and wherefore, I pray?”

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VII: The Examination

“Yes; but first give me this letter.”

“You have it already, for it was taken from me with some others which I see in that packet.”

“Stop a moment,” said the deputy, as Dantès took his hat and gloves. “To whom is it addressed?”

“To Monsieur Noirtier, Rue Coq-Héron, Paris.” Had a thunderbolt fallen into the room, Villefort could not have been more stupefied. He sank into his seat, and hastily turning over the packet, drew forth the fatal letter, at which he glanced with an expression of terror.

“M. Noirtier, Rue Coq-Héron, No. 13,” murmured he, growing still paler.

“Yes,” said Dantès; “do you know him?”

“No,” replied Villefort; “a faithful servant of the king does not know conspirators.”

“It is a conspiracy, then?” asked Dantès, who after believing himself free, now began to feel a tenfold alarm. “I have, however, already told you, sir, I was entirely ignorant of the contents of the letter.”

“Yes; but you knew the name of the person to whom it was addressed,” said Villefort.

“I was forced to read the address to know to whom to give it.”

“Have you shown this letter to anyone?” asked Villefort, becoming still more pale.

“To no one, on my honor.”

“Everybody is ignorant that you are the bearer of a letter from the Island of Elba, and addressed to M. Noirtier?”

“Everybody, except the person who gave it to me.”

“And that was too much, far too much,” murmured Villefort. Villefort’s brow darkened more and more, his white lips and clenched teeth filled Dantès with apprehension. After reading the letter, Villefort covered his face with his hands.

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XV: Number 34 and Number 27

“Oh, my God, my God!” murmured he, “I have so earnestly prayed to you, that I hoped my prayers had been heard. After having deprived me of my liberty, after having deprived me of death, after having recalled me to existence, my God, have pity on me, and do not let me die in despair!”

“Who talks of God and despair at the same time?” said a voice that seemed to come from beneath the earth, and, deadened by the distance, sounded hollow and sepulchral in the young man’s ears. Edmond’s hair stood on end, and he rose to his knees.

“Ah,” said he, “I hear a human voice.” Edmond had not heard anyone speak save his jailer for four or five years; and a jailer is no man to a prisoner⁠—he is a living door, a barrier of flesh and blood adding strength to restraints of oak and iron.

“In the name of Heaven,” cried Dantès, “speak again, though the sound of your voice terrifies me. Who are you?”

“Who are you?” said the voice.

“An unhappy prisoner,” replied Dantès, who made no hesitation in answering.

“Of what country?”

“A Frenchman.”

“Your name?”

“Edmond Dantès.”

“Your profession?”

“A sailor.”

“How long have you been here?”

“Since the 28th of February, 1815.”

“Your crime?”

“I am innocent.”

“But of what are you accused?”

“Of having conspired to aid the emperor’s return.”

“What! For the emperor’s return?⁠—the emperor is no longer on the throne, then?”

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10 of the best lines

Ah, lips that say one thing, while the heart thinks another,

II: Father and SonKeep reading from here

But Fernand was mistaken; a man of his disposition never kills himself, for he constantly hopes.

XIII: The Hundred DaysKeep reading from here

The cause was not in Dantès, but in Providence, who, while limiting the power of man, has filled him with boundless desires.

XXIII: The Island of Monte CristoKeep reading from here

Do you not know that we Italians have eyes only for the man we love?

XXXIV: The ColosseumKeep reading from here

But he was a man of stone.

XLIV: The VendettaKeep reading from here

Because then I have no responsibility. I am a machine then, and nothing else, and so long as I work, nothing more is required of me.

LXI: How a Gardener May Get Rid of the Dormice That Eat His PeachesKeep reading from here

Oh, my dear count, husbands are pretty much the same everywhere; an individual husband of any country is a pretty fair specimen of the whole race.

LXXVII: HaydéeKeep reading from here

I do what I please, M. Beauchamp, and it is always well done.

LXXXVIII: The InsultKeep reading from here

Every criminal I condemn seems to me living evidence that I am not a hideous exception to the rest.

XCIX: The LawKeep reading from here

There is something so awe-inspiring in great afflictions that even in the worst times the first emotion of a crowd has generally been to sympathize with the sufferer in a great catastrophe.

CXI: ExpiationKeep reading from here

All 179 The Count of Monte Cristo quotes, with the words around each

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Contents

All 117 parts
  1. I: Marseilles—The Arrival
  2. II: Father and Son
  3. III: The Catalans
  4. IV: Conspiracy
  5. V: The Marriage Feast
  6. VI: The Deputy Procureur du Roi
  7. VII: The Examination
  8. VIII: The Château d’If
  9. IX: The Evening of the Betrothal
  10. X: The King’s Closet at the Tuileries
  11. XI: The Corsican Ogre
  12. XII: Father and Son
  13. XIII: The Hundred Days
  14. XIV: The Two Prisoners
  15. XV: Number 34 and Number 27
  16. XVI: A Learned Italian
  17. XVII: The Abbé’s Chamber
  18. XVIII: The Treasure
  19. XIX: The Third Attack
  20. XX: The Cemetery of the Château d’If
  21. XXI: The Island of Tiboulen
  22. XXII: The Smugglers
  23. XXIII: The Island of Monte Cristo
  24. XXIV: The Secret Cave
  25. XXV: The Unknown
  26. XXVI: The Pont du Gard Inn
  27. XXVII: The Story
  28. XXVIII: The Prison Register
  29. XXIX: The House of Morrel & Son
  30. XXX: The Fifth of September
  31. XXXI: Italy: Sinbad the Sailor
  32. XXXII: The Waking
  33. XXXIII: Roman Bandits
  34. XXXIV: The Colosseum
  35. XXXV: La Mazzolata
  36. XXXVI: The Carnival at Rome
  37. XXXVII: The Catacombs of Saint Sebastian
  38. XXXVIII: The Rendezvous
  39. XXXIX: The Guests
  40. XL: The Breakfast
  41. XLI: The Presentation
  42. XLII: Monsieur Bertuccio
  43. XLIII: The House at Auteuil
  44. XLIV: The Vendetta
  45. XLV: The Rain of Blood
  46. XLVI: Unlimited Credit
  47. XLVII: The Dappled Grays
  48. XLVIII: Ideology
  49. XLIX: Haydée
  50. L: The Morrel Family
  51. LI: Pyramus and Thisbe
  52. LII: Toxicology
  53. LIII: Robert le Diable
  54. LIV: A Flurry in Stocks
  55. LV: Major Cavalcanti
  56. LVI: Andrea Cavalcanti
  57. LVII: In the Lucern Patch
  58. LVIII: M. Noirtier de Villefort
  59. LIX: The Will
  60. LX: The Telegraph
  61. LXI: How a Gardener May Get Rid of the Dormice That Eat His Peaches
  62. LXII: Ghosts
  63. LXIII: The Dinner
  64. LXIV: The Beggar
  65. LXV: A Conjugal Scene
  66. LXVI: Matrimonial Projects
  67. LXVII: The Office of the King’s Attorney
  68. LXVIII: A Summer Ball
  69. LXIX: The Inquiry
  70. LXX: The Ball
  71. LXXI: Bread and Salt
  72. LXXII: Madame de Saint-Méran
  73. LXXIII: The Promise
  74. LXXIV: The Villefort Family Vault
  75. LXXV: A Signed Statement
  76. LXXVI: Progress of Cavalcanti the Younger
  77. LXXVII: Haydée
  78. LXXVIII: We Hear from Yanina
  79. LXXIX: The Lemonade
  80. LXXX: The Accusation
  81. LXXXI: The Room of the Retired Baker
  82. LXXXII: The Burglary
  83. LXXXIII: The Hand of God
  84. LXXXIV: Beauchamp
  85. LXXXV: The Journey
  86. LXXXVI: The Trial
  87. LXXXVII: The Challenge
  88. LXXXVIII: The Insult
  89. LXXXIX: The Night
  90. XC: The Meeting
  91. XCI: Mother and Son
  92. XCII: The Suicide
  93. XCIII: Valentine
  94. XCIV: Maximilian’s Avowal
  95. XCV: Father and Daughter
  96. XCVI: The Contract
  97. XCVII: The Departure for Belgium
  98. XCVIII: The Bell and Bottle Tavern
  99. XCIX: The Law
  100. C: The Apparition
  101. CI: Locusta
  102. CII: Valentine
  103. CIII: Maximilian
  104. CIV: Danglars’ Signature
  105. CV: The Cemetery of Père-Lachaise
  106. CVI: Dividing the Proceeds
  107. CVII: The Lions’ Den
  108. CVIII: The Judge
  109. CIX: The Assizes
  110. CX: The Indictment
  111. CXI: Expiation
  112. CXII: The Departure
  113. CXIII: The Past
  114. CXIV: Peppino
  115. CXV: Luigi Vampa’s Bill of Fare
  116. CXVI: The Pardon
  117. CXVII: The Fifth of October

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Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.