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Heartbreak House

by George Bernard Shaw

Length: 48,231 words, about 193 pages, about 3 hours to read

Drama

Read Heartbreak House free, starting with its best pages and lines below. Listen to it free too, read aloud by your phone's own voice.

What it is

Men and women of the English leisured classes gather at a country house on the eve of war to discuss love, life, and the future.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Act I

A Young Lady, gloved and hatted, with a dust coat on, is sitting in the window-seat with her body twisted to enable her to look out at the view. One hand props her chin: the other hangs down with a volume of the Temple Shakespeare in it, and her finger stuck in the page she has been reading.

A clock strikes six.

The Young Lady turns and looks at her watch. She rises with an air of one who waits, and is almost at the end of her patience. She is a pretty girl, slender, fair, and intelligent looking, nicely but not expensively dressed, evidently not a smart idler.

With a sigh of weary resignation she comes to the draughtsman’s chair; sits down; and begins to read Shakespeare. Presently the book sinks to her lap; her eyes close; and she dozes into a slumber.

An elderly Womanservant comes in from the hall with three unopened bottles of rum on a tray. She passes through and disappears in the pantry without noticing the Young Lady. She places the bottles on the shelf and fills her tray with empty bottles. As she returns with these, the Young Lady lets her book drop, awakening herself, and startling the Womanservant so that she all but lets the tray fall.

The Womanservant

God bless us! The Young Lady picks up the book and places it on the table. Sorry to wake you, miss, I’m sure; but you are a stranger to me. What might you be waiting here for now?

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Act I

The Captain

And had she no friend, no parents, to warn her against my daughter’s invitations? This is a pretty sort of house, by heavens! A young and attractive lady is invited here. Her luggage is left on the steps for hours; and she herself is deposited in the poop and abandoned, tired and starving. This is our hospitality. These are our manners. No room ready. No hot water. No welcoming hostess. Our visitor is to sleep in the toolshed, and to wash in the duckpond.

Nurse Guinness

Now it’s all right, Captain: I’ll get the lady some tea; and her room shall be ready before she has finished it. To the Young Lady. Take off your hat, ducky; and make yourself at home. She goes to the door leading to the hall.

The Captain

As she passes him. Ducky! Do you suppose, woman, that because this young lady has been insulted and neglected, you have the right to address her as you address my wretched children, whom you have brought up in ignorance of the commonest decencies of social intercourse?

Nurse Guinness

Never mind him, doty. Quite unconcerned, she goes out into the hall on her way to the kitchen.

The Captain

Madam, will you favor me with your name? He sits down in the big wicker chair.

The Young Lady

My name is Ellie Dunn.

The Captain

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Act II

Mangan

Of course you don’t understand: what do you know about business? You just listen and learn. Your father’s business was a new business; and I don’t start new businesses: I let other fellows start them. They put all their money and their friends’ money into starting them. They wear out their souls and bodies trying to make a success of them. They’re what you call enthusiasts. But the first dead lift of the thing is too much for them; and they haven’t enough financial experience. In a year or so they have either to let the whole show go bust, or sell out to a new lot of fellows for a few deferred ordinary shares: that is, if they’re lucky enough to get anything at all. As likely as not the very same thing happens to the new lot. They put in more money and a couple of years’ more work; and then perhaps they have to sell out to a third lot. If it’s really a big thing the third lot will have to sell out too, and leave their work and their money behind them. And that’s where the real business man comes in: where I come in. But I’m cleverer than some: I don’t mind dropping a little money to start the process. I took your father’s measure. I saw that he had a sound idea, and that he would work himself silly for it if he got the chance. I saw that he was a child in business, and was dead certain to outrun his expenses and be in too great a hurry to wait for his market.

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Act II

Ellie

I suppose you think you’re being sympathetic. You are just foolish and stupid and selfish. You see me getting a smasher right in the face that kills a whole part of my life: the best part that can never come again; and you think you can help me over it by a little coaxing and kissing. When I want all the strength I can get to lean on: something iron, something stony, I don’t care how cruel it is, you go all mushy and want to slobber over me. I’m not angry; I’m not unfriendly; but for God’s sake do pull yourself together; and don’t think that because you’re on velvet and always have been, women who are in hell can take it as easily as you.

Mrs. Hushabye

Shrugging her shoulders. Very well. She sits down on the sofa in her old place. But I warn you that when I am neither coaxing and kissing nor laughing, I am just wondering how much longer I can stand living in this cruel, damnable world. You object to the siren: well, I drop the siren. You want to rest your wounded bosom against a grindstone. Well folding her arms, here is the grindstone.

Ellie

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Act II

A man’s interest in the world is only the overflow from his interest in himself. When you are a child your vessel is not yet full; so you care for nothing but your own affairs. When you grow up, your vessel overflows; and you are a politician, a philosopher, or an explorer and adventurer. In old age the vessel dries up: there is no overflow: you are a child again. I can give you the memories of my ancient wisdom: mere scraps and leavings; but I no longer really care for anything but my own little wants and hobbies. I sit here working out my old ideas as a means of destroying my fellow-creatures. I see my daughters and their men living foolish lives of romance and sentiment and snobbery. I see you, the younger generation, turning from their romance and sentiment and snobbery to money and comfort and hard common sense. I was ten times happier on the bridge in the typhoon, or frozen into Arctic ice for months in darkness, than you or they have ever been. You are looking for a rich husband. At your age I looked for hardship, danger, horror, and death, that I might feel the life in me more intensely. I did not let the fear of death govern my life; and my reward was, I had my life. You are going to let the fear of poverty govern your life; and your reward will be that you will eat, but you will not live.

Ellie

Sitting up impatiently. But what can I do? I am not a sea captain: I can’t stand on bridges in typhoons, or go slaughtering seals and whales in Greenland’s icy mountains. They won’t let women be captains. Do you want me to be a stewardess?

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10 of the best lines

Heartbreak House is not merely the name of the play which follows this preface. It is cultured, leisured Europe before the war.

Where Heartbreak House StandsKeep reading from here

You cannot make war on war and on your neighbor at the same time.

How War Muzzles the Dramatic PoetKeep reading from here

It’s only life educating you, pettikins.

Act IKeep reading from here

I know the sort of people I’m among now.

Act IIKeep reading from here

One rock is as good as another to be wrecked on.

Act IIKeep reading from here

Old men are dangerous: it doesn’t matter to them what is going to happen to the world.

Act IIKeep reading from here

Never waste jealousy on a real man: it is the imaginary hero that supplants us all in the long run.

Act IIKeep reading from here

There are only two classes in good society in England: the equestrian classes and the neurotic classes.

Act IIIKeep reading from here

Life with a blessing! that is what I want.

Act IIIKeep reading from here

We do not live in this house: we haunt it.

Act IIIKeep reading from here

All 44 Heartbreak House quotes, with the words around each

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Contents

All 36 parts
  1. Heartbreak House and Horseback Hall
  2. Where Heartbreak House Stands
  3. The Inhabitants
  4. Horseback Hall
  5. Revolution on the Shelf
  6. The Cherry Orchard
  7. Nature’s Long Credits
  8. The Wicked Half Century
  9. Hypochondria
  10. Those Who Do Not Know How to Live Must Make a Merit of Dying
  11. War Delirium
  12. Madness in Court
  13. The Long Arm of War
  14. The Rabid Watchdogs of Liberty
  15. The Sufferings of the Sane
  16. Evil in the Throne of Good
  17. Straining at the Gnat and Swallowing the Camel
  18. Little Minds and Big Battles
  19. The Dumb Capables and the Noisy Incapables
  20. The Practical Business Men
  21. How the Fools Shouted the Wise Men Down
  22. The Mad Election
  23. The Yahoo and the Angry Ape
  24. Plague on Both Your Houses!
  25. How the Theatre Fared
  26. The Soldier at the Theatre Front
  27. Commerce in the Theatre
  28. Unser Shakespeare
  29. The Higher Drama Put Out of Action
  30. Church and Theatre
  31. The Next Phase
  32. The Ephemeral Thrones and the Eternal Theatre
  33. How War Muzzles the Dramatic Poet
  34. Act I
  35. Act II
  36. Act III

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.