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Can You Forgive Her?

by Anthony Trollope

Length: 314,445 words, about 1,258 pages, about 22 hours to read

Novels, Romance

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What it is

A young woman is torn between marrying a man she loves and respects, and a man she once loved and now fears.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Mr. Vavasor and His Daughter

Whether or no, she, whom you are to forgive, if you can, did or did not belong to the Upper Ten Thousand of this our English world, I am not prepared to say with any strength of affirmation. By blood she was connected with big people⁠—distantly connected with some very big people indeed, people who belonged to the Upper Ten Hundred if there be any such division; but of these very big relations she had known and seen little, and they had cared as little for her. Her grandfather, Squire Vavasor of Vavasor Hall, in Westmoreland, was a country gentleman, possessing some thousand a year at the outside, and he therefore never came up to London, and had no ambition to have himself numbered as one in any exclusive set. A hotheaded, ignorant, honest old gentleman, he lived ever at Vavasor Hall, declaring to any who would listen to him, that the country was going to the mischief, and congratulating himself that at any rate, in his county, parliamentary reform had been powerless to alter the old political arrangements. Alice Vavasor, whose offence against the world I am to tell you, and if possible to excuse, was the daughter of his younger son; and as her father, John Vavasor, had done nothing to raise the family name to eminence, Alice could not lay claim to any high position from her birth as a Vavasor. John Vavasor had come up to London early in life as a barrister, and had failed.

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V: The Balcony at Basle

“I’ll be down again very soon,” said Kate. “Then we’ll take one turn on the bridge and go to bed.”

Alice and George were left together sitting in the balcony. They had been alone together before many times since their travels had commenced; but they both of them felt that there was something to them in the present moment different from any other period of their journey. There was something that each felt to be sweet, undefinable, and dangerous. Alice had known that it would be better for her to go upstairs with Kate; but Kate’s answer had been of such a nature that had she gone she would have shown that she had some special reason for going. Why should she show such a need? Or why, indeed, should she entertain it?

Alice was seated quite at the end of the gallery, and Kate’s chair was at her feet in the corner. When Alice and Kate had seated themselves, the waiter had brought a small table for the coffee-cups, and George had placed his chair on the other side of that. So that Alice was, as it were, a prisoner. She could not slip away without some special preparation for going, and Kate had so placed her chair in leaving, that she must actually have asked George to move it before she could escape. But why should she wish to escape? Nothing could be more lovely and enticing than the scene before her. The night had come on, with quick but still unperceived approach, as it does in those parts; for the twilight there is not prolonged as it is with us more northern folk.

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V: The Balcony at Basle

“Certainly; if you wish it you shall go.” He still held his foot against the chair which barred her passage, and did not attempt to rise as he must have done to make way for her passage out. “Certainly you shall go to Kate, if you refuse to hear me. But after all that has passed between us, after these six weeks of intimate companionship, I think you ought to listen to me. I tell you that I have nothing to ask. I am not going to make love to you.”

Alice had commenced some attempt to rise, but she had again settled herself in her chair. And now, when he paused for a moment, she made no further sign that she wished to escape, nor did she say a word to intimate her further wish that he should be silent.

“I am not going to make love to you,” he said again. “As for making love, as the word goes, that must be over between you and me. It has been made and marred, and cannot be remade. It may exist, or it may have been expelled; but where it does not exist, it will never be brought back again.”

“It should not be spoken of between you and me.”

“So, no doubt, any proper-going duenna would say, and so, too, little children should be told; but between you and me there can be no necessity for falsehood. We have grown beyond our sugar-toothed ages, and are now men and women.

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XI: John Grey Goes to London

No; it was his step on the stairs, and there he was in the room with her.

“My dearest,” he said, coming to her. His smile was sweet and loving as it ever was, and his voice had its usual manly, genial, loving tone. As he walked across the room Alice felt that he was a man of whom a wife might be very proud. He was tall and very handsome, with brown hair, with bright blue eyes, and a mouth like a god. It was the beauty of his mouth⁠—beauty which comprised firmness within itself, that made Alice afraid of him. He was still dressed in his morning clothes; but he was a man who always seemed to be well dressed. “My dearest,” he said, advancing across the room, and before she knew how to stop herself or him, he had taken her in his arms and kissed her.

He did not immediately begin about the letter, but placed her upon the sofa, seating himself by her side, and looked into her face with loving eyes⁠—not as though to scrutinize what might be amiss there, but as though determined to enjoy to the full his privilege as a lover. There was no reproach at any rate in his countenance;⁠—none as yet; nor did it seem that he thought that he had any cause for fear. They sat in this way for a moment or two in silence, and during those moments Alice was summoning up her courage to speak. The palpitation at her heart was already gone, and she was determined that she would speak.

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XXVII: The Priory Ruins

“Is it not beautiful!” said Glencora. “I do love it so! And there is a peculiar feeling of cold about the chill of the moon, different from any other cold. It makes you wrap yourself up tight, but it does not make your teeth chatter; and it seems to go into your senses rather than into your bones. But I suppose that’s nonsense,” she added, after a pause.

“Not more so than what people are supposed to talk by moonlight.”

“That’s unkind. I’d like what I say on such an occasion to be more poetical or else more nonsensical than what other people say under the same circumstances. And now I’ll tell you why I always think of you when I come here by moonlight.”

“But I suppose you don’t often come.”

“Yes, I do; that is to say, I did come very often when we had the full moon in August. The weather wasn’t like this, and I used to run out through the open windows and nobody knew where I was gone. I made him come once, but he didn’t seem to care about it. I told him that part of the refectory wall was falling; so he looked at that, and had a mason sent the next day. If anything is out of order he has it put to rights at once. There would have been no ruins if all the Pallisers had been like him.”

“So much the better for the world.”

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10 of the best lines

Of old Lady Macleod I think I may say that she was a good woman;⁠—that she was a good woman, though subject to two of the most serious drawbacks to goodness which can afflict a lady.

I: Mr. Vavasor and His DaughterKeep reading from here

The charm of the woman was in this⁠—that she was not in the least ashamed of anything that she did.

VII: Aunt GreenowKeep reading from here

Sometimes it seems to me as though I’ve been living for a hundred years.

XIII: Mr. Grimes Gets His Odd MoneyKeep reading from here

“I am wicked, as Topsy used to say. Do you hunt?”

XXIII: Dinner at Matching PrioryKeep reading from here

“Bygones will not be bygones. It may be well for people to say so, but it is never true. One might as well say so to one’s body as to one’s heart. But the hairs will grow grey, and the heart will grow cold.”

XXXV: Passion Versus PrudenceKeep reading from here

Alice was proud to a fault. She had nursed her pride till it was very faulty.

XLIII: Mrs. MarshamKeep reading from here

Lying would not put the fat back into the frying pan.

LI: Bold Speculations on MurderKeep reading from here

The City repeated the name, Alice Vavasor, as though it were not esteemed a good name on Change.

LX: Alice Vavasor’s Name Gets Into the Money MarketKeep reading from here

In such contests, a woman has ever the best of it at all points. The man plays with a button to his foil, while the woman uses a weapon that can really wound.

LXVII: The Last KissKeep reading from here

“As long as I can help it, Mr. Palliser, I never think of anything.”

LXXVI: The Landlord’s BillKeep reading from here

All 97 Can You Forgive Her? quotes, with the words around each

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Contents

All 80 parts
  1. I: Mr. Vavasor and His Daughter
  2. II: Lady Macleod
  3. III: John Grey, the Worthy Man
  4. IV: George Vavasor, the Wild Man
  5. V: The Balcony at Basle
  6. VI: The Bridge Over the Rhine
  7. VII: Aunt Greenow
  8. VIII: Mr. Cheesacre
  9. IX: The Rivals
  10. X: Nethercoats
  11. XI: John Grey Goes to London
  12. XII: Mr. George Vavasor at Home
  13. XIII: Mr. Grimes Gets His Odd Money
  14. XIV: Alice Vavasor Becomes Troubled
  15. XV: Paramount Crescent
  16. XVI: The Roebury Club
  17. XVII: Edgehill
  18. XVIII: Alice Vavasor’s Great Relations
  19. XIX: Tribute from Oileymead
  20. XX: Which Shall It Be?
  21. XXI: Alice Is Taught to Grow Upwards, Towards the Light
  22. XXII: Dandy and Flirt
  23. XXIII: Dinner at Matching Priory
  24. XXIV: Three Politicians
  25. XXV: In Which Much of the History of the Pallisers Is Told
  26. XXVI: Lady Midlothian
  27. XXVII: The Priory Ruins
  28. XXVIII: Alice Leaves the Priory
  29. XXIX: Burgo Fitzgerald
  30. XXX: Containing a Love Letter
  31. XXXI: Among the Fells
  32. XXXII: Containing an Answer to the Love Letter
  33. XXXIII: Monkshade
  34. XXXIV: Mr. Vavasor Speaks to His Daughter
  35. XXXV: Passion Versus Prudence
  36. XXXVI: John Grey Goes a Second Time to London
  37. XXXVII: Mr. Tombe’s Advice
  38. XXXVIII: The Inn at Shap
  39. XXXIX: Mr. Cheesacre’s Hospitality
  40. XL: Mrs. Greenow’s Little Dinner in the Close
  41. XLI: A Noble Lord Dies
  42. XLII: Parliament Meets
  43. XLIII: Mrs. Marsham
  44. XLIV: The Election for the Chelsea Districts
  45. XLV: George Vavasor Takes His Seat
  46. XLVI: A Love Gift
  47. XLVII: Mr. Cheesacre’s Disappointment
  48. XLVIII: Preparations for Lady Monk’s Party
  49. XLIX: How Lady Glencora Went to Lady Monk’s Party
  50. L: How Lady Glencora Came Back from Lady Monk’s Party
  51. LI: Bold Speculations on Murder
  52. LII: What Occurred in Suffolk Street, Pall Mall
  53. LIII: The Last Will of the Old Squire
  54. LIV: Showing How Alice Was Punished
  55. LV: The Will
  56. LVI: Another Walk on the Fells
  57. LVII: Showing How the Wild Beast Got Himself Back from the Mountains
  58. LVIII: The Pallisers at Breakfast
  59. LIX: The Duke of St. Bungay in Search of a Minister
  60. LX: Alice Vavasor’s Name Gets Into the Money Market
  61. LXI: The Bills Are Made All Right
  62. LXII: Going Abroad
  63. LXIII: Mr. John Grey in Queen Anne Street
  64. LXIV: The Rocks and Valleys
  65. LXV: The First Kiss
  66. LXVI: Lady Monk’s Plan
  67. LXVII: The Last Kiss
  68. LXVIII: From London to Baden
  69. LXIX: From Baden to Lucerne
  70. LXX: At Lucerne
  71. LXXI: Showing How George Vavasor Received a Visit
  72. LXXII: Showing How George Vavasor Paid a Visit
  73. LXXIII: In Which Come Tidings of Great Moment to All Pallisers
  74. LXXIV: Showing What Happened in the Churchyard
  75. LXXV: Rouge et Noir
  76. LXXVI: The Landlord’s Bill
  77. LXXVII: The Travellers Return Home
  78. LXXVIII: Mr. Cheesacre’s Fate
  79. LXXIX: Diamonds Are Diamonds
  80. LXXX: The Story Is Finished Within the Halls of the Duke of Omnium

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Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.