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Within and Without

by George MacDonald

Length: 36,211 words, about 145 pages, about 3 hours to read

Drama

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What it is

A spiritually unfulfilled monk goes on a journey to rescue a woman from his past.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Scene I

Evening again slow creeping like a death! And the red sunbeams fading from the wall, On which they flung a sky, with streaks and bars Of the poor window-pane that let them in, For clouds and shadings of the mimic heaven! Soul of my cell, they part, no more to come. But what is light to me, while I am dark! And yet they strangely draw me, those faint hues, Reflected flushes from the Evening’s face, Which as a bride, with glowing arms outstretched, Takes to her blushing heaven him who has left His chamber in the dim deserted east. Through walls and hills I see it! The rosy sea! The radiant head half-sunk! A pool of light, As the blue globe had by a blow been broken, And the insphered glory bubbled forth! Or the sun were a splendid water-bird, That flying furrowed with its golden feet A flashing wake over the waves, and home! Lo there!⁠—Alas, the dull blank wall!⁠—High up, The window-pane a dead gray eye! and night Come on me like a thief!⁠—Ah, well! the sun Has always made me sad! I’ll go and pray: The terror of the night begins with prayer.

Vesper bell.

Call them that need thee; I need not thy summons; My knees would not so pain me when I kneel, If only at thy voice my prayer awoke. I will not to the chapel. When I find Him, Then will I praise him from the heights of peace; But now my soul is as a speck of life Cast on the deserts of eternity; A hungering and a thirsting, nothing more.

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Scene I

You do not understand me. Without my need, you cannot know my want. You will all night be puzzling to determine With which of the old heretics to class me. But you are honest; will not rouse the cry Against me. I am honest. For the proof, Such as will satisfy a monk, look here! Is this a smooth belt, brother? And look here! Did one week’s scourging seam my side like that? I am ashamed to speak thus, and to show Things rightly hidden; but in my heart I love you, And cannot bear but you should think me true. Let it excuse my foolishness. They talk Of penance! Let them talk when they have tried, And found it has not even unbarred heaven’s gate, Let out one stray beam of its living light, Or humbled that proud I that knows not God! You are my friend:⁠—if you should find this cell Empty some morning, do not be afraid That any ill has happened.

Robert

Well, perhaps ’Twere better you should go. I cannot help you, But I can keep your secret. God be with you. Goes.

Julian

Amen.⁠—A good man; but he has not waked, And seen the Sphinx’s stony eyes fixed on him. God veils it. He believes in Christ, he thinks; And so he does, as possible for him. How he will wonder when he looks for heaven! He thinks me an enthusiast, because I seek to know God, and to hear his voice Talk to my heart in silence; as of old The Hebrew king, when, still, upon his bed, He lay communing with his heart; and God With strength in his soul did strengthen him, until In his light he saw light. God speaks to men. My soul leans toward him; stretches forth its arms, And waits expectant.

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Scene VII

I have faced worse storms than you. They struggle. Heart point and hilt strung on the line of force, He stabs him. Your ribs will not mail your heart! Nembroni falls dead. Julian wipes his dagger on the dead man’s coat. If men will be devils, They are better in hell than here. Lightning flashes on the blade. What a night For a soul to go out of doors! God in heaven! Approaches the lady within. Ah! she has fainted. That is well. I hope It will not pass too soon. It is not far To the half-hidden door in my own fence, And that is well. If I step carefully, Such rain will soon wash out the tell-tale footprints. What! blood? He does not bleed much, I should think! Oh, I see! it is mine⁠—he has wounded me. That’s awkward now. Takes a handkerchief from the floor by the window. Pardon me, dear lady; Ties the handkerchief with hand and teeth round his arm. ’Tis not to save my blood I would defile Even your handkerchief. Coming towards the door, carrying her. I am pleased to think Ten monkish months have not ta’en all my strength. Looking out of the window on the landing. For once, thank darkness! ’Twas sent for us, not him. He goes down the stair.

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Scene XVIII

Lilia

A monk? Turningpale. I thought⁠—Faltering. Julian⁠—I thought you said⁠ ⁠… did you not say⁠ ⁠… ? Very pale, brokenly. I thought you said⁠ ⁠… With an effort. I was to be your wife! Covering her face with her hands, and bursting into tears.

Julian

Speaking low and in pain.

And so I did.

Lilia

Hopefully, and looking up.

Then you’ve had dispensation?

Julian

God has absolved me, though the Church will not. He knows it was in ignorance I did it. Rather would he have men to do his will, Than keep a weight of words upon their souls, Which they laid there, not graven by his finger. The vow was made to him⁠—to him I break it.

Lilia

Weeping bitterly.

I would⁠ ⁠… your words were true⁠ ⁠… but I do know⁠ ⁠… It never can⁠ ⁠… be right to break a vow; If so, men might be liars every day; You’d do the same by me, if we were married.

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Scene XI

I went to call on Seaford, and was told He had gone to town. So I, as privileged, Went to his cabinet to write a note; Which finished, I came down, and called his valet. Just as I crossed the hall I heard a voice⁠— “The Countess Lamballa⁠—is she here to-day?” And looking toward the door, I caught a glimpse Of a tall figure, gaunt and stooping, drest In a blue shabby frock down to his knees, And on his left arm sat a little child. The porter gave short answer, with the door For period to the same; when, like a flash, It flew wide open, and the serving man Went reeling, staggering backward to the stairs, ’Gainst which he fell, and, rolling down, lay stunned. In walked the visitor; but in the moment Just measured by the closing of the door, Heavens, what a change! He walked erect, as if Heading a column, with an eye and face As if a fountain-shaft of blood had shot Up suddenly within his wasted frame. The child sat on his arm quite still and pale, But with a look of triumph in her eyes. He glanced in each room opening from the hall, Set his face for the stair, and came right on⁠— In every motion calm as glacier’s flow, Save, now and then, a movement, sudden, quick, Of his right hand across to his left side: ’Twas plain he had been used to carry arms.

Third Gentleman

Did no one stop him?

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9 of the best lines

Always merry, and never drunk. That’s the life of the jolly monk.

Scene IKeep reading from here

I am an emptiness for thee to fill; My soul, a cavern for thy sea.

Scene IKeep reading from here

Pure life is measured by intensity, Not by the how much of the crawling clock.

Scene XKeep reading from here

Words are the bonds that of two souls make one!

Scene XVIIIKeep reading from here

The Lovely is the True. The Beautiful Is what God made.

Scene IXKeep reading from here

Beauty and sadness always go together.

Scene IIIKeep reading from here

Thou knowest what an awful thing It is to be a life.

Scene IVKeep reading from here

’Tis where they lay them when the story’s done.

Scene XIXKeep reading from here

Oh the hurt, the hurt, and the hurt of love!

Scene XXIKeep reading from here

All 9 Within and Without quotes, with the words around each

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Contents

All 72 parts
  1. To L. P. M. D.
  2. Part I
  3. Scene I
  4. Scene II
  5. Scene III
  6. Scene IV
  7. Scene V
  8. Scene VI
  9. Scene VII
  10. Scene VIII
  11. Part II
  12. Scene I
  13. Scene II
  14. Scene III
  15. Scene IV
  16. Scene V
  17. Scene VI
  18. Scene VII
  19. Scene VIII
  20. Scene IX
  21. Scene X
  22. Scene XI
  23. Scene XII
  24. Scene XIII
  25. Scene XIV
  26. Scene XV
  27. Scene XVI
  28. Scene XVII
  29. Scene XVIII
  30. Scene XIX
  31. Part III
  32. Scene I
  33. Scene II
  34. Scene III
  35. Scene IV
  36. Scene V
  37. Scene VI
  38. Scene VII
  39. Scene VIII
  40. Scene IX
  41. Scene X
  42. Scene XI
  43. Part IV
  44. Scene I
  45. Scene II
  46. Scene III
  47. Scene IV
  48. Scene V
  49. Scene VI
  50. Scene VII
  51. Scene VIII
  52. Scene IX
  53. Scene X
  54. Scene XI
  55. Scene XII
  56. Scene XIII
  57. Scene XIV
  58. Scene XV
  59. Scene XVI
  60. Scene XVII
  61. Scene XVIII
  62. Scene XIX
  63. Scene XX
  64. Scene XXI
  65. Scene XXII
  66. Scene XXIII
  67. Scene XXIV
  68. Scene XXV
  69. Part V
  70. Scene I
  71. Scene II
  72. Scene III

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.