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Whose Body?

by Dorothy L. Sayers

Length: 59,320 words, about 237 pages, about 4 hours to read

Mystery

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What it is

An aristocratic detective unravels the mystery of a body deposited in a bathtub in 1920s England.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Chapter I

“Oh, damn!” said Lord Peter Wimsey at Piccadilly Circus. “Hi, driver!”

The taxi man, irritated at receiving this appeal while negotiating the intricacies of turning into Lower Regent Street across the route of a 19 bus, a 38-B and a bicycle, bent an unwilling ear.

“I’ve left the catalogue behind,” said Lord Peter deprecatingly. “Uncommonly careless of me. D’you mind puttin’ back to where we came from?”

“To the Savile Club, sir?”

“No⁠—110 Piccadilly⁠—just beyond⁠—thank you.”

“Thought you was in a hurry,” said the man, overcome with a sense of injury.

“I’m afraid it’s an awkward place to turn in,” said Lord Peter, answering the thought rather than the words. His long, amiable face looked as if it had generated spontaneously from his top hat, as white maggots breed from Gorgonzola.

The taxi, under the severe eye of a policeman, revolved by slow jerks, with a noise like the grinding of teeth.

The block of new, perfect and expensive flats in which Lord Peter dwelt upon the second floor, stood directly opposite the Green Park, in a spot for many years occupied by the skeleton of a frustrate commercial enterprise. As Lord Peter let himself in he heard his man’s voice in the library, uplifted in that throttled stridency peculiar to well-trained persons using the telephone.

“I believe that’s his lordship just coming in again⁠—if your Grace would kindly hold the line a moment.”

“What is it, Bunter?”

“Her Grace has just called up from Denver, my lord. I was just saying your lordship had gone to the sale when I heard your lordship’s latchkey.”

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Chapter I

He took from Mr. Thipps’s hesitating hand the sheet which had been flung over the bath, and turned it back.

The body which lay in the bath was that of a tall, stout man of about fifty. The hair, which was thick and black and naturally curly, had been cut and parted by a master hand, and exuded a faint violet perfume, perfectly recognisable in the close air of the bathroom. The features were thick, fleshy and strongly marked, with prominent dark eyes, and a long nose curving down to a heavy chin. The clean-shaven lips were full and sensual, and the dropped jaw showed teeth stained with tobacco. On the dead face the handsome pair of gold pince-nez mocked death with grotesque elegance; the fine gold chain curved over the naked breast. The legs lay stiffly stretched out side by side; the arms reposed close to the body; the fingers were flexed naturally. Lord Peter lifted one arm, and looked at the hand with a little frown.

“Bit of a dandy, your visitor, what?” he murmured. “Parma violet and manicure.” He bent again, slipping his hand beneath the head. The absurd eyeglasses slipped off, clattering into the bath, and the noise put the last touch to Mr. Thipps’s growing nervousness.

“If you’ll excuse me,” he murmured, “it makes me feel quite faint, it reely does.”

He slipped outside, and he had no sooner done so than Lord Peter, lifting the body quickly and cautiously, turned it over and inspected it with his head on one side, bringing his monocle into play with the air of the late Joseph Chamberlain approving a rare orchid.

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Chapter II

“Oh, all these things might happen to anybody⁠—separately. Fourth point: Gentleman who uses Parma violet for his hair, etc., etc., washes his body in strong carbolic soap⁠—so strong that the smell hangs about twenty-four hours later.”

“Carbolic to get rid of the fleas.”

“I will say for you, Parker, you’ve an answer for everything. Fifth point: Carefully got-up gentleman, with manicured, though masticated, fingernails, has filthy black toenails which look as if they hadn’t been cut for years.”

“All of a piece with habits as indicated.”

“Yes, I know, but such habits! Now, sixth and last point: This gentleman with the intermittently gentlemanly habits arrives in the middle of a pouring wet night, and apparently through the window, when he has already been twenty-four hours dead, and lies down quietly in Mr. Thipps’s bath, unseasonably dressed in a pair of pince-nez. Not a hair on his head is ruffled⁠—the hair has been cut so recently that there are quite a number of little short hairs stuck on his neck and the sides of the bath⁠—and he has shaved so recently that there is a line of dried soap on his cheek⁠—”

“Wimsey!”

“Wait a minute⁠—and dried soap in his mouth.”

Bunter got up and appeared suddenly at the detective’s elbow, the respectful manservant all over.

“A little more brandy, sir?” he murmured.

“Wimsey,” said Parker, “you are making me feel cold all over.” He emptied his glass⁠—stared at it as though he were surprised to find it empty, set it down, got up, walked across to the bookcase, turned round, stood with his back against it and said:

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Chapter VIII

A log broke across and sank into a fluff of white ash. A belated motor-lorry rumbled past the window.

Mr. Bunter, sleeping the sleep of the true and faithful servant, was aroused in the small hours by a hoarse whisper, “Bunter!”

“Yes, my lord,” said Bunter, sitting up and switching on the light.

“Put that light out, damn you!” said the voice. “Listen⁠—over there⁠—listen⁠—can’t you hear it?”

“It’s nothing, my lord,” said Mr. Bunter, hastily getting out of bed and catching hold of his master; “it’s all right, you get to bed quick and I’ll fetch you a drop of bromide. Why, you’re all shivering⁠—you’ve been sitting up too late.”

“Hush! no, no⁠—it’s the water,” said Lord Peter with chattering teeth; “it’s up to their waists down there, poor devils. But listen! can’t you hear it? Tap, tap, tap⁠—they’re mining us⁠—but I don’t know where⁠—I can’t hear⁠—I can’t. Listen, you! There it is again⁠—we must find it⁠—we must stop it.⁠ ⁠… Listen! Oh, my God! I can’t hear⁠—I can’t hear anything for the noise of the guns. Can’t they stop the guns?”

“Oh, dear!” said Mr. Bunter to himself. “No, no⁠—it’s all right, Major⁠—don’t you worry.”

“But I hear it,” protested Peter.

“So do I,” said Mr. Bunter stoutly; “very good hearing, too, my lord. That’s our own sappers at work in the communication trench. Don’t you fret about that, sir.”

Lord Peter grasped his wrist with a feverish hand.

“Our own sappers,” he said; “sure of that?”

“Certain of it,” said Mr. Bunter, cheerfully.

“They’ll bring down the tower,” said Lord Peter.

Keep reading from here

10 of the best lines

“Oh, damn!” said Lord Peter Wimsey at Piccadilly Circus. “Hi, driver!”

Chapter IKeep reading from here

“A dead man, dear, with nothing on but a pair of pince-nez. Mrs. Throgmorton positively blushed when she was telling me. I’m afraid people do get a little narrow-minded in country vicarages.”

Chapter IKeep reading from here

“Dear old Sugg,” said that nobleman, fondly, “dear, dear old bird! How he does hate me, to be sure.”

Chapter IKeep reading from here

“He is a poet of crime,” said Wimsey.

Chapter IIIKeep reading from here

He stood up with a kind of weak dignity, like a small white rabbit brought to bay.

Chapter VIKeep reading from here

“Havin’ to live is the only excuse there is for doin’ that kind of thing.”

Chapter VIIKeep reading from here

Rivers running into the sand⁠—rivers running underground, very far down⁠—

Chapter VIIIKeep reading from here

Many criminals are wrecked by over-caution.

Chapter XKeep reading from here

“I am an amateur,” said Lord Peter.

Chapter XIKeep reading from here

The vile, raw fog tore your throat and ravaged your eyes. You could not see your feet.

Chapter XIIKeep reading from here

All 20 Whose Body? quotes, with the words around each

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Contents

  1. Chapter I
  2. Chapter II
  3. Chapter III
  4. Chapter IV
  5. Chapter V
  6. Chapter VI
  7. Chapter VII
  8. Chapter VIII
  9. Chapter IX
  10. Chapter X
  11. Chapter XI
  12. Chapter XII
  13. Chapter XIII

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.