When God Laughs

Carquinez had relaxed finally. He stole a glance at the rattling windows, looked upward at the beamed roof, and listened for a moment to the savage roar of the southeaster as it caught the bungalow in its bellowing jaws. Then he held his glass between him and the fire and laughed for joy through the golden wine.

“It is beautiful,” he said. “It is sweetly sweet. It is a woman’s wine, and it was made for gray-robed saints to drink.”

“We grow it on our own warm hills,” I said, with pardonable California pride. “You rode up yesterday through the vines from which it was made.”

It was worthwhile to get Carquinez to loosen up. Nor was he ever really himself until he felt the mellow warmth of the vine singing in his blood. He was an artist, it is true, always an artist; but somehow, sober, the high pitch and lilt went out of his thought-processes and he was prone to be as deadly dull as a British Sunday⁠—not dull as other men are dull, but dull when measured by the sprightly wight that Monte Carquinez was when he was really himself.

From all this it must not be inferred that Carquinez, who is my dear friend and dearer comrade, was a sot. Far from it. He rarely erred. As I have said, he was an artist. He knew when he had enough, and enough, with him, was equilibrium⁠—the equilibrium that is yours and mine when we are sober.

“If you don’t git up, Johnny, I won’t give you a bite to eat!”

The threat had no effect on the boy. He clung stubbornly to sleep, fighting for its oblivion as the dreamer fights for his dream. The boy’s hands loosely clenched themselves, and he made feeble, spasmodic blows at the air. These blows were intended for his mother, but she betrayed practised familiarity in avoiding them as she shook him roughly by the shoulder.

“Lemme ’lone!”

It was a cry that began, muffled, in the deeps of sleep, that swiftly rushed upward, like a wail, into passionate belligerence, and that died away and sank down into an inarticulate whine. It was a bestial cry, as of a soul in torment, filled with infinite protest and pain.

But she did not mind. She was a sad-eyed, tired-faced woman, and she had grown used to this task, which she repeated every day of her life. She got a grip on the bedclothes and tried to strip them down; but the boy, ceasing his punching, clung to them desperately. In a huddle, at the foot of the bed, he still remained covered. Then she tried dragging the bedding to the floor. The boy opposed her. She braced herself. Hers was the superior weight, and the boy and bedding gave, the former instinctively following the latter in order to shelter against the chill of the room that bit into his body.

As he toppled on the edge of the bed it seemed that he must fall headfirst to the floor. But consciousness fluttered up in him. He righted himself and for a moment perilously balanced. Then he struck the floor on his feet.

“The coral waxes, the palm grows, but man departs.”

Tahitian proverb

Ah Cho did not understand French. He sat in the crowded court room, very weary and bored, listening to the unceasing, explosive French that now one official and now another uttered. It was just so much gabble to Ah Cho, and he marvelled at the stupidity of the Frenchmen who took so long to find out the murderer of Chung Ga, and who did not find him at all. The five hundred coolies on the plantation knew that Ah San had done the killing, and here was Ah San not even arrested. It was true that all the coolies had agreed secretly not to testify against one another; but then, it was so simple, the Frenchmen should have been able to discover that Ah San was the man. They were very stupid, these Frenchmen.

Ah Cho had done nothing of which to be afraid. He had had no hand in the killing. It was true he had been present at it, and Schemmer, the overseer on the plantation, had rushed into the barracks immediately afterward and caught him there, along with four or five others; but what of that? Chung Ga had been stabbed only twice. It stood to reason that five or six men could not inflict two stab wounds. At the most, if a man had struck but once, only two men could have done it.

So it was that Ah Cho reasoned, when he, along with his four companions, had lied and blocked and obfuscated in their statements to the court concerning what had taken place.

For seven weeks the Mary Rogers had been between 50 degrees south in the Atlantic and 50 degrees south in the Pacific, which meant that for seven weeks she had been struggling to round Cape Horn. For seven weeks she had been either in dirt, or close to dirt, save once, and then, following upon six days of excessive dirt, which she had ridden out under the shelter of the redoubtable Terra del Fuego coast, she had almost gone ashore during a heavy swell in the dead calm that had suddenly fallen. For seven weeks she had wrestled with the Cape Horn graybeards, and in return been buffeted and smashed by them. She was a wooden ship, and her ceaseless straining had opened her seams, so that twice a day the watch took its turn at the pumps.

The Mary Rogers was strained, the crew was strained, and big Dan Cullen, master, was likewise strained. Perhaps he was strained most of all, for upon him rested the responsibility of that titanic struggle. He slept most of the time in his clothes, though he rarely slept. He haunted the deck at night, a great, burly, robust ghost, black with the sunburn of thirty years of sea and hairy as an orangutan. He, in turn, was haunted by one thought of action, a sailing direction for the Horn: Whatever you do, make westing! make westing! It was an obsession. He thought of nothing else, except, at times, to blaspheme God for sending such bitter weather.

Listen, my brothers, and I will tell you a tale of an arm. It was the arm of Tom Dixon, and Tom Dixon was a weaver of the first class in a factory of that hellhound and master, Roger Vanderwater. This factory was called “Hell’s Bottom”⁠ ⁠… by the slaves who toiled in it, and I guess they ought to know; and it was situated in Kingsbury, at the other end of the town from Vanderwater’s summer palace. You do not know where Kingsbury is? There are many things, my brothers, that you do not know, and it is sad. It is because you do not know that you are slaves. When I have told you this tale, I should like to form a class among you for the learning of written and printed speech. Our masters read and write and possess many books, and it is because of that that they are our masters, and live in palaces, and do not work. When the toilers learn to read and write⁠—all of them⁠—they will grow strong; then they will use their strength to break their bonds, and there will be no more masters and no more slaves.