Trent’s Last Case

Between what matters and what seems to matter, how should the world we know judge wisely?

When the scheming, indomitable brain of Sigsbee Manderson was scattered by a shot from an unknown hand, that world lost nothing worth a single tear; it gained something memorable in a harsh reminder of the vanity of such wealth as this dead man had piled up⁠—without making one loyal friend to mourn him, without doing an act that could help his memory to the least honour. But when the news of his end came, it seemed to those living in the great vortices of business as if the earth too shuddered under a blow.

In all the lurid commercial history of his country there had been no figure that had so imposed itself upon the mind of the trading world. He had a niche apart in its temples. Financial giants, strong to direct and augment the forces of capital, and taking an approved toll in millions for their labour, had existed before; but in the case of Manderson there had been this singularity, that a pale halo of piratical romance, a thing especially dear to the hearts of his countrymen, had remained incongruously about his head through the years when he stood in every eye as the unquestioned guardian of stability, the stamper-out of manipulated crises, the foe of the raiding chieftains that infest the borders of Wall Street.

“They can put him through at once,” he said to the boy.

“Hullo!” he cried into the telephone after a few moments.

A voice in the instrument replied, “Hullo be blowed! What do you want?”

“This is Molloy,” said Sir James.

“I know it is,” the voice said. “This is Trent. He is in the middle of painting a picture, and he has been interrupted at a critical moment. Well, I hope it’s something important, that’s all!”

“Trent,” said Sir James impressively, “it is important. I want you to do some work for us.”

“Some play, you mean,” replied the voice. “Believe me, I don’t want a holiday. The working fit is very strong. I am doing some really decent things. Why can’t you leave a man alone?”

“Something very serious has happened.”

“What?”

“Sigsbee Manderson has been murdered⁠—shot through the brain⁠—and they don’t know who has done it. They found the body this morning. It happened at his place near Bishopsbridge.” Sir James proceeded to tell his hearer, briefly and clearly, the facts that he had communicated to Mr. Figgis. “What do you think of it?” he ended. A considering grunt was the only answer. “Come now,” urged Sir James.

“Tempter!”

“You will go down?”

There was a brief pause.

“Are you there?” said Sir James.

Trent finished his breakfast with a thoughtful brow. He filled a pipe slowly, and seated himself on the rail of the veranda. “Cupples,” he said quietly, “is there anything about this business that you know and would rather not tell me?”

Mr. Cupples gave a slight start, and turned an astonished gaze on the questioner. “What do you mean?” he said.

“I mean about the Mandersons. Look here! Shall I tell you a thing that strikes me about this affair at the very beginning? Here’s a man suddenly and violently killed, and nobody’s heart seems to be broken about it, to say the least. The manager of this hotel spoke to me about him as coolly as if he’d never set eyes on him, though I understand they’ve been neighbours every summer for some years. Then you talk about the thing in the coldest of blood. And Mrs. Manderson⁠—well, you won’t mind my saying that I have heard of women being more cut up about their husbands being murdered than she seems to be. Is there something in this, Cupples, or is it my fancy? Was there something queer about Manderson? I travelled on the same boat with him once, but never spoke to him. I only know his public character, which was repulsive enough. You see, this may have a bearing on the case; that’s the only reason why I ask.”

Mr. Cupples took time for thought. He fingered his sparse beard and looked out over the sea. At last he turned to Trent. “I see no reason,” he said, “why I shouldn’t tell you as between ourselves, my dear fellow. I need not say that this must not be referred to, however distantly. The truth is that nobody really liked Manderson; and I think those who were nearest to him liked him least.”

The path back to the hotel wound for some way along the top of the cliff, and on nearing a spot he had marked from the sea level, where the face had fallen away long ago, he approached the edge and looked down, hoping to follow with his eyes the most delicately beautiful of all the movements of water⁠—the wash of a light sea over broken rock. But no rock was there. A few feet below him a broad ledge stood out, a rough platform as large as a great room, thickly grown with wiry grass and walled in steeply on three sides. There, close to the verge where the cliff at last dropped sheer, a woman was sitting, her arms about her drawn-up knees, her eyes fixed on the trailing smoke of a distant liner, her face full of some dream.

At the end of a week he had an idea that he acted upon with eager precipitancy. She had let fall some word at their last meeting, of a taste for music. Trent went that evening, and thenceforward regularly, to the opera. He might see her; and if, in spite of his caution, she caught sight of him, they could be blind to each other’s presence⁠—anybody might happen to go to the opera.

So he went alone each evening, passing as quickly as he might through the people in the vestibule; and each evening he came away knowing that she had not been in the house. It was a habit that yielded him a sort of satisfaction along with the guilty excitement of his search; for he too loved music, and nothing gave him so much peace while its magic endured.

One night as he entered, hurrying through the brilliant crowd, he felt a touch on his arm. Flooded with an incredible certainty at the touch, he turned.

It was she: so much more radiant in the absence of grief and anxiety, in the fact that she was smiling, and in the allurement of evening dress, that he could not speak. She, too, breathed a little quickly, and there was a light of daring in her eyes and cheeks as she greeted him.

Her words were few. “I wouldn’t miss a note of Tristan,” she said, “nor must you. Come and see me in the interval.” She gave him the number of the box.