The Wonderful Visit

On the Night of the Strange Bird, many people at Sidderton (and some nearer) saw a Glare on the Sidderford moor. But no one in Sidderford saw it, for most of Sidderford was abed.

All day the wind had been rising, so that the larks on the moor chirruped fitfully near the ground, or rose only to be driven like leaves before the wind. The sun set in a bloody welter of clouds, and the moon was hidden. The Glare, they say, was golden like a beam shining out of the sky, not a uniform blaze, but broken all over by curving flashes like the waving of swords. It lasted but a moment and left the night dark and obscure. There were letters about it in Nature, and a rough drawing that no one thought very like. (You may see it for yourself⁠—the drawing that was unlike the Glare⁠—on page 42 of Vol. CCLX of that publication.)

None in Sidderford saw the light, but Annie, Hooker Durgan’s wife, was lying awake, and she saw the reflection of it⁠—a flickering tongue of gold⁠—dancing on the wall.

She, too, was one of those who heard the sound. The others who heard the sound were Lumpy Durgan, the half-wit, and Amory’s mother. They said it was a sound like children singing and a throbbing of harp strings, carried on a rush of notes like that which sometimes comes from an organ. It began and ended like the opening and shutting of a door, and before and after they heard nothing but the night wind howling over the moor and the noise of the caves under Sidderford cliff.

There is a place on the moor where the black water shines among the succulent moss, and the hairy sundew, eater of careless insects, spreads its red-stained hungry hands to the God who gives his creatures⁠—one to feed another. On a ridge thereby grow birches with a silvery bark, and the soft green of the larch mingles with the dark green fir. Thither through the honey humming heather came the Vicar, in the heat of the day, carrying a gun under his arm, a gun loaded with swanshot for the Strange Bird. And over his disengaged hand he carried a pocket handkerchief wherewith, ever and again, he wiped his beady face.

He went by and on past the big pond and the pool full of brown leaves where the Sidder arises, and so by the road (which is at first sandy and then chalky) to the little gate that goes into the park. There are seven steps up to the gate and on the further side six down again⁠—lest the deer escape⁠—so that when the Vicar stood in the gateway his head was ten feet or more above the ground. And looking where a tumult of bracken fronds filled the hollow between two groups of beech, his eye caught something parti-coloured that wavered and went. Suddenly his face gleamed and his muscles grew tense; he ducked his head, clutched his gun with both hands, and stood still.

Now there are some things frankly impossible. The weakest intellect will admit this situation is impossible. The Athenaeum will probably say as much should it venture to review this. Sunbespattered ferns, spreading beech trees, the Vicar and the gun are acceptable enough. But this Angel is a different matter. Plain sensible people will scarcely go on with such an extravagant book. And the Vicar fully appreciated this impossibility. But he lacked decision. Consequently he went on with it, as you shall immediately hear. He was hot, it was after dinner, he was in no mood for mental subtleties. The Angel had him at a disadvantage, and further distracted him from the main issue by irrelevant iridescence and a violent fluttering. For the moment it never occurred to the Vicar to ask whether the Angel was possible or not. He accepted him in the confusion of the moment, and the mischief was done. Put yourself in his place, my dear Athenaeum. You go out shooting. You hit something. That alone would disconcert you. You find you have hit an Angel, and he writhes about for a minute and then sits up and addresses you. He makes no apology for his own impossibility. Indeed, he carries the charge clean into your camp. “A man!” he says, pointing. “A man in the maddest black clothes and without a feather upon him. Then I was not deceived. I am indeed in the Land of Dreams!” You must answer him. Unless you take to your heels. Or blow his brains out with your second barrel as an escape from the controversy.

“The Land of Dreams! Pardon me if I suggest you have just come out of it,” was the Vicar’s remark.

He was charmingly affable and quite ignorant of the most elementary facts of civilization. Eating came without much difficulty, and the Vicar had an entertaining time teaching him how to take tea. “What a mess it is! What a dear grotesque ugly world you live in!” said the Angel. “Fancy stuffing things into your mouth! We use our mouths just to talk and sing with. Our world, you know, is almost incurably beautiful. We get so very little ugliness, that I find all this⁠ ⁠… delightful.”

Mrs. Hinijer, the Vicar’s housekeeper, looked at the Angel suspiciously when she brought in the tea. She thought him rather a “queer customer.” What she would have thought had she seen him in saffron no one can tell.

The Angel shuffled about the room with his cup of tea in one hand, and the bread and butter in the other, and examined the Vicar’s furniture. Outside the French windows, the lawn with its array of dahlias and sunflowers glowed in the warm sunlight, and Mrs. Jehoram’s sunshade stood thereon like a triangle of fire. He thought the Vicar’s portrait over the mantel very curious indeed, could not understand what it was there for. “You have yourself round,” he said, apropos of the portrait, “Why want yourself flat?” and he was vastly amused at the glass fire screen. He found the oak chairs odd⁠—“You’re not square, are you?” he said, when the Vicar explained their use. “We never double ourselves up. We lie about on the asphodel when we want to rest.”

The Vicar going to call the Angel, found him dressed and leaning out of his window. It was a glorious morning, still dewy, and the rising sunlight slanting round the corner of the house, struck warm and yellow upon the hillside. The birds were astir in the hedges and shrubbery. Up the hillside⁠—for it was late in August⁠—a plough drove slowly. The Angel’s chin rested upon his hands and he did not turn as the Vicar came up to him.

“How’s the wing?” said the Vicar.

“I’d forgotten it,” said the Angel. “Is that yonder a man?”

The Vicar looked. “That’s a ploughman.”

“Why does he go to and fro like that? Does it amuse him?”

“He’s ploughing. That’s his work.”

“Work! Why does he do it? It seems a monotonous thing to do.”

“It is,” admitted the Vicar. “But he has to do it to get a living, you know. To get food to eat and all that kind of thing.”

“How curious!” said the Angel. “Do all men have to do that? Do you?”

“Oh, no. He does it for me; does my share.”

“Why?” asked the Angel.

“Oh! in return for things I do for him, you know. We go in for division of labour in this world. Exchange is no robbery.”

“I see,” said the Angel, with his eyes still on the ploughman’s heavy movements.

“What do you do for him?”

“That seems an easy question to you,” said the Vicar, “but really!⁠—it’s difficult. Our social arrangements are rather complicated. It’s impossible to explain these things all at once, before breakfast. Don’t you feel hungry?”