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The Viaduct Murder

by Ronald A. Knox

Length: 59,666 words, about 239 pages, about 4 hours to read

Mystery

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What it is

A foursome of friends out golfing try to unravel the mystery surrounding a corpse found on the links.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: The Paston Oatvile Dormy-House

Marryatt (that was the clergyman, yes; I see you are a proper reader for a detective-story) rose once more and took a good look at the weather. The fog was lifting, but the rain still fell pitilessly. “I shouldn’t wonder,” he said, “if we had some showers before nightfall.”

“It’s a curious thing,” said Carmichael, “that the early Basque poets always speak of the night not as falling but as rising. I suppose they had a right to look at it that way. Now, for myself⁠—”

Marryatt, fortunately, knew him well enough to interrupt him. “It’s the sort of afternoon,” he said darkly, “on which one wants to murder somebody, just to relieve one’s feelings.”

“You would be wrong,” said Reeves. “Think of the footmarks you’d be bound to leave behind you in mud like this. You would be caught in no time.”

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II: In the Rough

The view from the third tee was one which even a golfer might pause to admire. Let the Wordsworthian say what he will, railways ennoble our landscape; they give to our unassuming valleys a hint of motive and destination. More especially, a main line with four tracks pillowed on a sweep of tall embankment, that cannot cross a meandering country stream without a stilt-walk upon vast columns of enduring granite, captivates, if not the eye, at least the imagination. Such was the railway that stretched far into the distance, paralleling the course of your drive on the right: such was the great viaduct, some hundred feet ahead of you, that spanned laboriously, over four giant arches, the little river Gudgeon, most insignificant of streams. Shallow and narrow it ran, fringed by willow-herb and meadowsweet, a paddling-place for cows and for unoccupied caddies. Here and there it threw out a patch of osiers⁠—one in particular, that nestled at the foot of the railway-arches, was especially dreaded by golfers. In front, just visible above the railway where it receded northwards, were the thatched and tiled roofs of Paston Whitchurch, the next station down the line. To the right lay the old house, in its melancholy grandeur, behind it the village and church of Paston Oatvile. A superb avenue of elms connected the old house with the road between the two villages. The sun had newly come out, showing grass the greener and earth the browner for the late rain; elemental scents of turf and furrow greeted its restoration.

It may be doubted whether Mordaunt Reeves was particularly sensitive to such influences; if he was, it may have been this distraction which made him slice his drive.

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IX: The Animated Picture

He strolled over to look at it again just as the last trump was led.

“Good God!”

The others turned, in all the irritation of an interrupted train of thought, to find him staring at the photograph as if in horror. Then he stepped quickly across to the lamp, and turned it sideways so as to throw the light full on the wall. And then they too turned a little pale. The photograph had smiled.

There was, to be sure, only the faintest flicker of a smile on the lips; you could not give any formula of it or trace the lines of it. And yet it was the simultaneous impression of these four men that the whole character, the whole impression of the face before them had changed while they had played three hands of bridge. The whole face was indefinably more human and more beautiful; but you could not say why.

“Oh, for God’s sake let’s give the beastly thing up!” cried Marryatt. “It doesn’t do to meddle with these things; one doesn’t know what one’s up against.

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XIII: The Man in the Passage

The passage was startlingly high, having the whole height of the outer room. It was so narrow that you instinctively edged sideways along it, though there was just room to walk breast-forward and avoid contact with the cobweb-matted walls. It began to descend almost immediately, by a series of wooden steps; and by a rough calculation Gordon made out that they were below the level of Reeves’ floor by the time they had reached the parallel of Reeves’ inner wall. At this point they had to stoop, a circumstance which rather confused their plan of campaign; and it was clear that this part of the hiding-place was substracted, not from the thickness of the walls but from the depth of the floor. There was a sharp turn to the right, which showed that they were now following the course of the passage which led past Reeves’ room. The dust on the floor of the passage was thick and fine, easily showing the traces of confused, but recent, human footprints.

Quite suddenly the passage opened out to the left, and at the same time a very meagre ray of light from outside attracted their attention. They found a chamber some seven feet square, with a tiny squint to let in the light, from some unnoticeable chink in the brickwork of the outer wall. The height of this chamber was still such that a full-grown man could not stand up without stooping, but the presence of light and air made it contrast agreeably with the passage outside.

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XVII: By Which Train?

“And if it was put there, it was put there to create a false impression, obviously. Now, let’s see; what false impression could you create by putting a ticket in a dead man’s pocket? That he was travelling on a different day⁠—of course, that’s possible.”

“Yes, but that wasn’t it: I mean, it wasn’t on Monday that he was killed. Because he was seen going up on Tuesday morning; they said that at the inquest.”

“Good, then that’s excluded. Or you might create the impression that he was travelling third when he was really travelling first. But that would be useless, wouldn’t it, because lots of people on this line travel first on a third-class ticket when the trains are crowded, and this train was. Or you might create the impression that he was travelling, when he wasn’t really travelling at all. But Brotherhood clearly was, because he came up from London all right. The only other false impression would be that his destination was different from what it really was. But dash it all, his ticket was for Paston Whitchurch, and he was killed⁠—Oh, good Lord!”

“What’s the matter?”

“What fools we’ve been! Don’t you see that if the man was really pitched out of the three o’clock from London, which doesn’t stop between Weighford and Binver, a ticket for Paston Whitchurch would disguise the fact that he came by that train, and make everybody think he came in the later one⁠—the 4: from Paston Oatvile?”

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10 of the best lines

Nothing is ever wasted.

I: The Paston Oatvile Dormy-HouseKeep reading from here

“It’s the sort of afternoon,” he said darkly, “on which one wants to murder somebody, just to relieve one’s feelings.”

I: The Paston Oatvile Dormy-HouseKeep reading from here

There is no surer soporific than sleeping over a problem, no more fallacious method of attempting a solution.

IV: Endless CluesKeep reading from here

The photograph had smiled.

IX: The Animated PictureKeep reading from here

The funeral was, it must be confessed, a riot of irony.

XI: A Funeral and a VigilKeep reading from here

The police always want to have a victim.

XVII: By Which Train?Keep reading from here

Extraordinary the fascination that books have.

XVIII: The Holmes MethodKeep reading from here

It’s better for the doctors to have a false theory than no theory at all.

XXIV: Gordon Offers the Consolation of PhilosophyKeep reading from here

The beauty of psychoanalysis is that it’s all ‘Heads-I-win-tails-you-lose.’

XXIV: Gordon Offers the Consolation of PhilosophyKeep reading from here

Half the statements which we regard as facts in history and criticism are statements made by critics, which are so ingenious that nobody has the heart to doubt them.

XXIV: Gordon Offers the Consolation of PhilosophyKeep reading from here

All 19 The Viaduct Murder quotes, with the words around each

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Contents

All 26 parts
  1. Frontispiece
  2. I: The Paston Oatvile Dormy-House
  3. II: In the Rough
  4. III: Piecing It Together
  5. IV: Endless Clues
  6. V: On the Railway
  7. VI: The Movements of Mr. Davenant
  8. VII: Carmichael’s Account of It
  9. VIII: The Inquest, and a Fresh Clue
  10. IX: The Animated Picture
  11. X: In Which a Book Is More Communicative Than a Lady
  12. XI: A Funeral and a Vigil
  13. XII: A Search with Piano Accompaniment
  14. XIII: The Man in the Passage
  15. XIV: A Chase, Ending with a Surprise
  16. XV: Gordon Takes the Opportunity to Philosophize
  17. XVI: Reeves Promises to Do His Best
  18. XVII: By Which Train?
  19. XVIII: The Holmes Method
  20. XIX: Mordaunt Reeves Talks to Himself
  21. XX: Proof at Last
  22. XXI: The Test
  23. XXII: In the Fog
  24. XXIII: Marryatt Breaks the Pledge
  25. XXIV: Gordon Offers the Consolation of Philosophy
  26. XXV: The Dull Facts

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.