The Truth About Tristrem Varick

It is just as well to say at the onset that the tragedy in which Tristrem Varick was the central figure has not been rightly understood. The world in which he lived, as well as the newspaper public, have had but one theory between them to account for it, and that theory is that Tristrem Varick was insane. Tristrem Varick was not insane. He had, perhaps, a fibre more or a fibre less than the ordinary run of men; that something, in fact, which is the prime factor of individuality and differentiates the possessor from the herd; but to call him insane is nonsense. If he were, it is a pity that there are not more lunatics like him.

It may be that the course of conduct which he pursued in regard to his father’s estate served as basis to the theory alluded to. At the time being, it created quite a little stir; it was looked upon as a piece of old-world folly, an eccentricity worthy of the red-heeled days of seigneurial France, and, as such, altogether out of place in a money-getting age like our own. But it was not until after the tragedy that his behavior in that particular was brought up in evidence against him.

The facts in the case were these: Tristrem’s father, Erastus Varick, was a man of large wealth, who, when well on in the forties, married a girl young enough to be his daughter. The lady in question was the only child of a neighbor, Mr. Dirck Van Norden by name, and very pretty is she said to have been.

She was dressed in a gown of canary, draped with madeira and fluttered with lace. Her arms and neck were bare, and unjewelled. Her hair was Cimmerian, the black of basalt that knows no shade more dark, and it was arranged in such wise that it fell on either side of the forehead, circling a little space above the ear, and then wound into a coil on the neck. This arrangement was not modish, but it was becoming⁠—the only arrangement, in fact, that would have befitted her features, which resembled those of the Cleopatra unearthed by Lieutenant Gorringe. Her eyes were not oval, but round, and they were amber as those of leopards, the yellow of living gold. The corners of her mouth drooped a little, and the mouth itself was rather large than small. When she laughed one could see her tongue; it was like an inner cut of watermelon, and sometimes, when she was silent, the point of it caressed her underlip. Her skin was of that quality which artificial light makes radiant, and yet of which the real delicacy is only apparent by day. She just lacked being tall, and in her face and about her bare arms and neck was the perfume of health. She moved indolently, with a grace of her own. She was not yet twenty, a festival of beauty in the festival of life.

The girl descended the steps before Tristrem was able to master his emotion.

“Miss Raritan,” he began, hastily, “I don’t suppose you remember me. I am Mr. Varick. I heard you sing the other night. I have come here every day since in the hope of⁠—; you see, I wanted to ask if I might not have the privilege of hearing you sing again?”

“If you consider it a privilege, certainly. On Sunday evening, though, I thought you seemed rather bored.” She made this answer very graciously, with her head held like a bird’s, a trifle to one side.

Tristrem gazed at her in a manner that would have mollified a tigress. “I was not bored. I had never heard anyone sing before.”

“Yet your friend, Mr. Weldon, tells me that you are very fond of music.”

“That is exactly what I mean.”

At this speech of his she looked at him, musingly. “I wish I deserved that,” she said.

Tristrem began again with new courage. “It is like anything else, I fancy. I doubt if anyone, ignorant of difficulties overcome, ever appreciates a masterpiece. A sonnet, if perfect, is only perfect to a sonneteer. The gallery may applaud a drama, it is the playwright who judges it at its worth. It is the sculptor that appreciates a Canova⁠—”

They had reached the corner where the barrel-organ was in ambush. A woman dragging a child with Italy and dirt in its face followed them, her hand outstretched.

He hurried on, and as he hurried he heard steps behind him, hurrying too. He turned his head; behind him was a woman running, and who, as she ran, cast a shadow that was monstrous. In the glimpse that he caught of her he saw that she was bare of foot and that her breast was uncovered. Her skirt was tattered and her hair was loose. He turned again, the face was hideous. The eyes squinted, lustreless and opaque, the nose was squat, the chin retreated, the forehead was seamed with scars, and the mouth, that stretched to the ears, was extended with laughter. As she ran she took her teeth out one by one, replacing them with either hand. And still she laughed, a silent laughter, her thin lips distorted as though she mocked the world.

Tristrem, overcome by the horror of that laughter, felt as agonized as a child pursued. There was a fence at hand, a vacant lot, and across it a light glimmered. Away he sped. In the field his foot caught in a bramble; he fell, and could not rise, but he heard her coming and, with a great effort just as she was on him, he was up again, distancing her with ever-increasing space. The light was just beyond. He saw now it came from the tower; there was another fence, he was over it; the door was barred; no, it opened; he was safe!

In the middle of the room, circular as befits a tower, was a cradle, and in the cradle was a little boy. As Tristrem looked at him he smiled; it was, he knew, the child of the man to whom he had spoken that evening.