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The Return of the Native

by Thomas Hardy

Length: 142,738 words, about 571 pages, about 10 hours to read

Novels, Romance

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What it is

A young woman longs to find a husband who can deliver her from her unexciting rural life.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: A Face on Which Time Makes but Little Impression

A Saturday afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment. Overhead the hollow stretch of whitish cloud shutting out the sky was as a tent which had the whole heath for its floor.

The heaven being spread with this pallid screen and the earth with the darkest vegetation, their meeting-line at the horizon was clearly marked. In such contrast the heath wore the appearance of an instalment of night which had taken up its place before its astronomical hour was come: darkness had to a great extent arrived hereon, while day stood distinct in the sky. Looking upwards, a furze-cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The distant rims of the world and of the firmament seemed to be a division in time no less than a division in matter. The face of the heath by its mere complexion added half an hour to evening; it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless midnight to a cause of shaking and dread.

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II: Humanity Appears Upon the Scene, Hand in Hand with Trouble

Along the road walked an old man. He was white-headed as a mountain, bowed in the shoulders, and faded in general aspect. He wore a glazed hat, an ancient boat-cloak, and shoes; his brass buttons bearing an anchor upon their face. In his hand was a silver-headed walking stick, which he used as a veritable third leg, perseveringly dotting the ground with its point at every few inches’ interval. One would have said that he had been, in his day, a naval officer of some sort or other.

Before him stretched the long, laborious road, dry, empty, and white. It was quite open to the heath on each side, and bisected that vast dark surface like the parting-line on a head of black hair, diminishing and bending away on the furthest horizon.

The old man frequently stretched his eyes ahead to gaze over the tract that he had yet to traverse. At length he discerned, a long distance in front of him, a moving spot, which appeared to be a vehicle, and it proved to be going the same way as that in which he himself was journeying. It was the single atom of life that the scene contained, and it only served to render the general loneliness more evident. Its rate of advance was slow, and the old man gained upon it sensibly.

When he drew nearer he perceived it to be a spring van, ordinary in shape, but singular in colour, this being a lurid red. The driver walked beside it; and, like his van, he was completely red.

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IV: The Halt on the Turnpike Road

When Mrs. Yeobright had drawn near to the inn, and was about to enter, she saw a horse and vehicle some two hundred yards beyond it, coming towards her, a man walking alongside with a lantern in his hand. It was soon evident that this was the reddleman who had inquired for her. Instead of entering the inn at once, she walked by it and towards the van.

The conveyance came close, and the man was about to pass her with little notice, when she turned to him and said, “I think you have been inquiring for me? I am Mrs. Yeobright of Blooms-End.”

The reddleman started, and held up his finger. He stopped the horses, and beckoned to her to withdraw with him a few yards aside, which she did, wondering.

“You don’t know me, ma’am, I suppose?” he said.

“I do not,” said she. “Why, yes, I do! You are young Venn⁠—your father was a dairyman somewhere here?”

“Yes; and I knew your niece, Miss Tamsin, a little. I have something bad to tell you.”

“About her⁠—no! She has just come home, I believe, with her husband. They arranged to return this afternoon⁠—to the inn beyond here.”

“She’s not there.”

“How do you know?”

“Because she’s here. She’s in my van,” he added slowly.

“What new trouble has come?” murmured Mrs. Yeobright, putting her hand over her eyes.

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VI: The Figure Against the Sky

The boy, who clearly had had too much of a good thing, marched away into the shadows with alacrity. When he was gone Eustacia, leaving her telescope and hourglass by the gate, brushed forward from the wicket towards the angle of the bank, under the fire.

Here, screened by the outwork, she waited. In a few moments a splash was audible from the pond outside. Had the child been there he would have said that a second frog had jumped in; but by most people the sound would have been likened to the fall of a stone into the water. Eustacia stepped upon the bank.

“Yes?” she said, and held her breath.

Thereupon the contour of a man became dimly visible against the low-reaching sky over the valley, beyond the outer margin of the pool. He came round it and leapt upon the bank beside her. A low laugh escaped her⁠—the third utterance which the girl had indulged in tonight. The first, when she stood upon Rainbarrow, had expressed anxiety; the second, on the ridge, had expressed impatience; the present was one of triumphant pleasure. She let her joyous eyes rest upon him without speaking, as upon some wondrous thing she had created out of chaos.

“I have come,” said the man, who was Wildeve. “You give me no peace. Why do you not leave me alone?

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VI: The Two Stand Face to Face

The calm, lone scene reassured her. She went forward to the palings and leant over them, looking at the moon. She had stood thus but a little time when the door again opened. Expecting to see the remainder of the band Eustacia turned; but no⁠—Clym Yeobright came out as softly as she had done, and closed the door behind him.

He advanced and stood beside her. “I have an odd opinion,” he said, “and should like to ask you a question. Are you a woman⁠—or am I wrong?”

“I am a woman.”

His eyes lingered on her with great interest. “Do girls often play as mummers now? They never used to.”

“They don’t now.”

“Why did you?”

“To get excitement and shake off depression,” she said in low tones.

“What depressed you?”

“Life.”

“That’s a cause of depression a good many have to put up with.”

“Yes.”

A long silence. “And do you find excitement?” asked Clym at last.

“At this moment, perhaps.”

“Then you are vexed at being discovered?”

“Yes; though I thought I might be.”

“I would gladly have asked you to our party had I known you wished to come. Have I ever been acquainted with you in my youth?”

“Never.”

“Won’t you come in again, and stay as long as you like?”

“No. I wish not to be further recognized.”

“Well, you are safe with me.” After remaining in thought a minute he added gently, “I will not intrude upon you longer.

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10 of the best lines

The place became full of a watchful intentness now; for when other things sank brooding to sleep the heath appeared slowly to awake and listen.

I: A Face on Which Time Makes but Little ImpressionKeep reading from here

Black chaos comes, and the fettered gods of the earth say, Let there be light.

III: The Custom of the CountryKeep reading from here

Isolation on a heath renders vulgarity well-nigh impossible.

VII: Queen of NightKeep reading from here

To be conscious that the end of the dream is approaching, and yet has not absolutely come, is one of the most wearisome as well as the most curious stages along the course between the beginning of a passion and its end.

XI: The Dishonesty of an Honest WomanKeep reading from here

The devout hope is that he is doing well. The secret faith is that he is making a mess of it.

I: “My Mind to Me a Kingdom Is”Keep reading from here

Pleasure not known beforehand is half wasted; to anticipate it is to double it.

V: Sharp Words Are Spoken and a Crisis EnsuesKeep reading from here

It is the effect of marriage to engender in several directions some of the reserve it annihilates in one.

II: He Is Set Upon by Adversities but He Sings a SongKeep reading from here

“Then a man may feel for years that he is good solid company, and be wrong about himself after all?”

VII: The Tragic Meeting of Two Old FriendsKeep reading from here

Even to efface herself from the country means were required.

VII: The Night of the Sixth of NovemberKeep reading from here

It was a lovely May sunset, and the birch trees which grew on this margin of the vast Egdon wilderness had put on their new leaves, delicate as butterflies’ wings, and diaphanous as amber.

I: The Inevitable Movement OnwardKeep reading from here

All 125 The Return of the Native quotes, with the words around each

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Contents

All 56 parts
  1. Preface
  2. Frontispiece
  3. Book I: The Three Women
  4. I: A Face on Which Time Makes but Little Impression
  5. II: Humanity Appears Upon the Scene, Hand in Hand with Trouble
  6. III: The Custom of the Country
  7. IV: The Halt on the Turnpike Road
  8. V: Perplexity Among Honest People
  9. VI: The Figure Against the Sky
  10. VII: Queen of Night
  11. VIII: Those Who Are Found Where There Is Said to Be Nobody
  12. IX: Love Leads a Shrewd Man Into Strategy
  13. X: A Desperate Attempt at Persuasion
  14. XI: The Dishonesty of an Honest Woman
  15. Book II: The Arrival
  16. I: Tidings of the Comer
  17. II: The People at Blooms-End Make Ready
  18. III: How a Little Sound Produced a Great Dream
  19. IV: Eustacia Is Led on to an Adventure
  20. V: Through the Moonlight
  21. VI: The Two Stand Face to Face
  22. VII: A Coalition Between Beauty and Oddness
  23. VIII: Firmness Is Discovered in a Gentle Heart
  24. Book III: The Fascination
  25. I: “My Mind to Me a Kingdom Is”
  26. II: The New Course Causes Disappointment
  27. III: The First Act in a Timeworn Drama
  28. IV: An Hour of Bliss and Many Hours of Sadness
  29. V: Sharp Words Are Spoken and a Crisis Ensues
  30. VI: Yeobright Goes, and the Breach Is Complete
  31. VII: The Morning and the Evening of a Day
  32. VIII: A New Force Disturbs the Current
  33. Book IV: The Closed Door
  34. I: The Rencounter by the Pool
  35. II: He Is Set Upon by Adversities but He Sings a Song
  36. III: She Goes Out to Battle Against Depression
  37. IV: Rough Coercion Is Employed
  38. V: The Journey Across the Heath
  39. VI: A Conjuncture, and Its Result Upon the Pedestrian
  40. VII: The Tragic Meeting of Two Old Friends
  41. VIII: Eustacia Hears of Good Fortune and Beholds Evil
  42. Book V: The Discovery
  43. I: “Wherefore Is Light Given to Him That Is in Misery”
  44. II: A Lurid Light Breaks in Upon a Darkened Understanding
  45. III: Eustacia Dresses Herself on a Black Morning
  46. IV: The Ministrations of a Half-Forgotten One
  47. V: An Old Move Inadvertently Repeated
  48. VI: Thomasin Argues with Her Cousin, and He Writes a Letter
  49. VII: The Night of the Sixth of November
  50. VIII: Rain, Darkness, and Anxious Wanderers
  51. IX: Sights and Sounds Draw the Wanderers Together
  52. Book VI: Aftercourses
  53. I: The Inevitable Movement Onward
  54. II: Thomasin Walks in a Green Place by the Roman Road
  55. III: The Serious Discourse of Clym with His Cousin
  56. IV: Cheerfulness Again Asserts Itself at Blooms-End, and Clym Finds His Vocation

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Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.