Far from the Madding Crowd

When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun.

His Christian name was Gabriel, and on working days he was a young man of sound judgment, easy motions, proper dress, and general good character. On Sundays he was a man of misty views, rather given to postponing, and hampered by his best clothes and umbrella: upon the whole, one who felt himself to occupy morally that vast middle space of Laodicean neutrality which lay between the Communion people of the parish and the drunken section⁠—that is, he went to church, but yawned privately by the time the congregation reached the Nicene creed, and thought of what there would be for dinner when he meant to be listening to the sermon. Or, to state his character as it stood in the scale of public opinion, when his friends and critics were in tantrums, he was considered rather a bad man; when they were pleased, he was rather a good man; when they were neither, he was a man whose moral colour was a kind of pepper-and-salt mixture.

“Come,” said Gabriel, freshening again; “think a minute or two. I’ll wait a while, Miss Everdene. Will you marry me? Do, Bathsheba. I love you far more than common!”

“I’ll try to think,” she observed, rather more timorously; “if I can think out of doors; my mind spreads away so.”

“But you can give a guess.”

“Then give me time.” Bathsheba looked thoughtfully into the distance, away from the direction in which Gabriel stood.

“I can make you happy,” said he to the back of her head, across the bush. “You shall have a piano in a year or two⁠—farmers’ wives are getting to have pianos now⁠—and I’ll practise up the flute right well to play with you in the evenings.”

“Yes; I should like that.”

“And have one of those little ten-pound gigs for market⁠—and nice flowers, and birds⁠—cocks and hens I mean, because they be useful,” continued Gabriel, feeling balanced between poetry and practicality.

“I should like it very much.”

“And a frame for cucumbers⁠—like a gentleman and lady.”

“Yes.”

“And when the wedding was over, we’d have it put in the newspaper list of marriages.”

“Dearly I should like that!”

“And the babies in the births⁠—every man jack of ’em! And at home by the fire, whenever you look up, there I shall be⁠—and whenever I look up there will be you.”

“Wait, wait, and don’t be improper!”

Gabriel called at the top of his voice the shepherd’s call:

“Ovey, ovey, ovey!”

Not a single bleat. He went to the hedge; a gap had been broken through it, and in the gap were the footprints of the sheep. Rather surprised to find them break fence at this season, yet putting it down instantly to their great fondness for ivy in winter-time, of which a great deal grew in the plantation, he followed through the hedge. They were not in the plantation. He called again: the valleys and farthest hills resounded as when the sailors invoked the lost Hylas on the Mysian shore; but no sheep. He passed through the trees and along the ridge of the hill. On the extreme summit, where the ends of the two converging hedges of which we have spoken were stopped short by meeting the brow of the chalk-pit, he saw the younger dog standing against the sky⁠—dark and motionless as Napoleon at St. Helena.

A horrible conviction darted through Oak. With a sensation of bodily faintness he advanced: at one point the rails were broken through, and there he saw the footprints of his ewes. The dog came up, licked his hand, and made signs implying that he expected some great reward for signal services rendered. Oak looked over the precipice. The ewes lay dead and dying at its foot⁠—a heap of two hundred mangled carcasses, representing in their condition just now at least two hundred more.

“ ’Tisn’t a master; ’tis a mistress, shepherd.”

“A woman farmer?”

“Ay, ’a b’lieve, and a rich one too!” said a bystander. “Lately ’a came here from a distance. Took on her uncle’s farm, who died suddenly. Used to measure his money in half-pint cups. They say now that she’ve business in every bank in Casterbridge, and thinks no more of playing pitch-and-toss sovereign than you and I do pitch-halfpenny⁠—not a bit in the world, shepherd.”

“That’s she, back there upon the pony,” said Maryann; “wi’ her face a-covered up in that black cloth with holes in it.”

Oak, his features smudged, grimy, and undiscoverable from the smoke and heat, his smock-frock burnt into holes and dripping with water, the ash stem of his sheep-crook charred six inches shorter, advanced with the humility stern adversity had thrust upon him up to the slight female form in the saddle. He lifted his hat with respect, and not without gallantry: stepping close to her hanging feet he said in a hesitating voice⁠—

“Do you happen to want a shepherd, ma’am?”

She lifted the wool veil tied round her face, and looked all astonishment. Gabriel and his cold-hearted darling, Bathsheba Everdene, were face to face.

Bathsheba did not speak, and he mechanically repeated in an abashed and sad voice⁠—

“Do you want a shepherd, ma’am?”

The noise approached, came close, and a figure was apparently on the point of gliding past her when something tugged at her skirt and pinned it forcibly to the ground. The instantaneous check nearly threw Bathsheba off her balance. In recovering she struck against warm clothes and buttons.

“A rum start, upon my soul!” said a masculine voice, a foot or so above her head. “Have I hurt you, mate?”

“No,” said Bathsheba, attempting to shrink away.

“We have got hitched together somehow, I think.”

“Yes.”

“Are you a woman?”

“Yes.”

“A lady, I should have said.”

“It doesn’t matter.”

“I am a man.”

“Oh!”

Bathsheba softly tugged again, but to no purpose.

“Is that a dark lantern you have? I fancy so,” said the man.

“Yes.”

“If you’ll allow me I’ll open it, and set you free.”

A hand seized the lantern, the door was opened, the rays burst out from their prison, and Bathsheba beheld her position with astonishment.

The man to whom she was hooked was brilliant in brass and scarlet. He was a soldier. His sudden appearance was to darkness what the sound of a trumpet is to silence. Gloom, the genius loci at all times hitherto, was now totally overthrown, less by the lantern-light than by what the lantern lighted. The contrast of this revelation with her anticipations of some sinister figure in sombre garb was so great that it had upon her the effect of a fairy transformation.