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The Mind of Mr. J. G. Reeder

by Edgar Wallace

Length: 46,731 words, about 187 pages, about 3 hours to read

Adventure, Mystery, Short stories

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What it is

A meek and unassuming employee at the Department of Public Prosecutions exercises his remarkable skills to solve puzzling crimes.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

The Poetical Policeman

The day Mr. Reeder arrived at the Public Prosecutor’s office was indeed a day of fate for Mr. Lambton Green, Branch Manager of the London Scottish and Midland Bank.

That branch of the bank which Mr. Green controlled was situate at the corner of Pell Street and Firling Avenue on the “country side” of Ealing. It is a fairly large building and, unlike most suburban branch offices, the whole of the premises were devoted to banking business, for the bank carried very heavy deposits, the Lunar Traction Company, with three thousand people on its payroll, the Associated Novelties Corporation, with its enormous turnover, and the Laraphone Company being only three of the L.S.M.’s customers.

On Wednesday afternoons, in preparation for the pay days of these corporations, large sums in currency were brought from the head office and deposited in the steel and concrete strongroom, which was immediately beneath Mr. Green’s private office, but admission to which was gained through a steel door in the general office. This door was observable from the street, and to assist observation there was a shaded lamp fixed to the wall immediately above, which threw a powerful beam of light upon the door. Further security was ensured by the employment of a night watchman, Arthur Malling, an army pensioner.

The bank lay on a restricted police beat which had been so arranged that the constable on patrol passed the bank every forty minutes.

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The Treasure Hunt

Lew Kohl walked into the room to find a middle-aged man in a flamboyant dressing-gown sitting at his desk, a pair of pince-nez set crookedly on his nose.

“Good morning, Kohl.”

Lew Kohl looked at the man who had sent him to seven and a half years of hell, and the corner of his thin lips curled.

“Morning, Mr. Reeder.” His eyes flashed across the almost bare surface of the writing-desk on which Reeder’s hands were lightly clasped. “You didn’t expect to see me, I guess?”

“Not so early,” said Reeder in his hushed voice, “but I should have remembered that early rising is one of the good habits which are inculcated by penal servitude.”

He said this in the manner of one bestowing praise for good conduct.

“I suppose you’ve got a pretty good idea of why I have come, eh? I’m a bad forgetter, Reeder, and a man in Dartmoor has time to think.”

The older man lifted his sandy eyebrows, the steel-rimmed glasses on his nose slipped further askew.

“That phrase seems familiar,” he said, and the eyebrows lowered in a frown. “Now let me think⁠—it was in a melodrama, of course, but was it Souls in Harness or The Marriage Vow?”

He appeared genuinely anxious for assistance in solving this problem.

“This is going to be a different kind of play,” said the long-faced Lew through his teeth. “I’m going to get you, Reeder⁠—you can go along and tell your boss, the Public Prosecutor. But I’ll get you sweet! There will be no evidence to swing me. And I’ll get that nice little stocking of yours, Reeder!”

The legend of Reeder’s fortune was accepted even by so intelligent a man as Kohl.

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The Troupe

When the great Art Lomer came on a business trip from Canada to London, a friend and admirer carried him off one day to see the principal sight of London.

“He generally comes out at lunch time,” said the friend, who was called “Cheep,” because his name was Sparrow.

Mr. Lomer looked up and down Whitehall disparagingly, for he had seen so many cities of the world that none seemed as good as the others.

“There he is!” whispered Cheep, though there was no need for mystery or confidence.

A middle-aged man had come out of one of the narrow doorways of a large grey building. On his head was a high, flat-crowned hat, his body was tightly encased in a black frock coat. A weakish man with yellowy-white side-whiskers and eyeglasses, that were nearer to the end than the beginning of his nose.

“Him?” demanded the amazed Art.

“Him,” said the other, incorrectly but with emphasis.

“Is that the kind of guy you’re scared about? You’re crazy. Why, that man couldn’t catch a cold! Now, back home in T’ronto⁠—”

Art was proud of his home town, and in that spirit of expansiveness which paints even the unpleasant features of One’s Own with the most attractive hues, he had even a good word to say about the Royal Canadian Police⁠—a force which normally, and in a local atmosphere, he held in the greatest detestation.

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The Green Mamba

That was the first of the inexplicable happenings. The second came when Liski, returning to his flat off Portland Place, was suddenly confronted by the awkward figure of the detective.

“Is that Liski?” Mr. Reeder peered forward in the darkness. “I’m so glad I’ve found you. I’ve been looking for you all day. I fear I horribly misled you the other evening when I was telling you that Leghorns are unsuitable for sandy soil. Now on the contrary⁠—”

“Look here, Mr. Reeder, what’s the game?” demanded the other brusquely.

“The game?” asked Reeder in a pained tone.

“I don’t want to know anything about chickens. If you’ve got anything to tell me worth while, drop me a line and I’ll come to your office, or you can come to mine.”

He brushed past the man from the Public Prosecutor’s Department and slammed the door of his flat behind him. Within two hours a squad from Scotland Yard descended upon the house of Harry Merton, took Harry and his wife from their respective beds, and charged them with the unlawful possession of stolen jewellery which had been traced to a safe deposit.

A week later, Liski, returning from a vital interview with El Rahbut, heard plodding steps overtaking him, and turned to meet the pained eye of Mr. Reeder.

“How providential meeting you!” said Reeder fervently. “No, no, I do not wish to speak about chickens, though I am hurt a little by your indifference to this noble and productive bird.”

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10 of the best lines

Threatened men live long, a trite saying but, like most things trite, true.

The Treasure HuntKeep reading from here

I don’t like snakes, but I keep away from the Zoo.

The Treasure HuntKeep reading from here

In the bright lexicon of Mr. J. G. Reeder there was no such word as holiday.

The Stealer of MarbleKeep reading from here

There is really nothing very extravagant about a melodrama except the prices of the seats, and I usually get my tickets free!

Sheer MelodramaKeep reading from here

The spirit of exploration has ruined more promising careers than drink, gambling or the smiles of women.

The Green MambaKeep reading from here

I should never forgive myself if my incautious words resulted in poor Mr. Liski being taken to the hospital⁠—alive!

The Green MambaKeep reading from here

I wish I had never known Mrs. Carlin⁠—my acquaintance with her introduces that element of coincidence which is permissible in stories but is so distressing in actual life.

The Strange CaseKeep reading from here

London is a large place full of strange, mad people who live such⁠—um⁠—commonplace lives that the wonder is that more of them do not disappear in order to do something different from what they are accustomed to doing.

The InvestorsKeep reading from here

Mrs. Hambleton told her friends⁠—and they agreed⁠—that there was no fool like an old fool, and that marriages between the old and the young invariably end in the divorce court (December v. May and July).

The InvestorsKeep reading from here

You will have scarlet fever in three days, and will probably be dead at the end of the week. I will send you a wreath.

The InvestorsKeep reading from here

All 19 The Mind of Mr. J. G. Reeder quotes, with the words around each

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Contents

  1. The Poetical Policeman
  2. The Treasure Hunt
  3. The Troupe
  4. The Stealer of Marble
  5. Sheer Melodrama
  6. The Green Mamba
  7. The Strange Case
  8. The Investors

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.