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The Merchant of Venice

by William Shakespeare

Length: 22,846 words, about 91 pages, about 2 hours to read

Drama, Satire and humour

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What it is

To help his friend Bassanio woo the beautiful Portia, the Venetian merchant Antonio borrows a large sum from Shylock, a Jewish moneylender.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

Act I, Scene I

Venice. A street.

Enter Antonio, Salarino, and Salanio.

Antonio

In sooth, I know not why I am so sad: It wearies me; you say it wearies you; But how I caught it, found it, or came by it, What stuff ’tis made of, whereof it is born, I am to learn; And such a want-wit sadness makes of me, That I have much ado to know myself.

Salarino

Your mind is tossing on the ocean; There, where your argosies with portly sail, Like signiors and rich burghers on the flood, Or, as it were, the pageants of the sea, Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings.

Salanio

Believe me, sir, had I such venture forth, The better part of my affections would Be with my hopes abroad. I should be still Plucking the grass, to know where sits the wind, Peering in maps for ports and piers and roads; And every object that might make me fear Misfortune to my ventures, out of doubt Would make me sad.

Salarino

My wind cooling my broth Would blow me to an ague, when I thought What harm a wind too great at sea might do. I should not see the sandy hour-glass run, But I should think of shallows and of flats, And see my wealthy Andrew dock’d in sand, Vailing her high-top lower than her ribs To kiss her burial.

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Act I, Scene II

Belmont. A room in Portia’s house.

Enter Portia and Nerissa.

Portia

By my troth, Nerissa, my little body is aweary of this great world.

Nerissa

You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are: and yet, for aught I see, they are as sick that surfeit with too much as they that starve with nothing. It is no mean happiness therefore, to be seated in the mean: superfluity comes sooner by white hairs, but competency lives longer.

Portia

Good sentences and well pronounced.

Nerissa

They would be better, if well followed.

Portia

If to do were as easy as to know what were good to do, chapels had been churches and poor men’s cottages princes’ palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching. The brain may devise laws for the blood, but a hot temper leaps o’er a cold decree: such a hare is madness the youth, to skip o’er the meshes of good counsel the cripple. But this reasoning is not in the fashion to choose me a husband. O me, the word “choose!” I may neither choose whom I would nor refuse whom I dislike; so is the will of a living daughter curbed by the will of a dead father. Is it not hard, Nerissa, that I cannot choose one nor refuse none?

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Act I, Scene III

Signior Antonio, many a time and oft In the Rialto you have rated me About my moneys and my usances: Still have I borne it with a patient shrug, For sufferance is the badge of all our tribe. You call me misbeliever, cut-throat dog, And spit upon my Jewish gaberdine, And all for use of that which is mine own. Well then, it now appears you need my help: Go to, then; you come to me, and you say “Shylock, we would have moneys:” you say so; You, that did void your rheum upon my beard And foot me as you spurn a stranger cur Over your threshold: moneys is your suit What should I say to you? Should I not say “Hath a dog money? is it possible A cur can lend three thousand ducats?” Or Shall I bend low and in a bondman’s key, With bated breath and whispering humbleness, Say this; “Fair sir, you spit on me on Wednesday last; You spurn’d me such a day; another time You call’d me dog; and for these courtesies I’ll lend you thus much moneys”?

Antonio

I am as like to call thee so again, To spit on thee again, to spurn thee too. If thou wilt lend this money, lend it not As to thy friends; for when did friendship take A breed for barren metal of his friend? But lend it rather to thine enemy, Who, if he break, thou mayst with better face Exact the penalty.

Shylock

Why, look you, how you storm!

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Act II, Scene II

Certainly my conscience will serve me to run from this Jew my master. The fiend is at mine elbow and tempts me saying to me “Gobbo, Launcelot Gobbo, good Launcelot,” or “good Gobbo,” or “good Launcelot Gobbo, use your legs, take the start, run away.” My conscience says “No; take heed, honest Launcelot; take heed, honest Gobbo,” or, as aforesaid, “honest Launcelot Gobbo; do not run; scorn running with thy heels.” Well, the most courageous fiend bids me pack: “Via!” says the fiend; “away!” says the fiend; “for the heavens, rouse up a brave mind,” says the fiend, “and run.” Well, my conscience, hanging about the neck of my heart, says very wisely to me “My honest friend Launcelot, being an honest man’s son,” or rather an honest woman’s son; for, indeed, my father did something smack, something grow to, he had a kind of taste; well, my conscience says “Launcelot, budge not.” “Budge,” says the fiend. “Budge not,” says my conscience. “Conscience,” say I, “you counsel well;” “Fiend,” say I, “you counsel well:” to be ruled by my conscience, I should stay with the Jew my master, who, God bless the mark, is a kind of devil; and, to run away from the Jew, I should be ruled by the fiend, who, saving your reverence, is the devil himself. Certainly the Jew is the very devil incarnal; and, in my conscience, my conscience is but a kind of hard conscience, to offer to counsel me to stay with the Jew.

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Act III, Scene I

Salarino

Why, I am sure, if he forfeit, thou wilt not take his flesh: what’s that good for?

Shylock

To bait fish withal: if it will feed nothing else, it will feed my revenge. He hath disgraced me, and hindered me half a million; laughed at my losses, mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies; and what’s his reason? I am a Jew. Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? and if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villany you teach me, I will execute, and it shall go hard but I will better the instruction.

Enter a Servant.

Servant

Gentlemen, my master Antonio is at his house and desires to speak with you both.

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10 of the best lines

In sooth, I know not why I am so sad:

Act I, Scene IKeep reading from here

His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them, and when you have them, they are not worth the search.

Act I, Scene IKeep reading from here

The brain may devise laws for the blood, but a hot temper leaps o’er a cold decree

Act I, Scene IIKeep reading from here

Fast bind, fast find; A proverb never stale in thrifty mind.

Act II, Scene VKeep reading from here

Thus hath the candle singed the moth.

Act II, Scene IXKeep reading from here

If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? and if you wrong us, shall we not revenge?

Act III, Scene IKeep reading from here

So may the outward shows be least themselves: The world is still deceived with ornament.

Act III, Scene IIKeep reading from here

And earthly power doth then show likest God’s When mercy seasons justice.

Act IV, Scene IKeep reading from here

So shines a good deed in a naughty world.

Act V, Scene IKeep reading from here

Let me give light, but let me not be light; For a light wife doth make a heavy husband,

Act V, Scene IKeep reading from here

All 30 The Merchant of Venice quotes, with the words around each

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Contents

  1. Act I, Scene I
  2. Act I, Scene II
  3. Act I, Scene III
  4. Act II, Scene I
  5. Act II, Scene II
  6. Act II, Scene III
  7. Act II, Scene IV
  8. Act II, Scene V
  9. Act II, Scene VI
  10. Act II, Scene VII
  11. Act II, Scene VIII
  12. Act II, Scene IX
  13. Act III, Scene I
  14. Act III, Scene II
  15. Act III, Scene III
  16. Act III, Scene IV
  17. Act III, Scene V
  18. Act IV, Scene I
  19. Act IV, Scene II
  20. Act V, Scene I

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.