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The Line of Love

by James Branch Cabell

Length: 57,578 words, about 230 pages, about 4 hours to read

Fantasy, Satire and humour

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What it is

A generational saga plays out in a series of short stories about love and marriage in medieval Europe.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: The Episode Called the Wedding Jest

And they narrate how Florian de Puysange was vexed by a thought that was in his mind. He did not know what this thought was. But something he had overlooked; something there was he had meant to do, and had not done: and a troubling consciousness of this lurked at the back of his mind like a small formless cloud. All day, while bustling about other matters, he had groped toward this unapprehended thought.

Now he had it: Tiburce.

The young Vicomte de Puysange stood in the doorway, looking back into the bright hall where they of Storisende were dancing at his marriage feast. His wife, for a whole half-hour his wife, was dancing with handsome Etienne de Nérac. Her glance met Florian’s, and Adelaide flashed him an especial smile. Her hand went out as though to touch him, for all that the width of the hall severed them.

Florian remembered presently to smile back at her. Then he went out of the castle into a starless night that was as quiet as an unvoiced menace. A small and hard and gnarled-looking moon ruled over the dusk’s secrecy. The moon this night, afloat in a luminous gray void, somehow reminded Florian of a glistening and unripe huge apple.

The foliage about him moved at most as a sleeper breathes, while Florian descended eastward through walled gardens, and so came to the graveyard.

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I: The Episode Called the Wedding Jest

“Heart’s dearest⁠—!” he cried. And he saw, perplexed, that Adelaide had risen with a faint wordless cry, and was gazing at him as though she were puzzled and alarmed a very little.

“Such an adventure as I have to tell you of!” says Florian then.

“But, hey, young man, who are you that would seem to know my daughter so well?” demands the lady in middle life, and she rose majestically from her chess-game.

Florian stared, as he well might. “Your daughter, madame! But certainly you are not Dame Melicent.”

At this the old, old woman raised her nodding head. “Dame Melicent? And was it I you were seeking, sir?”

Now Florian looked from one to the other of these incomprehensible strangers, bewildered: and his eyes came back to his lovely wife, and his lips smiled irresolutely. “Is this some jest to punish me, my dear?”

But then a new and graver trouble kindled in his face, and his eyes narrowed, for there was something odd about his wife also.

“I have been drinking in queer company,” he said. “It must be that my head is not yet clear. Now certainly it seems to me that you are Adelaide de la Forêt, and certainly it seems to me that you are not Adelaide.”

The girl replied, “Why, no, messire; I am Sylvie de Nointel.”

“Come, come,” says the middle-aged lady, briskly, “let us make an end to this playacting, and, young fellow, let us have a sniff at you. No, you are not tipsy, after all. Well, I am glad of that. So let us get to the bottom of this business. What do they call you when you are at home?”

“Florian de Puysange,” he answered, speaking meekly enough. This capable large person was to the young man rather intimidating.

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V: The Episode Called in Necessity’s Mortar

It verged upon nine in the evening⁠—a late hour in those days⁠—when François climbed the wall of Jehan de Vaucelles’ garden.

A wall!⁠—and what is a wall to your true lover? What bones, pray, did the Sieur Pyramus, that ill-starred Babylonish knight, make of a wall? did not his protestations slip through a chink, mocking at implacable granite and more implacable fathers? Most assuredly they did; and Pyramus was a pattern to all lovers. Thus ran the meditations of Master François as he leapt down into the garden.

He had not, you must understand, seen Catherine for three hours. Three hours! three eternities rather, and each one of them spent in Malebolge. Coming to a patch of moonlight, François paused there and cut an agile caper, as he thought of that approaching time when he might see Catherine every day.

“Madame François de Montcorbier,” he said, tasting each syllable with gusto. “Catherine de Montcorbier. Was there ever a sweeter juxtaposition of sounds? It is a name for an angel. And an angel shall bear it⁠—eh, yes, an angel, no less. O saints in Paradise, envy me! Envy me,” he cried, with a heroical gesture toward the stars, “for François would change places with none of you.”

He crept through ordered rows of chestnuts and acacias to a window wherein burned a dim light. He unslung a lute from his shoulder and began to sing, secure in the knowledge that deaf old Jehan de Vaucelles was not likely to be

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VII: The Episode Called the Castle of Content

They never subsequently quitted England. During the long civil wars, de Puysange was known as a shrewd captain and a judicious counsellor to the King, who rewarded his services as liberally as Tudorian parsimony would permit. After the death of Henry VII, however, the vicomte took little part in public affairs, spending most of his time at Tiverton Manor, in Devon, where, surrounded by their numerous progeny, he and Matthiette grew old together in peace and concord.

Indeed, the vicomte so ordered all his cool love-affairs that, having taken a wife as a matter of expediency, he continued as a matter of expediency to make her a fair husband, as husbands go. It also seemed to him, they relate, a matter of expediency to ignore the interpretation given by scandalous persons to the paternal friendship extended to Madame de Puysange by a high prince of the Church, during the last five years of the great Cardinal Morton’s life, for the connection was useful.

The following is from a manuscript of doubtful authenticity still to be seen at Allonby Shaw. It purports to contain the autobiography of Will Sommers, the vicomte’s jester, afterward court-fool to Henry VIII.

I

I Glimpse the Castle

“And so, dearie,” she ended, “you may seize the revenues of Allonby with unwashed hands.”

I said, “Why have you done this?” I was half-frightened by the sudden whirl of Dame Fortune’s wheel.

“Dear cousin in motley,” grinned the beldame, “ ’twas for hatred of Tom Allonby and all his accursed race that I have kept the secret thus long.

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VIII: The Episode Called in Ursula’s Garden

Her three lovers had praised her with many canzonets and sonnets on that May morning as they sat in the rose-garden at Longaville, and the sun-steeped leaves made a tempered aromatic shade about them. Afterward they had drawn grass-blades to decide who should accompany the Lady Ursula to the summer pavilion, that she might fetch her viol and sing them a song of love, and in the sylvan lottery chance had favored the Earl of Pevensey.

Left to themselves, the Marquis of Falmouth and Master Richard Mervale regarded each the other, irresolutely, like strange curs uncertain whether to fraternize or to fly at one another’s throat. Then Master Mervale lay down in the young grass, stretched himself, twirled his thin black mustachios, and chuckled in luxurious content.

“Decidedly,” said he, “your lordship is past master in the art of wooing; no university in the world would refuse you a degree.”

The marquis frowned. He was a great bluff man, with wheat-colored hair, and was somewhat slow-witted. After a little he found the quizzical, boyish face that mocked him irresistible, and he laughed, and unbent from the dignified reserve which he had for a while maintained portentously.

“Master Mervale,” said the marquis, “I will be frank with you, for you appear a lad of good intelligence, as lads run, and barring a trifle of affectation and a certain squeamishness in speech. When I would go exploring into a woman’s heart, I must pay my way in the land’s current coinage of compliments and high-pitched protestations. Yes, yes, such sixpenny phrases suffice the seasoned traveler, who does not ostentatiously display his gems while traveling.

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10 of the best lines

Rightly considered, the most trivial love-affair is of staggering import.

The Epistle DedicatoryKeep reading from here

“Florian, do you really love Adelaide de Nointel?” asked this terrible woman. “And now that I am free to listen to your proposals, do you wish to marry me?”

I: The Episode Called the Wedding JestKeep reading from here

In those days men encountered death with very little ado.

II: The Episode Called Adhelmar at PuysangeKeep reading from here

“I suppose you do,” Adelais conceded, with the tiniest possible shrug. “Perhaps that is why I find you so insufferable.”

IV: The Episode Called “Sweet Adelais”Keep reading from here

Fate grinned and went on with her weaving.

V: The Episode Called in Necessity’s MortarKeep reading from here

“But I love you,” said Matthiette. “How could it be possible, then, for me to live after you were dead?”

VI: The Episode Called the Conspiracy of ArnayeKeep reading from here

Tightly he clung to my crupper, that swart tireless horseman, Care; but ahead rode Love, anterior to all things and yet eternally young, in quest of the Castle of Content.

VII: The Episode Called the Castle of ContentKeep reading from here

The male animal shaken by strong emotion is to his brothers an embarrassing rather than a pathetic sight.

VIII: The Episode Called in Ursula’s GardenKeep reading from here

Lacking the moon he vainly cried for, the child learns to content himself with a penny whistle.

IX: The Episode Called Porcelain CupsKeep reading from here

“Ah,” Cynthia said, very quiet, “so Pevensey is dead. But the Plague kills quickly!”

IX: The Episode Called Porcelain CupsKeep reading from here

All 42 The Line of Love quotes, with the words around each

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Contents

  1. Introduction
  2. The Epistle Dedicatory
  3. I: The Episode Called the Wedding Jest
  4. II: The Episode Called Adhelmar at Puysange
  5. III: The Episode Called Love-Letters of Falstaff
  6. IV: The Episode Called “Sweet Adelais”
  7. V: The Episode Called in Necessity’s Mortar
  8. VI: The Episode Called the Conspiracy of Arnaye
  9. VII: The Episode Called the Castle of Content
  10. VIII: The Episode Called in Ursula’s Garden
  11. IX: The Episode Called Porcelain Cups
  12. X: The Envoi Called Semper Idem

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.