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The Greene Murder Case

by S. S. Van Dine

Length: 94,742 words, about 379 pages, about 7 hours to read

Mystery

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What it is

Philo Vance investigates a series of apparently-senseless shootings in the home of a wealthy New York family.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: A Double Tragedy

It was not yet ten o’clock of the morning of November the 9th when Vance and I, after motoring to the old Criminal Courts Building on the corner of Franklin and Centre Streets, went directly to the District Attorney’s office on the fourth floor. On that momentous forenoon two gangsters, each accusing the other of firing the fatal shot in a recent payroll holdup, were to be cross-examined by Markham; and this interview was to decide the question as to which of the men would be charged with murder and which held as a State’s witness. Markham and Vance had discussed the situation the night before in the lounge-room of the Stuyvesant Club, and Vance had expressed a desire to be present at the examination. Markham had readily assented, and so we had risen early and driven downtown.

The interview with the two men lasted for an hour, and Vance’s disconcerting opinion was that neither was guilty of the actual shooting.

“Y’ know, Markham,” he drawled, when the sheriff had returned the prisoners to the Tombs, “those two Jack Sheppards are quite sincere: each one thinks he’s telling the truth. Ergo, neither of ’em fired the shot. A distressin’ predicament. They’re obvious gallows-birds⁠—born for the gibbet; and it’s a beastly shame not to be able to round out their destinies in proper fashion.⁠ ⁠… I say, wasn’t there another participant in the holdup?”

Markham nodded. “A third got away. According to these two, it was a well-known gangster named Eddie Maleppo.”

“Then Eduardo is your man.”

Markham did not reply, and Vance rose lazily and reached for his ulster.

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III: At the Greene Mansion

As we entered the grounds that gray November afternoon an atmosphere of foreboding bleakness seemed to have settled over the estate. The trees and shrubs were all bare, except the evergreens, which were laden with patches of snow. The trellises stood stripped along the walls, like clinging black skeletons; and, save for the front walk, which had been hastily and imperfectly swept, the grounds were piled high with irregular snowdrifts. The gray of the mansion’s masonry was almost the color of the brooding overcast sky; and I felt a premonitory chill of eeriness pass over me as we mounted the shallow steps that led to the high front door, with its pointed pediment above the deeply arched entrance.

Sproot, the butler⁠—a little old man with white hair and a heavily seamed capriform face⁠—admitted us with silent, funereal dignity (he had evidently been apprised of our coming); and we were ushered at once into the great gloomy drawing-room whose heavily curtained windows overlooked the river. A few moments later Chester Greene came in and greeted Markham fulsomely. Heath and Vance and me he included in a single supercilious nod.

“Awfully good of you to come, Markham,” he said, with nervous eagerness, seating himself on the edge of a chair and taking out his cigarette-holder. “I suppose you’ll want to hold an inquisition first. Whom’ll I summon as a starter?”

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V: Homicidal Possibilities

“Oh, as for that, I’d say we’d all come under suspicion. We’re not an ideal home circle, by any means. In fact, the Greenes are a queer collection. We don’t love one another the way a perfectly nice and proper family should. We’re always at each other’s throats, bickering and fighting about something or other. It’s rather a mess⁠—this ménage. It’s a wonder to me murder hasn’t been done long before. And we’ve all got to live here until 1932, or go it on our own; and, of course, none of us could make a decent living. A sweet paternal heritage!”

She smoked moodily for a few moments.

“Yes, any one of us had ample reason to be murderously inclined toward all the others. Chet there would strangle me now if he didn’t think the nervous aftermath of the act would spoil his golf⁠—wouldn’t you, Chet dear? Rex regards us all as inferiors, and probably considers himself highly indulgent and altruistic not to have murdered us all long ago. And the only reason mother hasn’t killed us is that she’s paralyzed and can’t manage it. Julia, too, for that matter, could have seen us all boiled in oil without turning a hair. And as for Ada”⁠—her brows contracted and an extraordinary ferocity crept into her eyes⁠—“she’d dearly love to see us all exterminated. She’s not really one of us, and she hates us. Nor would I myself have any scruples about doing away with the rest of my fond family. I’ve thought of it often, but I could never decide on a nice thorough method.”

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VI: An Accusation

“Pitch-dark.” Slowly she turned her eyes to him. “That’s why I was so frightened. I couldn’t see anything, and I imagined there was a ghost⁠—or evil spirit⁠—near me. I tried to call out, but I couldn’t make a sound. My throat felt dry and⁠—and stiff.”

“Typical constriction due to fright, Ada,” explained Von Blon. “Many people can’t speak when they’re frightened.⁠—Then what happened?”

“I lay trembling for a few minutes, but not a sound came from anywhere in the room. Yet I knew⁠—I knew⁠—somebody, or something, that meant to harm me was here.⁠ ⁠… At last I forced myself to get up⁠—very quietly. I wanted to turn on the lights⁠—the darkness frightened me so. And after a while I was standing up beside the bed here. Then, for the first time, I could see the dim light of the windows; and it made things seem more real somehow. So I began to grope my way toward the electric switch there by the door. I had only gone a little way when⁠ ⁠… a hand⁠ ⁠… touched me.⁠ ⁠…”

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XII: A Motor Ride

As we came to the outermost arc of the little detour Von Blon brought the car to a stop, the front wheels pointing directly toward the precipice. A magnificent vista stretched before us. We could look up and down the Hudson for miles. And there was a sense of isolation about the spot, for the hill behind us completely shut off the country inland.

We sat for several moments taking in the unusual view. Then Sibella spoke. Her voice was whimsical, but a curious note of defiance informed it.

“What a perfectly ripping spot for a murder!” she exclaimed, leaning over and looking down the steep slope of the bluff. “Why run the risk of shooting people when all you have to do is to take them for a ride to this snug little shelf, jump from the car, and let them topple⁠—machine and all⁠—over the precipice? Just another unfortunate auto accident⁠—and no one the wiser!⁠ ⁠… Really, I think I’ll take up crime in a serious way.”

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10 of the best lines

It was as if they were drawn together by those very qualities which each realized⁠—perhaps with a certain repressed regret⁠—were lacking in his own nature.

I: A Double TragedyKeep reading from here

Why draw a long face over something that’s happened and can’t be helped?

V: Homicidal PossibilitiesKeep reading from here

There are depths beneath depths in what happened last night⁠—obscure fetid chambers of the human soul.

VII: Vance Argues the CaseKeep reading from here

We all lie to each other on general principles.

IX: The Three BulletsKeep reading from here

It’s a nightmare. Nothing means anything; therefore, anything may have a meaning.

X: The Closing of a DoorKeep reading from here

What a perfectly ripping spot for a murder!

XII: A Motor RideKeep reading from here

It’s a mistaken idea, don’t y’ know, to imagine that a murderer looks like a murderer. No murderer ever does.

XVI: The Lost PoisonsKeep reading from here

The camera, d’ ye see, is deucedly forthright⁠—it records whatever is before it, irrespective of art values.

XXIII: The Missing FactKeep reading from here

Everything in me revolts against the acceptance of the truth.

XXIV: A Mysterious TripKeep reading from here

Either I’m on a fool’s errand, or there’s an abominable tragedy ahead of us.

XXV: The CaptureKeep reading from here

All 39 The Greene Murder Case quotes, with the words around each

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Contents

All 27 parts
  1. Characters of the Book
  2. I: A Double Tragedy
  3. II: The Investigation Opens
  4. III: At the Greene Mansion
  5. IV: The Missing Revolver
  6. V: Homicidal Possibilities
  7. VI: An Accusation
  8. VII: Vance Argues the Case
  9. VIII: The Second Tragedy
  10. IX: The Three Bullets
  11. X: The Closing of a Door
  12. XI: A Painful Interview
  13. XII: A Motor Ride
  14. XIII: The Third Tragedy
  15. XIV: Footprints on the Carpet
  16. XV: The Murderer in the House
  17. XVI: The Lost Poisons
  18. XVII: Two Wills
  19. XVIII: In the Locked Library
  20. XIX: Sherry and Paralysis
  21. XX: The Fourth Tragedy
  22. XXI: A Depleted Household
  23. XXII: The Shadowy Figure
  24. XXIII: The Missing Fact
  25. XXIV: A Mysterious Trip
  26. XXV: The Capture
  27. XXVI: The Astounding Truth

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.