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The Documents in the Case

by Dorothy L. Sayers and Robert Eustace

Length: 77,709 words, about 311 pages, about 5 hours to read

Mystery

Read The Documents in the Case free, starting with its best pages and lines below. Listen to it free too, read aloud by your phone's own voice.

What it is

A man’s apparently accidental death soon arouses suspicions.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

1: Agatha Milsom to Olive Farebrother

Thank you very much for your letter and kind inquiries after my health. I like my new doctor very much indeed. I think he understands me a great deal better than Dr. Coombs, and he has put me on quite a different treatment. He says I am just going through a “difficult phase” at present, and that if only I can hold on and not let things get on top of me for the next year or two I shall come out of it quite all right. But I am not to have a rest-cure! It seems Dr. Coombs was all wrong about that⁠—of course he didn’t exactly say she was wrong, it wouldn’t be professional, but I could see that he thought it! Dr. Trevor says that rest-cures only “turn you in upon yourself,” and that makes things worse. He says I must get right away from myself and my feelings, so as to “sublimate” all these repressed urges and turn them into some other sort of energy. He says it was quite all right to start with to have my dreams and subconscious betrayals analysed, so as to know exactly what was the matter with me, but that now the time has come when I must learn to throw all these bottled-up desires outwards, and give them something to do. He explained it all most clearly. I said, “I suppose it is sex, doctor, isn’t it?” (Of course, one gets quite used to asking things perfectly frankly, and one doesn’t mind it a bit.) And he said, well, largely; and, of course, that was a thing most people suffered from one way and another, and in these days one couldn’t always take the obvious and direct way out of a condition of sex-repression, because it would often be socially and economically inconvenient.

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7: The Same to the Same

We were just starting off to dine with Lambert the other night, and were waiting in the hall for a taxi, when Mrs. H. came in, rather flurried and very wet. She was hanging up her waterproof, when Harrison came charging out on the landing and called down:

“Is that you, Margaret? Do you know what time it is?”

“I’m sorry⁠—I won’t be a moment.”

“Where on earth have you been?”

“That’s a secret” (in the tone of voice of someone who wants to have the secret teased out of her. She was laughing to herself, and had a fattish parcel tucked under her arm).

“Oh! I suppose it’s all the same to you if the dinner’s uneatable.”

Evidently no interest was to be taken in the “secret.” The next effort was along the lines of cheerful common sense.

“Why didn’t you begin without me?”

“I don’t choose to. This is my home⁠—or supposed to be⁠—not a hotel” (in a tone of peevish protest).

She had gone past us up to the first-floor landing, and, like the Wedding-Guest, we could not choose but hear.

“I’m sorry, dear. I was getting something for tomorrow.”

“That’s no excuse. You’ve been chattering to some of your office friends in some teashop or other and forgetting all about what you were supposed to be doing. No, I don’t want any dinner now.”

“Oh, very well.”

He came running downstairs then and saw us. I think it gave him a shock, because he pulled himself up and smiled and said something vague. Then he turned and called up the stairs again:

“All right, my dear, I’ll be up in a minute.” His eyes were unhappy. There’s something wrong in this house⁠—something more than a little misunderstanding about dinner time.

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28: The Same to the Same

Harrison had the brilliant idea of inviting Lathom and me to dinner to taste his special way of frying chicken. Well, there we all were⁠—Miss Milsom frightfully kittenish in a garment she had embroidered herself with Persian arabesques. (“I don’t know what they mean, you know, Mr. Munting. Probably something frightfully improper! I copied them off a rug.”) Harrison who allows nobody to penetrate into “his” kitchen when he’s working out a masterpiece, was frying away amid a powerful odour of garlic. No Mrs. Harrison! We furiously make conversation⁠—enter H.⁠—gives a black look round, and disappears again. I count the things on the mantelpiece⁠—two brass candlesticks, brass doorknocker representing the Lincoln imp⁠—two imitation brass mulling-cones⁠—ill-balanced pottery nude⁠—quaint clock and pair of Liberty nondescripts. Front door goes. Kitchen door in the distance heard to burst open. “Well, where have you been?” Awful realisation creeps over us all that the sitting-room door has been left open. I say hurriedly: “Have you read the new Michael Arlen, Miss Milsom?” We are all aware that a prolonged cross-examination is proceeding. Lathom fidgets. Voice rises to appalling distinctness: “Don’t talk nonsense! How long were you at the hairdresser’s?⁠—Well, what were you doing?⁠—Yes, but what kept you?⁠—Yes, of course, you met somebody. You seem to be meeting a lot of people lately!⁠—I don’t care who it ‘only’ was⁠—one of the men from the office, I suppose⁠—Carrie Mortimer? nonsense!⁠—I shall not be quiet⁠—I shall talk as loudly as I like⁠—Did you or did you not remember⁠—?” Here I grow desperate and turn on the gramophone. In comes Harrison, putting a good face on it. “Here’s the wife, late as usual!” We sit down to dinner in embarrassed silence. I murmur eulogies on the chicken. “Overcooked,” says Harrison, shovelling it all aside and savagely picking at the vegetables. After this, everybody is afraid to eat it, for fear of not seeming to know good food from bad.

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45: Statement of John Munting [Continued]

At Newton Abbot we changed into the local, and dawdled through Teigngrace, Heathfield and Brimley Halt, taking over half an hour about it, till we were turned out, twenty minutes late, on the platform at Bovey Tracey. It was a quarter-past ten and dark, but the smell of the earth came up pleasantly, with a welcome suggestion of rain in the air. I stood on the platform, clutching an attaché case in one hand and the bag with the beef and sausages in the other, while Lathom transacted some occult business with a man outside. Then he came back, saying briefly, “I’ve got a man to take us,” and we stumbled out to where an aged taxi thrummed mournfully in the gloom. Lathom bundled in, and I parked my bags at his feet.

“What the devil’s that?” he said crossly.

“The grub, fathead,” said I, following him in.

“Oh, yes, of course, I’d forgotten,” he said. “Come on, let’s get going, for God’s sake!”

Being used to Lathom, I ignored his irritability. We jolted off.

The taxi had a churchyard smell about it, and I mentioned the fact. Lathom slammed the window down with an impatient grunt. I remarked, foolishly, that he didn’t seem very enthusiastic about the trip. He said:

“Oh, don’t talk so much.”

It seemed to me that the prospect of seeing Harrison again had rather got on his nerves, and I looked forward to an exasperating weekend.

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45: Statement of John Munting [Continued]

The inner room was in a sordid confusion. My hurrying footsteps tripped over some bedclothes. There were two beds in the room, and Lathom was standing by the farther of the two. He stepped aside, and his hand shook so that the candle-flame danced. I thought at first that the man on the bed had moved, but it was only the dancing candle.

The bed was broken and tilted grotesquely sideways. Harrison was sprawled over it in a huddle of soiled blankets. His face was twisted and white and his eyeballs rolled up so that only the whites showed. I stooped over him and felt for his wrist. It was cold and heavy, and when I released it it fell back on the bed like deadweight. I did not like the look of the nostrils⁠—black caverns, scooped in wax⁠—not flesh, anyway⁠—and the mouth, twisted unpleasantly upwards from the teeth, with the pale tongue sticking through.

“My God!” I cried, but softly⁠—and turned to look at Lathom, “the man’s dead!”

“Dead?” He was looking at me, not at Harrison. “Are you sure?”

“Sure?” I put a finger beneath the fallen jaw, which woodenly resisted me. “Why, he must have been dead for hours. He’s stiff, man, stiff!”

“So he is, poor old b⁠⸺” said Lathom.

He began to laugh.

“Stop that,” I said, snatching the candle away from him, and dumping him roughly down on to the other bed. “Pull yourself together. You want a drink.”

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10 of the best lines

“My dear Miss Milsom, half my patients come to me because they are not married⁠—and the other half because they are!”

1: Agatha Milsom to Olive FarebrotherKeep reading from here

There’s something wrong in this house⁠—something more than a little misunderstanding about dinner time.

7: The Same to the SameKeep reading from here

“You must not think that, or you will become a bore.”

13: The Same to the SameKeep reading from here

There is nothing on earth the matter with the chicken, but we all sit staring at it as though it was a Harpagus-feast of boiled baby.

28: The Same to the SameKeep reading from here

Grotesque characters only exist for us from the waist upwards.

37: Statement of John MuntingKeep reading from here

It is fine to die for a faith, but perhaps it is still finer to die for a thing you do not believe in.

37: Statement of John MuntingKeep reading from here

The taxi had a churchyard smell about it, and I mentioned the fact.

45: Statement of John Munting [Continued]Keep reading from here

I should like a robe made of the rainbow⁠—I’m wearing it in my heart, darling⁠—all for you!

46: Margaret Harrison to Harwood LathomKeep reading from here

Nature’s only a rather clumsy kind of chemist, don’t you see.

51: Statement of Paul Harrison [Continued]Keep reading from here

Nature does not work by a scheme of poetical justice.

52: Statement of John MuntingKeep reading from here

All 23 The Documents in the Case quotes, with the words around each

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Contents

All 56 parts
  1. Introduction
  2. Section I: Synthesis
  3. 1: Agatha Milsom to Olive Farebrother
  4. 2: The Same to the Same
  5. 3: The Same to the Same
  6. 4: The Same to the Same
  7. 5: John Munting to Elizabeth Drake
  8. 6: The Same to the Same
  9. 7: The Same to the Same
  10. 8: The Same to the Same
  11. 9: The Same to the Same
  12. 10: Agatha Milsom to Olive Farebrother
  13. 11: John Munting to Elizabeth Drake
  14. 12: The Same to the Same
  15. 13: The Same to the Same
  16. 14: The Same to the Same
  17. 15: George Harrison to Paul Harrison
  18. 16: Agatha Milsom to Olive Farebrother
  19. 17: John Munting to Elizabeth Drake
  20. 18: Agatha Milsom to Olive Farebrother
  21. 19: The Same to the Same
  22. 20: George Harrison to Paul Harrison
  23. 21: Agatha Milsom to Olive Farebrother
  24. 22: John Munting to Elizabeth Drake
  25. 23: The Same to the Same
  26. 24: George Harrison to Paul Harrison
  27. 25: Note by Paul Harrison
  28. 26: Harwood Lathom to John Munting
  29. 27: John Munting to Elizabeth Drake
  30. 28: The Same to the Same
  31. 29: Note by Paul Harrison
  32. 30: John Munting to Elizabeth Drake
  33. 31: The Same to the Same
  34. 32: The Same to the Same
  35. 33: Agatha Milsom to Elizabeth Drake
  36. 34: Elizabeth Drake to John Munting
  37. 35: Telegram from John Munting to Elizabeth Drake, Dated 26.2.29
  38. 36: George Harrison to Paul Harrison
  39. 37: Statement of John Munting
  40. 38: Margaret Harrison to Harwood Lathom
  41. 39: The Same to the Same
  42. 40: The Same to the Same
  43. 41: The Same to the Same
  44. 42: The Same to the Same
  45. 43: The Same to the Same
  46. 44: The Same to the Same
  47. 45: Statement of John Munting [Continued]
  48. Section II: Analysis
  49. 46: Margaret Harrison to Harwood Lathom
  50. 47: Extract from the Morning Express of Tuesday, October 21st, 1929
  51. 48: Extract from the Morning Express of Wednesday, November 5th, 1929
  52. 49: Statement by Paul Harrison
  53. 50: John Munting to Paul Harrison
  54. 51: Statement of Paul Harrison [Continued]
  55. 52: Statement of John Munting
  56. 53: Note by Paul Harrison

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.