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The Charwoman’s Shadow

by Lord Dunsany

Length: 72,869 words, about 291 pages, about 5 hours to read

Fantasy

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What it is

A young nobleman becomes a magician to secure his sister’s marriage.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: The Lord of the Tower Finds a Career for His Son

Picture a summer evening sombre and sweet over Spain, the glittering sheen of leaves fading to soberer colours, the sky in the west all soft, and mysterious as low music, and in the east like a frown. Picture the Golden Age past its wonderful zenith, and westering now towards its setting.

In such a time of day and time of year, and in such a time of history, a young man was travelling on foot on a Spanish road, from a village well-nigh unknown, towards the gloom and grandeur of mountains. And as he travelled a wind rising up with the fall of day flapped his cloak hugely about him.

The strength of the wind grew, until little strange cries were in it; the slope steepened, the daylight waned; and the man and his cloak and the evening so merged into one darkness that even in imagination I can but dimly see him now.

Let us therefore turn to such questions as who he was, and how he came to be faring at such an hour towards a region so rocky and lonely as that which loomed before him, while the latest stragglers amongst other men were nearing their houses amongst the sheltered fields.

His name was Ramon Alonzo Matthew-Mark-Luke-John of the Tower and Rocky Forest.

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III: The Charwoman Tells of Her Loss

As Ramon Alonzo supped that tall figure of magic stood opposite without moving, and spoke no more; so that the young man ate hastily and soon had finished. He rose from the table, the other signed with his arm, and passed out of the room, Ramon Alonzo following. Soon they came to a lantern which the Master of the Art took down from its hook on the wall; he turned then away from his green door and led his visitor on to the deeps of his house. And it seemed to Ramon Alonzo, with the curious insight of youth, as he followed the black bulk of the Master of the Art looming above the wild shadows that ran from the lantern, that here was the master of a band of shadows leading them home into their native darkness. And so they came to an ancient stairway of stone, that was lit by narrow windows opening on the stars, though tonight the Master brought his lantern to light it in honour of his guest. And it was plain even to Ramon Alonzo from the commotion of the bats, though he had not the art to read the surprise in the eyes of the spiders, that the light of a lantern seldom came that way. They came to a door that no spell had guarded from time; the magician pushed it open and stood aside, and Ramon Alonzo entered.

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III: The Charwoman Tells of Her Loss

The young man saw first her face, and a look on it like the look on the face of one revealing a mortal wound; and then, as she swung the lantern round, he suddenly saw that the woman had no shadow.

“What! No shadow?” he blurted out, sitting suddenly up on his heap of cobwebs and sheets.

“Never again,” she said, “never again. It lay over the fields once; it used to make the grass such a tender green. It never dimmed the buttercups. It did no harm to anything. Butterflies may have been scared of it, and once a dragonfly, but it did them never a harm. I’ve known it protect anemones awhile from the heat of the noonday sun, which had otherwise withered them sooner. In the early morning it would stretch away beyond our garden right out to the wild; poor innocent shadow that loved the grey dew. And in the evening it would grow bold and strong and run right down the slopes of hills, where I walked singing, and would come to the edges of bosky tangled places, till a little more and its head would have been out of sight: I’ve known the fairies then dance out from their sheltered arbours in the deeps of briar and thorn and play with its curls. And, for all its rovings and lurkings and love of mystery, it never left me, of its own accord never. It was I that forsook it, poor shadow, poor shadow that followed me home.

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VII: Ramon Alonzo Follows the Art

He moved from his place and the false shadow moved with him; there was no appreciable change; and yet he had paid his fee to the magician, and was about to receive that learning that had been the goal of so many philosophers. And now the magician, still holding the shadow tight, leaned over a crocodile, and after a moment’s rummaging, picked up a long thin box from the dark of the cobwebs. By its great length and narrowness and lightness, for the magician lifted it easily with one hand, Ramon Alonzo knew it for the shadow-box. It was padlocked, but in the padlock was no keyhole. He watched the Master go to his lectern and put down the box and turn over several pages of the great Cathayan book: he saw upon which page his eye rested, a page with one spell upon it in three black Cathayan characters; then the Master closed the book and said a spell to the padlock, but in so low a voice that Ramon Alonzo heard never a word. The padlock opened, the Master raised the lid, and in went his shadow. For a moment the young man saw in the box a mass of wriggling greyness, then the lid shut down and the keyless padlock snapped.

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XXI: White Magic Comes to the Wood

Hardly had he written that one Cathayan syllable, and added a few fantastic shapes of his own, when he heard a rustling a little way off in the wood. He sat upon the moss and listened: it grew to a pattering; a sound as of small feet scurrying over leaves, pushing through bracken, leaping rocks and dead branches, in a hurry that seemed to have suddenly come to the wood, and was stirring bramble and briar before him and far on his left and right. And it was coming nearer. Then Ramon Alonzo heard shrill little squeaks above the sound of the scurrying; and all at once an imp came bounding by, and two more and then another. Then the snap of a twig and a rustle drew his attention upon his other side, and six more were running past him; and soon he saw a line of imps fleeing desperately through the wood, not troubling to keep out of sight of him on the far side of trees going by, some passing barely out of reach of his hand. He saw their small round bodies bobbing by, then heard them brush through the bracken into the distance, and not for a moment did one of them cease to scurry. They were jabbering to each other as they went, evidently in great perturbation. And then a gnome came by, carrying a bundle, an old fellow three times as large as an imp and wearing clothes of a sort, especially a hat. And he was clearly just as frightened as the imps, though he could not go so fast.

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10 of the best lines

Picture a summer evening sombre and sweet over Spain, the glittering sheen of leaves fading to soberer colours, the sky in the west all soft, and mysterious as low music, and in the east like a frown.

I: The Lord of the Tower Finds a Career for His SonKeep reading from here

And where young thoughts have roamed there soon follow lads or maidens.

I: The Lord of the Tower Finds a Career for His SonKeep reading from here

“He wanted a charwoman,” she said.

III: The Charwoman Tells of Her LossKeep reading from here

“He is not earthly,” cried Ariona.

XI: The Chill of SpaceKeep reading from here

So they went to bed.

XIV: The Folk of Aragona Strike for the FaithKeep reading from here

“The power of Holy Church is waning,” said Father Joseph. “It is not what it was in the good days.”

XVIII: The Love-PotionKeep reading from here

How many a man through hours of silent darkness has laid his lonely plans for things more insubstantial.

XX: The Magician Imitates a Way of the GodsKeep reading from here

Who will believe in a beauty he cannot see?

XXV: The Release of the ShadowKeep reading from here

“Yes,” said the Duke, “I am sorry.”

XXIX: The Casket of Silver and Oak Is Given to Señor GulvarezKeep reading from here

Hope herself seemed blind to it.

XXX: The End of the Golden AgeKeep reading from here

All 39 The Charwoman’s Shadow quotes, with the words around each

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Contents

All 30 parts
  1. I: The Lord of the Tower Finds a Career for His Son
  2. II: Ramon Alonzo Comes to the House in the Wood
  3. III: The Charwoman Tells of Her Loss
  4. IV: Ramon Alonzo Learns a Mystery Known to the Reader
  5. V: Ramon Alonzo Learns of the Box
  6. VI: There Is Talk of Gulvarez
  7. VII: Ramon Alonzo Follows the Art
  8. VIII: Ramon Alonzo Shares the Idleness of the Maidens of Aragona
  9. IX: The Technique of Alchemy
  10. X: The Exposure of the False Shadows
  11. XI: The Chill of Space
  12. XII: Mirandola Demands a Love-Potion
  13. XIII: Ramon Alonzo Compounds the Potion
  14. XIV: The Folk of Aragona Strike for the Faith
  15. XV: Ramon Alonzo Talks of Technique and Muddles His Father
  16. XVI: The Work of Father Joseph
  17. XVII: The Three Fair Fields
  18. XVIII: The Love-Potion
  19. XIX: Father Joseph Explains How the Laity Have No Need of the Pen
  20. XX: The Magician Imitates a Way of the Gods
  21. XXI: White Magic Comes to the Wood
  22. XXII: Ramon Alonzo Crosses a Sword with Magic
  23. XXIII: The Plan of Ramon Alonzo
  24. XXIV: Ramon Alonzo Dances with His Shadow
  25. XXV: The Release of the Shadow
  26. XXVI: The Wonderful Casting
  27. XXVII: They Dread That a Witch Has Ridden from the Country Towards Moon’s Rising
  28. XXVIII: Gonsalvo Sings What Had Been the Latest Air from Provence
  29. XXIX: The Casket of Silver and Oak Is Given to Señor Gulvarez
  30. XXX: The End of the Golden Age

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.