The Blue Bird

Once upon a time, a woodcutter and his wife lived in their cottage on the edge of a large and ancient forest. They had two dear little children who met with a most wonderful adventure.

But, before telling you all about it, I must describe the children to you and let you know something of their character; for, if they had not been so sweet and brave and plucky, the curious story which you are about to hear would never have happened at all.

Tyltyl⁠—that was our hero’s name⁠—was ten years old; and Mytyl, his little sister, was only six.

Tyltyl was a fine, tall little fellow, stout and well-set-up, with curly black hair which was often in a tangle, for he was fond of a romp. He was a great favorite because of his smiling and good-tempered face and the bright look in his eyes; but, best of all, he had the ways of a bold and fearless little man, which showed the noble qualities of his heart. When, early in the morning, he trotted along the forest-road by the side of his daddy, Tyl the woodcutter, for all his shabby clothes he looked so proud and gallant that every beautiful thing on the earth and in the sky seemed to lie in wait for him to smile upon him as he passed.

His little sister was very different, but looked ever so sweet and pretty in her long frock, which Mummy Tyl kept neatly patched for her.

And our little friends, dancing, laughing and shrieking with delight, rejoiced so prettily in the other children’s happiness that they forgot their own poverty and want. They were soon to have their reward. Suddenly, there came a loud knocking at the door. The startled Children ceased their romp and dared not move a limb. Then the big wooden latch lifted of itself, with a loud creak; the door opened slowly; and in crept a little old woman, dressed all in green, with a red hood over her head. She was humpbacked and lame and had only one eye; her nose and chin almost touched; and she walked leaning on a stick. She was surely a fairy.

She hobbled up to the Children and asked, in a snuffling voice:

“Have you the grass here that sings or the bird that is blue?”

“We have some grass,” replied Tyltyl, trembling all over his body, “but it can’t sing.⁠ ⁠…”

“Tyltyl has a bird,” said Mytyl.

“But I can’t give it away, because it’s mine,” the little fellow added, quickly.

Now wasn’t that a capital reason?

The Fairy put on her big, round glasses and looked at the bird:

“He’s not blue enough,” she exclaimed. “I must absolutely have the Blue Bird. It’s for my little girl, who is very ill.⁠ ⁠… Do you know what the Blue Bird stands for? No? I thought you didn’t; and, as you are good children, I will tell you.”

The Fairy raised her crooked finger to her long, pointed nose, and whispered, in a mysterious tone:

Who can this extraordinary person be, who jostles everybody and fills the house with his noisy gaiety? We know him at once. It is Tylô, the good Dog who tries his hardest to understand mankind, the good-natured Animal who goes with the Children to the forest, the faithful guardian who protects the door, the staunch friend who is ever true and ever loyal! Here he comes walking on his hind-paws, as on a pair of legs too short for him, and beating the air with the two others, making gestures like a clumsy little man. He has not changed: he still has his smooth, mustard-coloured coat and his jolly bulldog head, with the black muzzle, but he is much bigger and then he talks! He talks as fast as he can, as though he wanted in one moment to avenge his whole race, which has been doomed to silence for centuries. He talks of everything, now that he is at last able to explain himself; and it is a pretty sight to see him kissing his little master and mistress and calling them “his little gods!” He sits up, he jumps about the room, knocking against the furniture, upsetting Mytyl with his big soft paws, lolling his tongue, wagging his tail and puffing and panting as though he were out hunting. We at once see his simple, generous nature. Persuaded of his own importance, he fancies that he alone is indispensable in the new world of Things.

The little band came marching down the steps of Night’s gloomy staircase. Tylô pranced bravely in front, whereas Tyltyl looked around him with an anxious glance. He certainly found nothing to comfort him. It was all very magnificent, but very terrifying. Picture a huge and wonderful black marble hall, of a stern and tomb-like splendour. There is no ceiling visible; and the ebony pillars that surround the amphitheatre shoot up to the sky. It is only when you lift your eyes up there that you catch the faint light falling from the stars. Everywhere, the thickest darkness reigns. Two restless flames⁠—no more⁠—flicker on either side of Night’s throne, before a monumental door of brass. Bronze doors show through the pillars to the right and left.

The Cat rushed up to the Children:

“This way, little master, this way!⁠ ⁠… I have told Night; and she is delighted to see you.”

Tylette’s soft voice and smile made Tyltyl feel himself again; and he walked up to the throne with a bold and confident step, saying:

“Good day, Mrs. Night!”

Night was offended by the word, “Good day,” which reminded her of her eternal enemy Light, and answered drily:

“Good day?⁠ ⁠… I am not used to that!⁠ ⁠… You might say, Good night, or, at least, Good evening!”

Our hero was not prepared to quarrel. He felt very small in the presence of that stately lady. He quickly begged her pardon, as nicely as he could; and very gently asked her leave to look for the Blue Bird in her palace.

“I have never seen him, he is not here!” exclaimed Night, flapping her great wings to frighten the boy.

Then the light spread around them and showed them a wonderful sight. They were standing in the middle of a large round space in the heart of the forest, where all the old, old Trees seemed to reach up to the sky. Wide avenues formed a white star amidst the dark green of the wood. Everything was peaceful and still; but suddenly a strange shiver ran through the foliage; the branches moved and stretched like human arms; the roots raised the earth that covered them, came together, took the shapes of legs and feet and stood on the ground; a tremendous crash rang through the air; the trunks of the Trees burst open and each of them let out its soul, which made its appearance like a funny human figure.

Some stepped slowly from their trunks; others came out with a jump; and all of them gathered inquisitively round our friends.

The talkative Poplar began to chatter like a magpie:

“Little Men! We shall be able to talk to them! We have done with silence!⁠ ⁠… Where do they come from?⁠ ⁠… Who are they?”

And so he rattled on.

The Lime-tree, who was a jolly, fat fellow, came up calmly, smoking his pipe; the conceited and dandified Chestnut-tree screwed his glass into his eye to stare at the Children. He wore a coat of green silk embroidered with pink and white flowers. He thought the little ones too poor-looking and turned away in derision.