The Big Four

I have met people who enjoy a channel crossing; men who can sit calmly in their deck chairs and, on arrival, wait until the boat is moored, then gather their belongings together without fuss and disembark. Personally, I can never manage this. From the moment I get on board I feel that the time is too short to settle down to anything. I move my suitcases from one spot to another, and if I go down to the saloon for a meal, I bolt my food with an uneasy feeling that the boat may arrive unexpectedly whilst I am below. Perhaps all this is merely a legacy from one’s short leaves in the war, when it seemed a matter of such importance to secure a place near the gangway, and to be amongst the first to disembark lest one should waste precious minutes of one’s three or five days’ leave.

On this particular July morning, as I stood by the rail and watched the white cliffs of Dover drawing nearer, I marvelled at the passengers who could sit calmly in their chairs and never even raise their eyes for the first sight of their native land. Yet perhaps their case was different from mine. Doubtless many of them had only crossed to Paris for the weekend, whereas I had spent the last year and a half on a ranch in the Argentine.

I quoted the old saw with a slight laugh, and then, in the pause that succeeded it, we both started as a sound came from the inner room.

“What’s that?” I cried.

“Ma foi!” retorted Poirot. “It sounds very like your ‘unexpected guest’ in my bedroom.”

“But how can anyone be in there? There’s no door except into this room.”

“Your memory is excellent, Hastings. Now for the deductions.”

“The window! But it’s a burglar, then? He must have had a stiff climb of it⁠—I should say it was almost impossible.”

I had risen to my feet and was striding in the direction of the door when the sound of fumbling at the handle from the other side arrested me.

The door swung slowly open. Framed in the doorway stood a man. He was coated from head to foot with dust and mud; his face was thin and emaciated. He stared at us for a moment, and then swayed and fell. Poirot hurried to his side, then he looked up and spoke to me.

“Brandy⁠—quickly.”

I dashed some brandy into a glass and brought it. Poirot managed to administer a little, and together we raised him and carried him to the couch. In a few minutes he opened his eyes and looked round him with an almost vacant stare.

“What is it you want, monsieur?” asked Poirot.

The man opened his lips and spoke in a queer mechanical voice.

“M. Hercule Poirot, 14 Farraway Street.”

“Yes, yes; I am he.”

And then, with complete unexpectedness, the blow fell. In a minute we were surrounded, gagged, and bound. At least ten men must have been waiting for us. Resistance was useless. Like two helpless bundles we were lifted up and carried along. To my intense astonishment, they took us towards the house and not away from it. With a key they opened the door into the laboratory and carried us into it. One of the men stooped down before a big safe. The door of it swung open. I felt an unpleasant sensation down my spine. Were they going to bundle us into it, and leave us there to asphyxiate slowly?

However, to my amazement, I saw that from the inside of the safe steps led down beneath the floor. We were thrust down this narrow way and eventually came out into a big subterranean chamber. A woman stood there, tall and imposing, with a black velvet mask covering her face. She was clearly in command of the situation by her gestures of authority. The men slung us down on the floor and left us⁠—alone with the mysterious creature in the mask. I had no doubt who she was. This was the unknown Frenchwoman⁠—Number Three of the Big Four.

She knelt down beside us and removed the gags, but left us bound, then rising and facing us, with a sudden swift gesture she removed her mask.

It was Madame Olivier!

“M. Poirot,” she said, in a low mocking tone. “The great, the wonderful, the unique, M. Poirot. I sent a warning to you yesterday morning. You chose to disregard it⁠—you thought you could pit your wits against us. And now, you are here!”

A taxi soon took us to our destination, and we were ushered into Mr. McNeil’s private office. Sitting in the armchair facing the solicitor was a somewhat lurid-looking lady no longer in her first youth. Her hair was of an impossible yellow, and was prolific in curls over each ear, her eyelids were heavily blackened, and she had by no means forgotten the rouge and the lip salve.

“Ah, here is M. Poirot!” said Mr. McNeil. “M. Poirot, this is Miss⁠—er⁠—Monro, who has very kindly called to give us some information.”

“Ah, but that is most kind!” cried Poirot.

He came forward with great empressement, and shook the lady warmly by the hand.

“Mademoiselle blooms like a flower in this dry-as-dust old office,” he added, careless of the feelings of Mr. McNeil.

This outrageous flattery was not without effect. Miss Monro blushed and simpered.

“Oh, go on now, Mr. Poirot!” she exclaimed. “I know what you Frenchmen are like.”

“Mademoiselle, we are not mute like Englishmen before beauty. Not that I am a Frenchman⁠—I am a Belgian, you see.”

“I’ve been to Ostend myself,” said Miss Monro.

The whole affair, as Poirot would have said, was marching splendidly.

“And so you can tell us something about Mr. Claud Darrell?” continued Poirot.

“I knew Mr. Darrell very well at one time,” explained the lady. “And I saw your advertisement, being out of a shop for the moment, and, my time being my own, I said to myself: There, they want to know about poor old Claudie⁠—lawyers, too⁠—maybe it’s a fortune looking for the rightful heir.