The Big Bow Mystery

On a memorable morning of early December London opened its eyes on a frigid gray mist. There are mornings when King Fog masses his molecules of carbon in serried squadrons in the city, while he scatters them tenuously in the suburbs; so that your morning train may bear you from twilight to darkness. But today the enemy’s maneuvering was more monotonous. From Bow even unto Hammersmith there draggled a dull, wretched vapor, like the wraith of an impecunious suicide come into a fortune immediately after the fatal deed. The barometers and thermometers had sympathetically shared its depression, and their spirits (when they had any) were low. The cold cut like a many-bladed knife.

Mrs. Drabdump, of 11 Glover Street, Bow, was one of the few persons in London whom fog did not depress. She went about her work quite as cheerlessly as usual. She had been among the earliest to be aware of the enemy’s advent, picking out the strands of fog from the coils of darkness the moment she rolled up her bedroom blind and unveiled the somber picture of the winter morning. She knew that the fog had come to stay for the day at least, and that the gas bill for the quarter was going to beat the record in high-jumping. She also knew that this was because she had allowed her new gentleman lodger, Mr. Arthur Constant, to pay a fixed sum of a shilling a week for gas, instead of charging him a proportion of the actual account for the whole house.

He stood still, his face set and rigid, for he liked and esteemed the man.

“Ay, knock your loudest,” whispered the pale-faced woman. “You’ll not wake him now.”

The gray mist had followed them through the street door, and hovered about the staircase, charging the air with a moist, sepulchral odor.

“Locked and bolted,” muttered Grodman, shaking the door afresh.

“Burst it open,” breathed the woman, trembling violently all over, and holding her hands before her as if to ward off the dreadful vision. Without another word, Grodman applied his shoulder to the door, and made a violent muscular effort. He had been an athlete in his time, and the sap was yet in him. The door creaked, little by little it began to give, the woodwork enclosing the bolt of the lock splintered, the panels bent upward, the large upper bolt tore off its iron staple; the door flew back with a crash. Grodman rushed in.

“My God!” he cried. The woman shrieked. The sight was too terrible.

Within a few hours the jubilant newsboys were shrieking “Horrible Suicide in Bow,” and The Star poster added, for the satisfaction of those too poor to purchase: “A Philanthropist Cuts His Throat.”

The coroner paused, and everybody drew a long breath. The lucid exposition had been followed with admiration. If the coroner had stopped now, the jury would have unhesitatingly returned a verdict of “murder.” But the coroner swallowed a mouthful of water and went on.

“We now come to the second alternative⁠—was the deceased the victim of homicide? In order to answer that question in the affirmative it is essential that we should be able to form some conception of the modus operandi. It is all very well for Dr. Robinson to say the cut was made by another hand; but in the absence of any theory as to how the cut could possibly have been made by that other hand, we should be driven back to the theory of self-infliction, however improbable it may seem to medical gentlemen. Now, what are the facts? When Mrs. Drabdump and Mr. Grodman found the body it was yet warm, and Mr. Grodman, a witness fortunately qualified by special experience, states that death had been quite recent. This tallies closely enough with the view of Dr. Robinson, who, examining the body about an hour later, put the time of death at two or three hours before, say seven o’clock. Mrs. Drabdump had attempted to wake the deceased at a quarter to seven, which would put back the act to a little earlier. As I understand from Dr. Robinson, that it is impossible to fix the time very precisely, death may have very well taken place several hours before Mrs. Drabdump’s first attempt to wake deceased.

The brown holland fell away⁠—the dead stood revealed as he had been in life. Every feature, painted by the hand of Love, was instinct with vitality: the fine, earnest face, the sad kindly eyes, the noble brow seeming still a-throb with the thought of Humanity. A thrill ran through the room⁠—there was a low, undefinable murmur. O, the pathos and the tragedy of it! Every eye was fixed, misty with emotion, upon the dead man in the picture and the living man who stood, pale and agitated, and visibly unable to commence his speech, at the side of the canvas. Suddenly a hand was laid upon the labor leader’s shoulder, and there rang through the hall in Wimp’s clear, decisive tones the words: “Tom Mortlake, I arrest you for the murder of Arthur Constant!”