Short Fiction

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it.

Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, time for the alarm. And the low boom, when it came again, seemed to come from the clock.

He reached out and touched it gently, but it floated off the stand at his touch and bounced around slowly on the floor. And when he picked it up again it had stopped, nor would shaking start it.

He checked the electric clock in the kitchen. This also said six o’clock, but the sweep hand did not move. In his living room the radio clock said six, but the second hand seemed stationary.

“But the lights in both rooms work,” said Vincent. “How are the clocks stopped? Are they on a separate circuit?”

He went back to his bedroom and got his wristwatch. It also said six; and its sweep hand did not sweep.

“Now this could get silly. What is it that would stop both mechanical and electrical clocks?”

He went to the window and looked out at the clock on the Mutual Insurance Building. It said six o’clock, and the second hand did not move.

In the street there was no motion, no real motion. A truck, first seeming at rest, moved very slowly. There was no gear in which it could move so slowly. And there was a taxi which crept along, but Charles Vincent had to look at it carefully for some time to be sure that it was in motion. Then he received a shock. He realized by the early morning light that the driver of it was dead. Dead with his eyes wide open!

Slowly as it was going, and by whatever means it was moving, it should really be stopped. He walked over to it, opened the door, and pulled on the brake. Then he looked into the eyes of the dead man. Was he really dead? It was hard to be sure. He felt warm. But, even as Vincent looked, the eyes of the dead man had begun to close. And close they did and open again in a matter of about twenty seconds.

This was weird. The slowly closing and opening eyes sent a chill through Vincent. And the dead man had begun to lean forward in his seat. Vincent put a hand in the middle of the man’s chest to hold him upright, but he found the forward pressure as relentless as it was slow. He was unable to keep the dead man up.

So he let him go, watching curiously; and in a few seconds the driver’s face was against the wheel. But it was almost as if it had no intention of stopping there. It pressed into the wheel with dogged force.

Charles Vincent never saw his face at all. It is very dark in some of those clubs and the Coq Bleu is like the inside of a tomb. He went to the clubs only about once a month, sometimes after a show when he did not want to go home to bed, sometimes when he was just plain restless.

Citizens of the more fortunate states may not know of the mysteries of the clubs. In Vincent’s the only bars are beer bars, and only in the clubs can a person get a drink, and only members are admitted. It is true that even such a small club as the Coq Bleu had thirty thousand members, and at a dollar a year that is a nice sideline. The little numbered membership cards cost a penny each for the printing, and the member wrote in his own name. But he had to have a card⁠—or a dollar for a card⁠—to gain admittance.

But there could be no entertainments in the clubs. There was nothing there but the little bar room in the near darkness.

The man was there, and then he was not, and then he was there again. And always where he sat it was too dark to see his face.

“I wonder,” he said to Vincent (or to the bar at large, though there were no other customers and the bartender was asleep), “I wonder if you have ever read Zurbarin on the Relationship of Extradigitalism to Genius?”

When it happened, it happened unnoticed. Though it affected all chordata on Earth (with a possible exception to be noted in a moment), nobody knew of it, not even the Prince of all chordata, Man himself. How could he have known of it so soon?

Though his lifeline had suddenly been cut, it was a long lifeline and death would still be far off. So it was not suspected for nearly twenty-four hours, nor accepted even as a working theory for nearly three days, and not realized in its full implications for a week.

Now, what had occurred was a sudden and worldwide adynatogenesis of all chordata, not, however, adynatotokos; this distinction for many years offered students of the phenomenon some hope.

And another hope was in the fact that one small but genuine member of chordate was not affected: an enteropneustron, a balanoglossida of the oddest sort, a creature known as McGonigal’s Worm. Yet what hope this creature could offer was necessarily a small one.

Musha ibn Scmuel was an Arabian black, an unthrifty man of tenuous income. His occupation on the cardex was given as thief, but this may have been a euphemism. He was middle-aged and of full vigor, a plain man innocent of shoes or subtlety. He was guilty neither of the wine-hatred of the Musselman nor the garrulousness of the Greek. He possessed his soul in quietude and Port Said whisky and seldom stole more than he needed. And he had a special competence shared by no other man in the world.

Cecilia Clutt was an attractive and snooty spinster of thirty-five. She was a person of inherited as well as acquired wealth, and was an astute business woman and amateur of the arts. She did have a streak of stubbornness in her, but seldom revealed it unless she was crossed.

So, the first time she said no, it was hardly noticed. And the second time she said it, it was felt that she did not quite understand the situation. So it was Carmody Overlark, the silky diplomat, who came to reason with her.

“You are the sole hope of the human race,” he said to her. “In a way, you are the new Eve.”

“I have heard the first one spoken badly of,” said Cecilia. “Yet her only fault was that she could be talked into something. I cannot.”

“But this is important.”