On Nothing and Kindred Subjects quotes
The lines readers remember from On Nothing and Kindred Subjects, by Hilaire Belloc.
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Among the sadder and smaller pleasures of this world I count this pleasure: the pleasure of taking up one's pen.
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… to my Lord Macaulay, and in the very last reached YOU, the great summits of the human race and last perfection of the ages READERS OF THIS BOOK, and you also Maurice, to whom it is dedicated, and myself, who have written it for gain.
Among the sadder and smaller pleasures of this world I count this pleasure: the pleasure of taking up one's pen.
It has been said by very many people that there is a tangible pleasure in the mere act of writing: in choosing and arranging words. It has been denied by many.
To begin at the beginning is, next to ending at the end, the whole art of writing; as for the middle you may fill it in with any rubble that you choose.
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But the pen you lay down when you will. At any moment: without remorse, without anxiety, without dishonour, you are free to do this dignified and final thing (I am just going to do it)…. You lay it down.
To begin at the beginning is, next to ending at the end, the whole art of writing; as for the middle you may fill it in with any rubble that you choose.
But the beginning and the end, like the strong stone outer walls of mediaeval buildings, contain and define the whole.
There is not anything that can so suddenly flood the mind with shame as the conviction of ignorance, yet we are all ignorant of nearly everything there is to be known.
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To be one of the Makers of this world, one of the Builders. To have the more Powerful Will. To arouse in all around you by mere Force of Personality a feeling that they must Obey. But I do not know how this is done.
There is not anything that can so suddenly flood the mind with shame as the conviction of ignorance, yet we are all ignorant of nearly everything there is to be known.
Is it not wonderful, then, that we should be so sensitive upon the discovery of a fault which must of necessity be common to all, and that in its highest degree?
But a man who earns all that he possesses has no right to pledge himself to perpetual payment unless he is prepared to live for ever!
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Had you but possessed a little property which, properly secured, would continue to meet the claims you had incurred, I had not blamed you.
But a man who earns all that he possesses has no right to pledge himself to perpetual payment unless he is prepared to live for ever!
"
The vision may be unreal or real, in either case it is valid: if it is unreal it is a symbol of the world behind the world.
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In these were found a complete harmony and satisfaction which were not negative nor dependent upon the absence of discord—such completion as criticism may conceive—but as positive as colour or as music, and clothed as it were in a living body of joy.
The vision may be unreal or real, in either case it is valid: if it is unreal it is a symbol of the world behind the world.
But it is no less a symbol; even if it is unreal it is a sudden seeing of the place to which our faces are set during this unbroken marching of years.
Here is the love of women, as deep and changeable as an opal; and here is carelessness that looks like a shower of pearls.
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Host: Oh! Youth! Youth! Must you take away all of these? Why, you are taking away, as it were, my very self!
Here is the love of women, as deep and changeable as an opal; and here is carelessness that looks like a shower of pearls.
And here I see—Oh! Youth, for shame!—you are taking away that silken stuff which used to wrap up the whole and which you once told me had no name, but which lent to everything it held plenitude and satisfaction.
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- ON THE PLEASURE OF TAKING UP ONE'S PEN
- ON NOTHING ON THE PLEASURE OF TAKING UP ONE'S PEN
- ON GETTING RESPECTED IN INNS AND HOTELS
- ON IGNORANCE
- ON ADVERTISEMENT
- ON TEA
- ON THEM
- ON THE RETURN OF THE DEAD
- ON THE APPROACH OF AN AWFUL DOOM
- ON A LOST MANUSCRIPT
- ON A MAN WHO WAS PROTECTED BY ANOTHER MAN
- ON NATIONAL DEBTS (WHICH ARE IMAGINARIES AND TRUE NOTHINGS OF STATE)
- ON A WINGED HORSE AND THE EXILE WHO RODE HIM
- ON A MAN AND HIS BURDEN
- ON A HERMIT WHOM I KNEW
- OF AN UNKNOWN COUNTRY
- ON A FAERY CASTLE
- ON A SOUTHERN HARBOUR
- ON A YOUNG MAN AND AN OLDER MAN
- ON THE DEPARTURE OF A GUEST
- ON COMING TO AN END
ON THE PLEASURE OF TAKING UP ONE'S PEN
Little did they know!…
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Then the Elder Elohim said, some of them, "Oh, leave well alone! send him to bed!" And others said sleepily (for they were tired), "No! no! let him play his little trick and have done with it, and then we shall have some rest."
Little did they know!…
And others again, who were still broad awake, looked on with amusement and applauded, saying: "Go on, little one! Let us see what you can do."
ON NOTHING ON THE PLEASURE OF TAKING UP ONE'S PEN
Among the sadder and smaller pleasures of this world I count this pleasure: the pleasure of taking up one's pen.
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… to my Lord Macaulay, and in the very last reached YOU, the great summits of the human race and last perfection of the ages READERS OF THIS BOOK, and you also Maurice, to whom it is dedicated, and myself, who have written it for gain.
Among the sadder and smaller pleasures of this world I count this pleasure: the pleasure of taking up one's pen.
It has been said by very many people that there is a tangible pleasure in the mere act of writing: in choosing and arranging words. It has been denied by many.
When people say "create" they flatter themselves. No man can create anything.
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So much for that. Now not only are you alone, but you are going to "create".
When people say "create" they flatter themselves. No man can create anything.
I knew a man once who drew a horse on a bit of paper to amuse the company and covered it all over with many parallel streaks as he drew.
The pleasure of taking up one's pen has also this, peculiar among all pleasures, that you have the freedom to lay it down when you will. Not so with love. Not so with victory. Not so with glory.
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* * * * *
The pleasure of taking up one's pen has also this, peculiar among all pleasures, that you have the freedom to lay it down when you will. Not so with love. Not so with victory. Not so with glory.
Had I begun the other way round, I would have called this Work, "The Pleasure of laying down one's Pen." But I began it where I began it, and I am going on to end it just where it is going to end.
But the pen you lay down when you will. At any moment: without remorse, without anxiety, without dishonour, you are free to do this dignified and final thing (I am just going to do it)…. You lay it down.
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Not life, for it is wrong to kill one's self; and as for the natural end of living, that does not come by one's choice; on the contrary, it is the most capricious of all accidents.
But the pen you lay down when you will. At any moment: without remorse, without anxiety, without dishonour, you are free to do this dignified and final thing (I am just going to do it)…. You lay it down.
To begin at the beginning is, next to ending at the end, the whole art of writing; as for the middle you may fill it in with any rubble that you choose.
ON GETTING RESPECTED IN INNS AND HOTELS
To begin at the beginning is, next to ending at the end, the whole art of writing; as for the middle you may fill it in with any rubble that you choose.
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But the pen you lay down when you will. At any moment: without remorse, without anxiety, without dishonour, you are free to do this dignified and final thing (I am just going to do it)…. You lay it down.
To begin at the beginning is, next to ending at the end, the whole art of writing; as for the middle you may fill it in with any rubble that you choose.
But the beginning and the end, like the strong stone outer walls of mediaeval buildings, contain and define the whole.
For a Guide Book will tell you always what are the principal and most vulgar sights of a town; what mountains are most difficult to climb, and, invariably, the exact distances between one place and another.
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So I will begin at the beginning and I will lay down this first principle, that religion and the full meaning of things has nowhere more disappeared from the modern world than in the department of Guide Books.
For a Guide Book will tell you always what are the principal and most vulgar sights of a town; what mountains are most difficult to climb, and, invariably, the exact distances between one place and another.
But these things do not serve the End of Man. The end of man is Happiness, and how much happier are you with such a knowledge?
ON IGNORANCE
There is not anything that can so suddenly flood the mind with shame as the conviction of ignorance, yet we are all ignorant of nearly everything there is to be known.
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To be one of the Makers of this world, one of the Builders. To have the more Powerful Will. To arouse in all around you by mere Force of Personality a feeling that they must Obey. But I do not know how this is done.
There is not anything that can so suddenly flood the mind with shame as the conviction of ignorance, yet we are all ignorant of nearly everything there is to be known.
Is it not wonderful, then, that we should be so sensitive upon the discovery of a fault which must of necessity be common to all, and that in its highest degree?
ON ADVERTISEMENT
And there it is. There is no moral; there is no conclusion or application.
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He sent me a smaller specimen box of the Essence of The Ox. I have it still.
And there it is. There is no moral; there is no conclusion or application.
The world is not quite infinite—but it is astonishingly full. All sorts of things happen in it. There are all sorts of different men and different ways of action, and different goals to which life may be directed.
ON TEA
Men can do wonders through wine; through Tea they only think themselves great and clear—but that is enough if one has bound oneself to that strange idol and learnt the magic phrase on His Pedestal
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Under his influence the whole mind receives a sharp vision of power. It is a phantasm and a cheat.
Men can do wonders through wine; through Tea they only think themselves great and clear—but that is enough if one has bound oneself to that strange idol and learnt the magic phrase on His Pedestal
, [Greek: ARISTON MEN TI], for of all the illusions and dreams men cherish none is so grandiose as the illusion of conscious power within.
What! Is there no Latin word for Tea? Upon my soul, if I had known that I would have let the vulgar stuff alone.
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I could wish it had been Opium, or Haschisch, or even Gin; you would have had something more soaring for your money…. In vino Veritas. In Aqua satietas. In … What is the Latin for Tea?
What! Is there no Latin word for Tea? Upon my soul, if I had known that I would have let the vulgar stuff alone.
I do not like Them. It is no good asking me why, though I have plenty of reasons. I do not like Them.
ON THEM
I do not like Them. It is no good asking me why, though I have plenty of reasons.
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In vino Veritas. In Aqua satietas. In … What is the Latin for Tea? What! Is there no Latin word for Tea? Upon my soul, if I had known that I would have let the vulgar stuff alone.
I do not like Them. It is no good asking me why, though I have plenty of reasons.
I do not like Them.
ON THE RETURN OF THE DEAD
The reason the Dead do not return nowadays is the boredom of it.
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"The world whose wrong Mocks holy beauty and our desire returned."
The reason the Dead do not return nowadays is the boredom of it.
In the old time they would come casually, as suited them, without fuss and thinly, as it were, which is their nature;
ON THE APPROACH OF AN AWFUL DOOM
I say live and let live; and now I think of it there was something at the beginning and title of this that dealt with a warning to ward you off a danger of some kind
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… dialectic, for these breed only angry gestures and gusty disputes (de gustibus non disputandum) and the ruin of friendships and the very fruitful pullulation of Dictionaries, textbooks and wicked men, not to speak of Intellectuals, Newspapers, Libraries, Debating-clubs, bankruptcies, madness, Petitiones elenchi and ills innumerable.
I say live and let live; and now I think of it there was something at the beginning and title of this that dealt with a warning to ward you off a danger of some kind
that terrified me not a little when I sat down to write, and that was, if I remember right, that a friend had told me how he had read in a book that the damnable Brute CAPITAL was about to swallow us all up and …
ON A LOST MANUSCRIPT
If this page does not appal you, nothing will.
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His portrait may be found in Annals of the Rutlandshire Gentry, a book recently published privately by subscriptions of two guineas, payable to the gentleman who produced that handsome volume.
If this page does not appal you, nothing will.
If these first words do not fill you with an uneasy presentiment of doom, indeed, indeed you have been hitherto blessed in an ignorance of woe.
It was lost just after I wrote it. It can never be re-written; it is gone.
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The words you so eagerly expected, the full exposition which was to have brought you such relief, is not here.
It was lost just after I wrote it. It can never be re-written; it is gone.
Much depended upon it; it would have led you to a great and to a rapidly acquired fortune; but you must not ask for it. You must turn your mind away.
There are some reading this who may think me a trifle too fond and may doubt the great glory to which I testify here.
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A policeman then told me that cabmen very rarely brought him written things, but rather sticks, gloves, rings, purses, parcels, umbrellas, and the crushed hats of drunken men, not often verse or prose; and I abandoned my quest.
There are some reading this who may think me a trifle too fond and may doubt the great glory to which I testify here.
They will remember how singularly the things we no longer possess rise upon the imagination and enlarge themselves, and they will quote that pathetic error whereby the dead become much dearer to us when we can no longer smile into their faces or do them …
ON A MAN WHO WAS PROTECTED BY ANOTHER MAN
There was once a man called Mahmoud.
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It may be so. But the loss alone is certain.
There was once a man called Mahmoud.
He had other names, such as Ali, Akbar, and Shmaeil, and so forth, with which I will not trouble you, because in very short stories it is important not to confuse the mind.
"All right, protect away," and after that there was a silence for about another six months, and nothing had happened.
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So Mahmoud thought a long time, smoking a pipe, because he did not understand a word of what Smith had said. Then Mahmoud said:
"All right, protect away," and after that there was a silence for about another six months, and nothing had happened.
Mahmoud did not mind being protected, because it made no difference to him, and after a certain time he had got all he wanted out of Smith, and was tired of bothering about the pearls.
Mahmoud did not mind being protected, because it made no difference to him, and after a certain time he had got all he wanted out of Smith, and was tired of bothering about the pearls.
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"All right, protect away," and after that there was a silence for about another six months, and nothing had happened.
Mahmoud did not mind being protected, because it made no difference to him, and after a certain time he had got all he wanted out of Smith, and was tired of bothering about the pearls.
So he and Smith just lived side by side doing nothing in particular, except that Smith went on protecting and that Mahmoud went on being protected.
ON NATIONAL DEBTS (WHICH ARE IMAGINARIES AND TRUE NOTHINGS OF STATE)
But a man who earns all that he possesses has no right to pledge himself to perpetual payment unless he is prepared to live for ever!
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Had you but possessed a little property which, properly secured, would continue to meet the claims you had incurred, I had not blamed you.
But a man who earns all that he possesses has no right to pledge himself to perpetual payment unless he is prepared to live for ever!
"
ON A WINGED HORSE AND THE EXILE WHO RODE HIM
There are no witnesses of the matter, and I go lonely, for many people will not believe, and those who do believe believe too much.
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… this man and his mount at the hour I say I did, and making all manner of comments upon the exact way in which the feathers (which they say are those of a bird) grew out of the hide of the horse, and so forth.
There are no witnesses of the matter, and I go lonely, for many people will not believe, and those who do believe believe too much.
Once there was a Man who lived in a House at the Corner of a Wood with an excellent landscape upon every side, a village about one mile off, and a pleasant stream flowing over chalk and full of trout, for which he used to …
ON A MAN AND HIS BURDEN
After this the man went mad.
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And without another word he climbed up on the top of the burden and seated himself by the side of the other two.
After this the man went mad.
The last time I saw him he was wandering down the road with his burden very much increased. He was bearing not only these original three, but some Kings and Tax-gatherers and Schoolmasters, several Fortune-tellers, and an Old Admiral.
ON A HERMIT WHOM I KNEW
"And why not?" he answered calmly. "It will be a nuisance for those who find me, but I shall be indifferent altogether."
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We were silent then until I said: "But some day you will die here all alone."
"And why not?" he answered calmly. "It will be a nuisance for those who find me, but I shall be indifferent altogether."
"That is blasphemy," says I.
OF AN UNKNOWN COUNTRY
Whether we shall reach this country at last or whether we shall not, it is impossible to determine.
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… we knew when we started, and what you knew when I began to write this, and what you are now no further informed upon, namely, that there is an Unknown Country lying beneath the places that we know, and appearing only in moments of revelation.
Whether we shall reach this country at last or whether we shall not, it is impossible to determine.
A woman whose presence in English letters will continue to increase wrote of a cause to which she had dedicated her life that it was like that Faery Castle of which men became aware when they wandered upon a certain moor.
ON A FAERY CASTLE
The vision may be unreal or real, in either case it is valid: if it is unreal it is a symbol of the world behind the world.
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In these were found a complete harmony and satisfaction which were not negative nor dependent upon the absence of discord—such completion as criticism may conceive—but as positive as colour or as music, and clothed as it were in a living body of joy.
The vision may be unreal or real, in either case it is valid: if it is unreal it is a symbol of the world behind the world.
But it is no less a symbol; even if it is unreal it is a sudden seeing of the place to which our faces are set during this unbroken marching of years.
ON A SOUTHERN HARBOUR
The harbour had about it that Mediterranean-go-as-you-please which everywhere in the Mediterranean distinguishes harbours.
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… of a long journey and was reaching my own place, though I was, in reality, bound for Barcelona, and after that up northward through the Cerdagne, and after that to Perigord, and after that to the Channel, and so to Sussex, where all journeys end.
The harbour had about it that Mediterranean-go-as-you-please which everywhere in the Mediterranean distinguishes harbours.
It was as though the men of that sea had said: "It never blows for long: let us build ourselves a rough refuge and to-morrow sail away." We neared this harbour, but we flew no flag and made no signal.
ON A YOUNG MAN AND AN OLDER MAN
The Older Man, whose thoughts were at that moment intently set upon money, looked up in a startled way and attempted to excuse himself, suffering as he did from the delusion that the Young Man was after a loan.
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"Sir! I have intruded upon your leisure in order to ask your advice upon certain matters."
The Older Man, whose thoughts were at that moment intently set upon money, looked up in a startled way and attempted to excuse himself, suffering as he did from the delusion that the Young Man was after a loan.
But the Young Man, whose mind was miles away from all such trifling things, continued to press him anxiously without so much as noticing that he had perturbed his Senior.
ON THE DEPARTURE OF A GUEST
Here is the love of women, as deep and changeable as an opal; and here is carelessness that looks like a shower of pearls.
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Host: Oh! Youth! Youth! Must you take away all of these? Why, you are taking away, as it were, my very self!
Here is the love of women, as deep and changeable as an opal; and here is carelessness that looks like a shower of pearls.
And here I see—Oh! Youth, for shame!—you are taking away that silken stuff which used to wrap up the whole and which you once told me had no name, but which lent to everything it held plenitude and satisfaction.
ON COMING TO AN END
Of all the simple actions in the world! Of all the simple actions in the world!
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Of all the simple actions in the world! Of all the simple actions in the world!
One would think it could be done with less effort than the heaving of a sigh…. Well—then, one would be wrong.
It does not leave an echo behind it, but a sharp edge of emptiness, and very often as one sits beside the fire the memory of that voice suddenly returning gives to the silence about one a personal force, as it were, of obsession and of control.
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It is true of a human voice, which is familiar in your ear, living and inhabiting the rooms of your house. There comes a day when it ceases altogether—and how positive, how definite and hard is that Coming to an End.
It does not leave an echo behind it, but a sharp edge of emptiness, and very often as one sits beside the fire the memory of that voice suddenly returning gives to the silence about one a personal force, as it were, of obsession and of control.
So much happens when even one of all our million voices Comes to an End.
He had a face full of weather, he fatigued his body, he watched his land.
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he smiled when he talked of scythes, and he could thatch. He could fish also, and he knew about grafting, and about the seasons of plants, and birds, and the way of seed.
He had a face full of weather, he fatigued his body, he watched his land.
He would not talk much of mysteries, he would rather hum songs. He loved new friends and old.
Why so glum, my Lad, or my Lass (as the case may be), why so heavy at heart? Did you not know that you also must Come to an End?
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* * * * *
Why so glum, my Lad, or my Lass (as the case may be), why so heavy at heart? Did you not know that you also must Come to an End?
Why, that woman of Etaples who sold such Southern wine for the dissipation of the Picardian Mist, her time is over and gone and the wine has been drunk long ago and the singers in her house have departed, and the wind of the sea …
But evil also is perishable and bad men meet their judge. Be comforted.
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It is certain that the hills decay and that rivers as the dusty years proceed run feebly and lose themselves at last in desert sands; and in its aeons the very firmament grows old.
But evil also is perishable and bad men meet their judge. Be comforted.
Now of all endings, of all Comings to an End none is so hesitating as the ending of a book which the Publisher will have so long and the writer so short: and the Public (God Bless the Public) will have whatever it is given.
Books, however much their lingering, books also must Come to an End. It is abhorrent to their nature as to the life of man.
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Now of all endings, of all Comings to an End none is so hesitating as the ending of a book which the Publisher will have so long and the writer so short: and the Public (God Bless the Public) will have whatever it is given.
Books, however much their lingering, books also must Come to an End. It is abhorrent to their nature as to the life of man.
They must be sharply cut off. Let it be done at once and fixed as by a spell and the power of a Word; the word
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