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On Nothing and Kindred Subjects

by Hilaire Belloc

Length: 57,895 words, about 232 pages, about 4 hours to read

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ON NOTHING ON THE PLEASURE OF TAKING UP ONE'S PEN

Among the sadder and smaller pleasures of this world I count this pleasure: the pleasure of taking up one's pen.

It has been said by very many people that there is a tangible pleasure in the mere act of writing: in choosing and arranging words. It has been denied by many. It is affirmed and denied in the life of Doctor Johnson, and for my part I would say that it is very true in some rare moods and wholly false in most others. However, of writing and the pleasure in it I am not writing here (with pleasure), but of the pleasure of taking up one's pen, which is quite another matter.

Note what the action means. You are alone. Even if the room is crowded (as was the smoking-room in the G.W.R. Hotel, at Paddington, only the other day, when I wrote my "Statistical Abstract of Christendom"), even if the room is crowded, you must have made yourself alone to be able to write at all. You must have built up some kind of wall and isolated your mind. You are alone, then; and that is the beginning.

If you consider at what pains men are to be alone: how they climb mountains, enter prisons, profess monastic vows, put on eccentric daily habits, and seclude themselves in the garrets of a

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ON TEA

That has perished, and I mean to mourn it all the days of my life. Pray do not interfere with that peculiar ritual."

When I was a boy I knew Nature as a child knows its nurse, and Tea I denounced for a drug. I found to support this fine instinct many arguments, all of which are still sound, though not one of them would prevent me now from drinking my twentieth cup. It was introduced late and during a corrupt period. It was an exotic. It was a sham exhilarant to which fatal reactions could not but attach. It was no part of the Diet of the Natural Man. The two nations that alone consume it—the English and the Chinese—are become, by its baneful influence on the imagination, the most easily deceived in the world. Their politics are a mass of bombastic illusions. Also it dries their skins. It tans the liver, hardens the coats of the stomach, makes the brain feverishly active, rots the nerve-springs; all that is still true. Nevertheless I now drink it, and shall drink it; for of all the effects of Age none is more profound than this: that it leads men to the worship of some one spirit less erect than the Angels. A care, an egotism, an irritability with regard to details, an anxious craving, a consummate satisfaction in the performance of the due rites, an ecstasy of habit, all proclaim the senile heresy, the material Religion. I confess to Tea.

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ON CONVERSATIONS IN TRAINS

Then also once on a long ride (yes, "ride". Why not?) through Lincolnshire I heard two men of the smaller commercial or salaried kind at issue. The first, who had a rather peevish face, was looking gloomily out of window and was saying, "Denmark has it: Greece has it—why shouldn't we have it? Eh? America has it and so's Germany—why shouldn't we have it?" Then after a pause he added, "Even France has it—why haven't we got it?" He spoke as though he wouldn't stand it much longer, and as though France were the last straw.

The other man was excitable and had an enormous newspaper in his hand, and he answered in a high voice, "'Cause we're too sensible, that's why! 'Cause we know what we're about, we do."

The other man said, "Ho! Do we?"

The second man answered, "Yes: we do. What made England?"

"Gord," said the first man.

This brought the second man up all standing and nearly carried away his fore-bob-stay. He answered slowly—

"Well … yes … in a manner of speaking. But what I meant to say was like this, that what made England was Free Trade!" Here he slapped one hand on to the other with a noise like that of a pistol, and added heavily: "And what's more, I can prove it."

The first man, who was now entrenched in his position, said again, "Ho! Can you?" and sneered.

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ON A MAN WHO WAS PROTECTED BY ANOTHER MAN

There was once a man called Mahmoud. He had other names, such as Ali, Akbar, and Shmaeil, and so forth, with which I will not trouble you, because in very short stories it is important not to confuse the mind. I have been assured of this by many authorities, some of whom make a great deal of money by short stories, and all of whom know a great deal about the way in which they ought to be written.

Now I come to think of it, I very much doubt whether this is a short story at all, for it has no plot so far and I do not see any plot developing. No matter. The thing is to say what one has to say humbly but fully. Providence will look after the rest.

So, as I was saying, there was a man called Mahmoud. He lived in a country entirely made of sand. There were hills which on the maps were called mountains, but when you came to look at them they were only a lot more sand, and there was nothing about them except an aspect of sand heaped up. You may say, "How, then, did Mahmoud build a house?" He did not. He lived in a tent. "But," you continue, "what did he do about drinking?" Well, it was Mahmoud's habit to go to a place where he knew that by scratching a little he would find bad water, and there he would scratch a little and find it, and, being an abstemious man, he needed but a drop.

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10 of the best lines

Little did they know!…

ON THE PLEASURE OF TAKING UP ONE'S PENKeep reading from here

But the pen you lay down when you will. At any moment: without remorse, without anxiety, without dishonour, you are free to do this dignified and final thing (I am just going to do it)…. You lay it down.

ON NOTHING ON THE PLEASURE OF TAKING UP ONE'S PENKeep reading from here

And there it is. There is no moral; there is no conclusion or application.

ON ADVERTISEMENTKeep reading from here

I do not like Them. It is no good asking me why, though I have plenty of reasons.

ON THEMKeep reading from here

It was lost just after I wrote it. It can never be re-written; it is gone.

ON A LOST MANUSCRIPTKeep reading from here

Mahmoud did not mind being protected, because it made no difference to him, and after a certain time he had got all he wanted out of Smith, and was tired of bothering about the pearls.

ON A MAN WHO WAS PROTECTED BY ANOTHER MANKeep reading from here

"And why not?" he answered calmly. "It will be a nuisance for those who find me, but I shall be indifferent altogether."

ON A HERMIT WHOM I KNEWKeep reading from here

The harbour had about it that Mediterranean-go-as-you-please which everywhere in the Mediterranean distinguishes harbours.

ON A SOUTHERN HARBOURKeep reading from here

It does not leave an echo behind it, but a sharp edge of emptiness, and very often as one sits beside the fire the memory of that voice suddenly returning gives to the silence about one a personal force, as it were, of obsession and of control.

ON COMING TO AN ENDKeep reading from here

Books, however much their lingering, books also must Come to an End. It is abhorrent to their nature as to the life of man.

ON COMING TO AN ENDKeep reading from here

All 35 On Nothing and Kindred Subjects quotes, with the words around each

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Contents

All 33 parts
  1. TO
  2. ON THE PLEASURE OF TAKING UP ONE'S PEN
  3. ON NOTHING ON THE PLEASURE OF TAKING UP ONE'S PEN
  4. ON GETTING RESPECTED IN INNS AND HOTELS
  5. ON IGNORANCE
  6. ON ADVERTISEMENT
  7. ON A HOUSE
  8. ONE THE ILLNESS OF MY MUSE
  9. ON A DOG AND A MAN ALSO
  10. ON TEA
  11. ON THEM
  12. ON RAILWAYS AND THINGS
  13. ON CONVERSATIONS IN TRAINS
  14. ON THE RETURN OF THE DEAD
  15. ON THE APPROACH OF AN AWFUL DOOM
  16. ON A RICH MAN WHO SUFFERED
  17. ON A CHILD WHO DIED
  18. ON A LOST MANUSCRIPT
  19. ON A MAN WHO WAS PROTECTED BY ANOTHER MAN
  20. ON NATIONAL DEBTS (WHICH ARE IMAGINARIES AND TRUE NOTHINGS OF STATE)
  21. ON LORDS
  22. ON JINGOES: IN THE SHAPE OF A WARNING
  23. ON A WINGED HORSE AND THE EXILE WHO RODE HIM
  24. ON A MAN AND HIS BURDEN
  25. ON A FISHERMAN AND THE QUEST OF PEACE
  26. ON A HERMIT WHOM I KNEW
  27. OF AN UNKNOWN COUNTRY
  28. ON A FAERY CASTLE
  29. ON A SOUTHERN HARBOUR
  30. ON A YOUNG MAN AND AN OLDER MAN
  31. ON THE DEPARTURE OF A GUEST
  32. ON DEATH
  33. ON COMING TO AN END

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Text from Project Gutenberg. In the public domain in the USA. The Project Gutenberg License is kept inside the file. Every passage and line on this page is the book's own words, checked against the text.