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Noli Me Tangere

by José Rizal

Length: 175,997 words, about 704 pages, about 12 hours to read

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What it is

After years away studying in Europe, a man returns to his hometown in the Philippines, and plans to build a school for the improvement of the local population.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: A Social Gathering

On the last of October Don Santiago de los Santos, popularly known as Capitan Tiago, gave a dinner. In spite of the fact that, contrary to his usual custom, he had made the announcement only that afternoon, it was already the sole topic of conversation in Binondo and adjacent districts, and even in the Walled City, for at that time Capitan Tiago was considered one of the most hospitable of men, and it was well known that his house, like his country, shut its doors against nothing except commerce and all new or bold ideas. Like an electric shock the announcement ran through the world of parasites, bores, and hangers-on, whom God in His infinite bounty creates and so kindly multiplies in Manila. Some looked at once for shoe-polish, others for buttons and cravats, but all were especially concerned about how to greet the master of the house in the most familiar tone, in order to create an atmosphere of ancient friendship or, if occasion should arise, to excuse a late arrival.

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II: Crisóstomo Ibarra

“What!” he exclaimed with joyful surprise, “the curate of my native town! Padre Dámaso, my father’s intimate friend!”

Every look in the room was directed toward the Franciscan, who made no movement.

“Pardon me, perhaps I’m mistaken,” added Ibarra, embarrassed.

“You are not mistaken,” the friar was at last able to articulate in a changed voice, “but your father was never an intimate friend of mine.”

Ibarra slowly withdrew his extended hand, looking greatly surprised, and turned to encounter the gloomy gaze of the lieutenant fixed on him.

“Young man, are you the son of Don Rafael Ibarra?” he asked.

The youth bowed. Fray Dámaso partly rose in his chair and stared fixedly at the lieutenant.

“Welcome back to your country! And may you be happier in it than your father was!” exclaimed the officer in a trembling voice. “I knew him well and can say that he was one of the worthiest and most honorable men in the Philippines.”

“Sir,” replied Ibarra, deeply moved, “the praise you bestow upon my father removes my doubts about the manner of his death, of which I, his son, am yet ignorant.”

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IV: Heretic and Filibuster

While he was meditating upon this marvel of the city’s stability in a country where everything is so unstable, a hand was placed lightly on his shoulder. He raised his head to see the old lieutenant gazing at him with something like a smile in place of the hard expression and the frown which usually characterized him.

“Young man, be careful! Learn from your father!” was the abrupt greeting of the old soldier.

“Pardon me, but you seem to have thought a great deal of my father. Can you tell me how he died?” asked Ibarra, staring at him.

“What! Don’t you know about it?” asked the officer.

“I asked Don Santiago about it, but he wouldn’t promise to tell me until tomorrow. Perhaps you know?”

“I should say I do, as does everybody else. He died in prison!”

The young man stepped backward a pace and gazed searchingly at the lieutenant. “In prison? Who died in prison?”

“Your father, man, since he was in confinement,” was the somewhat surprised answer.

“My father⁠—in prison⁠—confined in a prison? What are you talking about? Do you know who my father was? Are you⁠—?” demanded the young man, seizing the officer’s arm.

“I rather think that I’m not mistaken. He was Don Rafael Ibarra.”

“Yes, Don Rafael Ibarra,” echoed the youth weakly.

“Well, I thought you knew about it,” muttered the soldier in a tone of compassion as he saw what was passing in Ibarra’s mind. “I supposed that you⁠—but be brave! Here one cannot be honest and keep out of jail.”

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V: A Star in a Dark Night

But Ibarra saw nothing of all this⁠—his eyes were fixed on other things. A small space was enclosed by four bare and grimy walls, in one of which was an iron grating. On the filthy and loathsome floor was a mat upon which an old man lay alone in the throes of death, an old man breathing with difficulty and turning his head from side to side as amid his tears he uttered a name. The old man was alone, but from time to time a groan or the rattle of a chain was heard on the other side of the wall. Far away there was a merry feast, almost an orgy; a youth was laughing, shouting, and pouring wine upon the flowers amid the applause and drunken laughter of his companions. The old man had the features of his father, the youth was himself, and the name that the old man uttered with tears was his own name! This was what the wretched young man saw before him. The lights in the house opposite were extinguished, the music and the noises ceased, but Ibarra still heard the anguished cry of his father calling upon his son in the hour of his death.

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XV: The Sacristans

“Pull on the rope, Crispín, pull!” cried the elder to his little brother, who did as he was told, so that from above was heard a faint peal, instantly drowned out by the reechoing thunder.

“Oh, if we were only at home now with mother,” sighed the younger, as he gazed at his brother. “There I shouldn’t be afraid.”

The elder did not answer; he was watching the melting wax of the candle, apparently lost in thought.

“There no one would say that I stole,” went on Crispín. “Mother wouldn’t allow it. If she knew that they whip me⁠—”

The elder took his gaze from the flame, raised his head, and clutching the thick rope pulled violently on it so that a sonorous peal of the bells was heard.

“Are we always going to live this way, brother?” continued Crispín. “I’d like to get sick at home tomorrow, I’d like to fall into a long sickness so that mother might take care of me and not let me come back to the convento. So I’d not be called a thief nor would they whip me. And you too, brother, you must get sick with me.”

“No,” answered the older, “we should all die: mother of grief and we of hunger.”

Crispín remained silent for a moment, then asked, “How much will you get this month?”

“Two pesos. They’ve fined me twice.”

“Then pay what they say I’ve stolen, so that they won’t call us thieves. Pay it, brother!”

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10 of the best lines

Recorded in the history of human sufferings is a cancer of so malignant a character that the least touch irritates it and awakens in it the sharpest pains.

Author’s DedicationKeep reading from here

There is no need to be on bad terms with the good God when one is prosperous on earth, when one has never had any direct dealings with Him and has never lent Him any money.

VI: Capitan TiagoKeep reading from here

He moved as if fleeing from something, perhaps the shade of his father, perhaps the approaching storm.

XIII: Signs of StormKeep reading from here

You didn’t protest when they gave you a slave for a chief, and I, fool that I am, had forgotten it!

XX: The Meeting in the Town HallKeep reading from here

This people does not complain because it has no voice, it does not move because it is lethargic, and you say that it does not suffer because you haven’t seen how its heart bleeds.

XXV: In the House of the SageKeep reading from here

It always fills me with compassion to see a saint poor, so I give all my savings.

XXXIV: The DinnerKeep reading from here

The sight of blood arouses the tiger; the blood of her victim aroused Doña Consolacion.

XXXIX: Doña ConsolacionKeep reading from here

He is a bad doctor, sir, who seeks only to destroy or stifle the symptoms without an effort to examine into the origin of the malady, or, when knowing it, fears to attack it.

XLIX: The Voice of the HuntedKeep reading from here

Now he had neither country, nor home, nor love, nor friends, nor future!

LVIII: The AccursedKeep reading from here

God had hidden himself and heard not.

EpilogueKeep reading from here

All 111 Noli Me Tangere quotes, with the words around each

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Contents

All 71 parts
  1. Translator’s Introduction
  2. Chapter I
  3. Chapter II
  4. Chapter III
  5. Chapter IV
  6. Author’s Dedication
  7. I: A Social Gathering
  8. II: Crisóstomo Ibarra
  9. III: The Dinner
  10. IV: Heretic and Filibuster
  11. V: A Star in a Dark Night
  12. VI: Capitan Tiago
  13. VII: An Idyl on an Azotea
  14. VIII: Recollections
  15. IX: Local Affairs
  16. X: The Town
  17. XI: The Rulers
  18. XII: All Saints
  19. XIII: Signs of Storm
  20. XIV: Tasio: Lunatic or Sage
  21. XV: The Sacristans
  22. XVI: Sisa
  23. XVII: Basilio
  24. XVIII: Souls in Torment
  25. XIX: A Schoolmaster’s Difficulties
  26. XX: The Meeting in the Town Hall
  27. XXI: The Story of a Mother
  28. XXII: Lights and Shadows
  29. XXIII: Fishing
  30. XXIV: In the Wood
  31. XXV: In the House of the Sage
  32. XXVI: The Eve of the Fiesta
  33. XXVII: In the Twilight
  34. XXVIII: Correspondence
  35. XXIX: The Morning
  36. XXX: In the Church
  37. XXXI: The Sermon
  38. XXXII: The Derrick
  39. XXXIII: Free Thought
  40. XXXIV: The Dinner
  41. XXXV: Comments
  42. XXXVI: The First Cloud
  43. XXXVII: His Excellency
  44. XXXVIII: The Procession
  45. XXXIX: Doña Consolacion
  46. XL: Right and Might
  47. XLI: Two Visits
  48. XLII: The Espadañas
  49. XLIII: Plans
  50. XLIV: An Examination of Conscience
  51. XLV: The Hunted
  52. XLVI: The Cockpit
  53. XLVII: The Two Señoras
  54. XLVIII: The Enigma
  55. XLIX: The Voice of the Hunted
  56. L: Elías’s Story
  57. LI: Exchanges
  58. LII: The Cards of the Dead and the Shadows
  59. LIII: Il Buon Dí Si Conosce Da Mattina
  60. LIV: Revelations
  61. LV: The Catastrophe
  62. LVI: Rumors and Beliefs
  63. LVII: Vae Victis!
  64. LVIII: The Accursed
  65. LIX: Patriotism and Private Interests
  66. LX: María Clara Weds
  67. LXI: The Chase on the Lake
  68. LXII: Padre Dámaso Explains
  69. LXIII: Christmas Eve
  70. Epilogue
  71. Glossary

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Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.