Man and Wife

On a summer’s morning, between thirty and forty years ago, two girls were crying bitterly in the cabin of an East Indian passenger ship, bound outward, from Gravesend to Bombay.

They were both of the same age⁠—eighteen. They had both, from childhood upward, been close and dear friends at the same school. They were now parting for the first time⁠—and parting, it might be, for life.

The name of one was Blanche. The name of the other was Anne.

Both were the children of poor parents, both had been pupil-teachers at the school; and both were destined to earn their own bread. Personally speaking, and socially speaking, these were the only points of resemblance between them.

Blanche was passably attractive and passably intelligent, and no more. Anne was rarely beautiful and rarely endowed. Blanche’s parents were worthy people, whose first consideration was to secure, at any sacrifice, the future well-being of their child. Anne’s parents were heartless and depraved. Their one idea, in connection with their daughter, was to speculate on her beauty, and to turn her abilities to profitable account.

The girls were starting in life under widely different conditions. Blanche was going to India, to be governess in the household of a Judge, under care of the Judge’s wife. Anne was to wait at home until the first opportunity offered of sending her cheaply to Milan.

She was tall and elegant; beautifully dressed, in the happiest combination of simplicity and splendor. A light summer veil hung over her face. She lifted it, and made her apologies for disturbing the gentlemen over their wine, with the unaffected ease and grace of a highly-bred woman.

“Pray accept my excuses for this intrusion. I am ashamed to disturb you. One look at the room will be quite enough.”

Thus far she had addressed Mr. Delamayn, who happened to be nearest to her. Looking round the room her eye fell on Mr. Vanborough. She started, with a loud exclamation of astonishment. “You!” she said. “Good Heavens! who would have thought of meeting you here?”

Mr. Vanborough, on his side, stood petrified.

“Lady Jane!” he exclaimed. “Is it possible?”

He barely looked at her while she spoke. His eyes wandered guiltily toward the window which led into the garden. The situation was a terrible one⁠—equally terrible if his wife discovered Lady Jane, or if Lady Jane discovered his wife. For the moment nobody was visible on the lawn. There was time, if the chance only offered⁠—there was time for him to get the visitor out of the house. The visitor, innocent of all knowledge of the truth, gaily offered him her hand.

“I believe in mesmerism for the first time,” she said. “This is an instance of magnetic sympathy, Mr. Vanborough. An invalid friend of mine wants a furnished house at Hampstead.

They were half of them laughing, they were all of them talking⁠—the comfortable hum of their voices was at its loudest; the cheery pealing of the laughter was soaring to its highest notes⁠—when one dominant voice, rising clear and shrill above all the rest, called imperatively for silence. The moment after, a young lady stepped into the vacant space in front of the summerhouse, and surveyed the throng of guests as a general in command surveys a regiment under review.

She was young, she was pretty, she was plump, she was fair. She was not the least embarrassed by her prominent position. She was dressed in the height of the fashion. A hat, like a cheese-plate, was tilted over her forehead. A balloon of light brown hair soared, fully inflated, from the crown of her head. A cataract of beads poured over her bosom. A pair of cockchafers in enamel (frightfully like the living originals) hung at her ears. Her scanty skirts shone splendid with the blue of heaven. Her ankles twinkled in striped stockings. Her shoes were of the sort called “Watteau.” And her heels were of the height at which men shudder, and ask themselves (in contemplating an otherwise lovable woman), “Can this charming person straighten her knees?”

The young lady thus presenting herself to the general view was Miss Blanche Lundie⁠—once the little rosy Blanche whom the Prologue has introduced to the reader. Age, at the present time, eighteen. Position, excellent. Money, certain. Temper, quick.

“Ye’ll just permit me to remind ye again, young leddy, that the hottle’s full⁠—exceptin’ only this settin’-room, and the bedchamber yonder belonging to it.”

So spoke “Mistress Inchbare,” landlady of the Craig Fernie Inn, to Anne Silvester, standing in the parlor, purse in hand, and offering the price of the two rooms before she claimed permission to occupy them.

The time of the afternoon was about the time when Geoffrey Delamayn had started in the train, on his journey to London. About the time also, when Arnold Brinkworth had crossed the moor, and was mounting the first rising ground which led to the inn.

Mistress Inchbare was tall and thin, and decent and dry. Mistress Inchbare’s unlovable hair clung fast round her head in wiry little yellow curls. Mistress Inchbare’s hard bones showed themselves, like Mistress Inchbare’s hard Presbyterianism, without any concealment or compromise. In short, a savagely-respectable woman who plumed herself on presiding over a savagely-respectable inn.

There was no competition to interfere with Mistress Inchbare. She regulated her own prices, and made her own rules. If you objected to her prices, and revolted from her rules, you were free to go. In other words, you were free to cast yourself, in the capacity of houseless wanderer, on the scanty mercy of a Scotch wilderness. The village of Craig Fernie was a collection of hovels. The country about Craig Fernie, mountain on one side and moor on the other, held no second house of public entertainment, for miles and miles round, at any point of the compass.

Of something worth thinking of, this time⁠—of filling another pipe.

He took out his tobacco-pouch; and suddenly suspended operations at the moment of opening it.

What was the object he saw, on the other side of a row of dwarf pear-trees, away to the right? A woman⁠—evidently a servant by her dress⁠—stooping down with her back to him, gathering something: herbs they looked like, as well as he could make them out at the distance.

What was that thing hanging by a string at the woman’s side? A slate? Yes. What the deuce did she want with a slate at her side? He was in search of something to divert his mind⁠—and here it was found. “Anything will do for me,” he thought. “Suppose I ‘chaff’ her a little about her slate?”

He called to the woman across the pear-trees. “Hullo!”

The woman raised herself, and advanced toward him slowly⁠—looking at him, as she came on, with the sunken eyes, the sorrow-stricken face, the stony tranquillity of Hester Dethridge.

Geoffrey was staggered. He had not bargained for exchanging the dullest producible vulgarities of human speech (called in the language of slang, “Chaff”) with such a woman as this.

“What’s that slate for?” he asked, not knowing what else to say, to begin with.

The woman lifted her hand to her lips⁠—touched them⁠—and shook her head.

“Dumb?”

The woman bowed her head.

“Who are you?”

The woman wrote on her slate, and handed it to him over the pear-trees. He read:⁠—“I am the cook.”

“Well, cook, were you born dumb?”

The woman shook her head.

“What struck you dumb?”

The woman wrote on her slate:⁠—“A blow.”

“Who gave you the blow?”

She shook her head.