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Lilith

by George MacDonald

Length: 94,467 words, about 378 pages, about 7 hours to read

Fantasy

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What it is

After inheriting his ancestral home, a young man discovers another world inside his library and embarks on an allegorical journey.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: The Library

In the evening of a gloomy day of August I was sitting in my usual place, my back to one of the windows, reading. It had rained the greater part of the morning and afternoon, but just as the sun was setting, the clouds parted in front of him, and he shone into the room. I rose and looked out of the window. In the centre of the great lawn the feathering top of the fountain column was filled with his red glory. I turned to resume my seat, when my eye was caught by the same glory on the one picture in the room⁠—a portrait, in a sort of niche or little shrine sunk for it in the expanse of book-filled shelves. I knew it as the likeness of one of my ancestors, but had never even wondered why it hung there alone, and not in the gallery, or one of the great rooms, among the other family portraits. The direct sunlight brought out the painting wonderfully; for the first time I seemed to see it, and for the first time it seemed to respond to my look. With my eyes full of the light reflected from it, something, I cannot tell what, made me turn and cast a glance to the farther end of the room, when I saw, or seemed to see, a tall figure reaching up a hand to a bookshelf.

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III: The Raven

“I saw you come through it!⁠—saw you with my own ancient eyes!” asserted the raven, positively but not disrespectfully.

“I never saw any door!” I persisted.

“Of course not!” he returned; “all the doors you had yet seen⁠—and you haven’t seen many⁠—were doors in; here you came upon a door out! The strange thing to you,” he went on thoughtfully, “will be, that the more doors you go out of, the farther you get in!”

“Oblige me by telling me where I am.”

“That is impossible. You know nothing about whereness. The only way to come to know where you are is to begin to make yourself at home.”

“How am I to begin that where everything is so strange?”

“By doing something.”

“What?”

“Anything; and the sooner you begin the better! for until you are at home, you will find it as difficult to get out as it is to get in.”

“I have, unfortunately, found it too easy to get in; once out I shall not try again!”

“You have stumbled in, and may, possibly, stumble out again. Whether you have got in unfortunately remains to be seen.”

“Do you never go out, sir?”

“When I please I do, but not often, or for long. Your world is such a half-baked sort of place, it is at once so childish and so self-satisfied⁠—in fact, it is not sufficiently developed for an old raven⁠—at your service!”

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VI: The Sexton’s Cottage

A candle burned on a deal table in the middle of the room, and the first thing I saw was the lid of a coffin, as I thought, set up against the wall; but it opened, for it was a door, and a woman entered. She was all in white⁠—as white as new-fallen snow; and her face was as white as her dress, but not like snow, for at once it suggested warmth. I thought her features were perfect, but her eyes made me forget them. The life of her face and her whole person was gathered and concentrated in her eyes, where it became light. It might have been coming death that made her face luminous, but the eyes had life in them for a nation⁠—large, and dark with a darkness ever deepening as I gazed. A whole night-heaven lay condensed in each pupil; all the stars were in its blackness, and flashed; while round it for a horizon lay coiled an iris of the eternal twilight. What any eye is, God only knows: her eyes must have been coming direct out of his own! the still face might be a primeval perfection; the live eyes were a continuous creation.

“Here is Mr. Vane, wife!” said the raven.

“He is welcome,” she answered, in a low, rich, gentle voice. Treasures of immortal sound seemed to be buried in it.

I gazed, and could not speak.

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XIX: The White Leech

When I came to myself the sun was up. The lady stood a little way off, looking, even in the clumsy attire I had fashioned for her, at once grand and graceful. I had seen those glorious eyes! Through the night they had shone! Dark as the darkness primeval, they now outshone the day! She stood erect as a column, regarding me. Her pale cheek indicated no emotion, only question. I rose.

“We must be going!” I said. “The white leech⁠—”

I stopped: a strange smile had flickered over her beautiful face.

“Did you find me there?” she asked, pointing to the cave.

“No; I brought you there,” I replied.

“You brought me?”

“Yes.”

“From where?”

“From the forest.”

“What have you done with my clothes⁠—and my jewels?”

“You had none when I found you.”

“Then why did you not leave me?”

“Because I hoped you were not dead.”

“Why should you have cared?”

“Because I was very lonely, and wanted you to live.”

“You would have kept me enchanted for my beauty!” she said, with proud scorn.

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XXI: The Fugitive Mother

As I hastened along, a cloud came over the moon, and from the gray dark suddenly emerged a white figure, clasping a child to her bosom, and stooping as she ran. She was on a line parallel with my own, but did not perceive me as she hurried along, terror and anxiety in every movement of her driven speed.

“She is chased!” I said to myself. “Some prowler of this terrible night is after her!”

To follow would have added to her fright: I stepped into her track to stop her pursuer.

As I stood for a moment looking after her through the dusk, behind me came a swift, soft-footed rush, and ere I could turn, something sprang over my head, struck me sharply on the forehead, and knocked me down. I was up in an instant, but all I saw of my assailant was a vanishing whiteness. I ran after the beast, with the blood trickling from my forehead; but had run only a few steps, when a shriek of despair tore the quivering night. I ran the faster, though I could not but fear it must already be too late.

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10 of the best lines

Nothing surely can more impress upon a man the transitory nature of possession than his succeeding to an ancient property!

I: The LibraryKeep reading from here

But indeed the business of the universe is to make such a fool of you that you will know yourself for one, and so begin to be wise!

V: The Old ChurchKeep reading from here

For light is yet light, if but the last of a countless series of reflections!

X: The Bad BurrowKeep reading from here

In this world never trust a person who has once deceived you.

XVII: A Grotesque TragedyKeep reading from here

I was a tame animal for her to feed upon; a human fountain for a thirst demoniac!

XXVI: A Battle RoyalKeep reading from here

She might kill me if she liked! I should just kiss her and die!

XXXIV: PreparationKeep reading from here

She alone is free who would make free; she loves not freedom who would enslave: she is herself a slave.

XXXIX: That NightKeep reading from here

The nests are too full of lovely dreams for one cat to get in.

XL: The House of DeathKeep reading from here

The soul that is true can generate nothing that is not true, neither can the false enter it.

XLIII: The Dreams That CameKeep reading from here

All the night long the morning is at hand

XLIV: The WakingKeep reading from here

All 93 Lilith quotes, with the words around each

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Contents

All 47 parts
  1. I: The Library
  2. II: The Mirror
  3. III: The Raven
  4. IV: Somewhere or Nowhere?
  5. V: The Old Church
  6. VI: The Sexton’s Cottage
  7. VII: The Cemetery
  8. VIII: My Father’s Manuscript
  9. IX: I Repent
  10. X: The Bad Burrow
  11. XI: The Evil Wood
  12. XII: Friends and Foes
  13. XIII: The Little Ones
  14. XIV: A Crisis
  15. XV: A Strange Hostess
  16. XVI: A Gruesome Dance
  17. XVII: A Grotesque Tragedy
  18. XVIII: Dead or Alive?
  19. XIX: The White Leech
  20. XX: Gone!—But How?
  21. XXI: The Fugitive Mother
  22. XXII: Bulika
  23. XXIII: A Woman of Bulika
  24. XXIV: The White Leopardess
  25. XXV: The Princess
  26. XXVI: A Battle Royal
  27. XXVII: The Silent Fountain
  28. XXVIII: I Am Silenced
  29. XXIX: The Persian Cat
  30. XXX: Adam Explains
  31. XXXI: The Sexton’s Old Horse
  32. XXXII: The Lovers and the Bags
  33. XXXIII: Lona’s Narrative
  34. XXXIV: Preparation
  35. XXXV: The Little Ones in Bulika
  36. XXXVI: Mother and Daughter
  37. XXXVII: The Shadow
  38. XXXVIII: To the House of Bitterness
  39. XXXIX: That Night
  40. XL: The House of Death
  41. XLI: I Am Sent
  42. XLII: I Sleep the Sleep
  43. XLIII: The Dreams That Came
  44. XLIV: The Waking
  45. XLV: The Journey Home
  46. XLVI: The City
  47. XLVII: The “Endless Ending”

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.