Huntingtower

The girl came into the room with a darting movement like a swallow, looked round her with the same birdlike quickness, and then ran across the polished floor to where a young man sat on a sofa with one leg laid along it.

“I have saved you this dance, Quentin,” she said, pronouncing the name with a pretty staccato. “You must be so lonely not dancing, so I will sit with you. What shall we talk about?”

The young man did not answer at once, for his gaze was held by her face. He had never dreamed that the gawky and rather plain little girl whom he had romped with long ago in Paris would grow into such a being. The clean delicate lines of her figure, the exquisite pure colouring of hair and skin, the charming young arrogance of the eyes⁠—this was beauty, he reflected, a miracle, a revelation. Her virginal fineness and her dress, which was the tint of pale fire, gave her the air of a creature of ice and flame.

“About yourself, please, Saskia,” he said. “Are you happy now that you are a grownup lady?”

“Happy!” Her voice had a thrill in it like music, frosty music. “The days are far too short. I grudge the hours when I must sleep. They say it is sad for me to make my début in a time of war. But the world is very kind to me, and after all it is a victorious war for our Russia. And listen to this, Quentin. Tomorrow I am to be allowed to begin nursing at the Alexander Hospital. What do you think of that?”

Mr. Dickson McCunn completed the polishing of his smooth cheeks with the towel, glanced appreciatively at their reflection in the looking-glass, and then permitted his eyes to stray out of the window. In the little garden lilacs were budding, and there was a gold line of daffodils beside the tiny greenhouse. Beyond the sooty wall a birch flaunted its new tassels, and the jackdaws were circling about the steeple of the Guthrie Memorial Kirk. A blackbird whistled from a thorn-bush, and Mr. McCunn was inspired to follow its example. He began a tolerable version of “Roy’s Wife of Aldivalloch.”

He felt singularly lighthearted, and the immediate cause was his safety razor. A week ago he had bought the thing in a sudden fit of enterprise, and now he shaved in five minutes, where before he had taken twenty, and no longer confronted his fellows, at least one day in three, with a countenance ludicrously mottled by sticking-plaster. Calculation revealed to him the fact that in his fifty-five years, having begun to shave at eighteen, he had wasted three thousand three hundred and seventy hours⁠—or one hundred and forty days⁠—or between four and five months⁠—by his neglect of this admirable invention. Now he felt that he had stolen a march on Time. He had fallen heir, thus late, to a fortune in unpurchasable leisure.

“Ye ill laddie! Eh⁠—ye⁠—ill⁠—laddie! [crescendo] Makin’ a hash o’ my back door wi’ your dirty feet! What are ye slinkin’ roond here for, when I tell’t ye this mornin’ that I wad sell ye nae mair scones till ye paid for the last lot? Ye’re a wheen thievin’ hungry callants, and if there were a polisman in the place I’d gie ye in chairge.⁠ ⁠… What’s that ye say? Ye’re no’ wantin’ meat? Ye want to speak to the gentlemen that’s bidin’ here? Ye ken the auld ane, says you? I believe it’s a muckle lee, but there’s the gentlemen to answer ye theirsels.”

Mrs. Morran, brandishing a dishclout dramatically, flung open the door, and with a vigorous push propelled into the kitchen a singular figure.

It was a stunted boy, who from his face might have been fifteen years old, but had the stature of a child of twelve. He had a thatch of fiery red hair above a pale freckled countenance. His nose was snub, his eyes a sulky grey-green, and his wide mouth disclosed large and damaged teeth. But remarkable as was his visage, his clothing was still stranger. On his head was the regulation Boy Scout hat, but it was several sizes too big, and was squashed down upon his immense red ears. He wore a very ancient khaki shirt, which had once belonged to a full-grown soldier, and the spacious sleeves were rolled up at the shoulders and tied with string, revealing a pair of skinny arms. Round his middle hung what was meant to be a kilt⁠—a kilt of home manufacture, which may once have been a tablecloth, for its bold pattern suggested no known clan tartan.

Dickson’s first impression was of a tall child. The pose, startled and wild and yet curiously stiff and self-conscious, was that of a child striving to remember a forgotten lesson. One hand clutched a handkerchief, the other was closing and unclosing on a knob of the chair back. She was staring at Dougal, who stood like a gnome in the centre of the floor. “Here’s the gentlemen I was tellin’ ye about,” was his introduction, but her eyes did not move.

Then Heritage stepped forward. “We have met before, Mademoiselle,” he said. “Do you remember Easter in 1918⁠—in the house in the Trinitá dei Monte?”

The girl looked at him.

“I do not remember,” she said slowly.

“But I was the English officer who had the apartments on the floor below you. I saw you every morning. You spoke to me sometimes.”

“You are a soldier?” she asked, with a new note in her voice.

“I was then⁠—till the war finished.”

“And now? Why have you come here?”

“To offer you help if you need it. If not, to ask your pardon and go away.”

Dougal disappeared, and Dickson and Heritage, with their boots tied round their necks by their laces, crept out to the upper landing. The hall was impenetrably dark, but full of voices, for the wind was talking in the ceiling beams, and murmuring through the long passages. The walls creaked and muttered and little bits of plaster fluttered down. The noise was an advantage for the game of hide-and-seek they proposed to play, but it made it hard to detect the enemy’s approach. Dickson, in order to get properly wakened, adventured as far as the smoking-room. It was black with night, but below the door of the adjacent room a faint line of light showed where the Princess’s lamp was burning. He advanced to the window, and heard distinctly a foot on the gravel path that led to the verandah. This sent him back to the hall in search of Dougal, whom he encountered in the passage. That boy could certainly see in the dark, for he caught Dickson’s wrist without hesitation.

“We’ve got Spittal in the wine-cellar,” he whispered triumphantly. “The kitchen door was barricaded, and when they tried it, it wouldn’t open. ‘Bide here,’ says Dobson to Spittal, ‘and we’ll go round by another door and come back and open to ye.’ So off they went, and by that time Peter Paterson and me had the barricade down. As we expected, Spittal tried the key again and it opens quite easy. He comes in and locks it behind him, and, Dobson having took away the lantern, he gropes his way very carefu’ towards the kitchen. There’s a point where the wine-cellar door and the scullery door are aside each other.