At the Villa Rose

It was Mr. Ricardo’s habit as soon as the second week of August came round to travel to Aix-les-Bains, in Savoy, where for five or six weeks he lived pleasantly. He pretended to take the waters in the morning, he went for a ride in his motorcar in the afternoon, he dined at the Cercle in the evening, and spent an hour or two afterwards in the baccarat-rooms at the Villa des Fleurs. An enviable, smooth life without a doubt, and it is certain that his acquaintances envied him. At the same time, however, they laughed at him and, alas with some justice; for he was an exaggerated person. He was to be construed in the comparative. Everything in his life was a trifle overdone, from the fastidious arrangement of his neckties to the feminine nicety of his little dinner-parties. In age Mr. Ricardo was approaching the fifties; in condition he was a widower⁠—a state greatly to his liking, for he avoided at once the irksomeness of marriage and the reproaches justly levelled at the bachelor; finally, he was rich, having amassed a fortune in Mincing Lane, which he had invested in profitable securities.

Ten years of ease, however, had not altogether obliterated in him the business look. Though he lounged from January to December, he lounged with the air of a financier taking a holiday; and when he visited, as he frequently did, the studio of a painter, a stranger would have hesitated to decide whether he had been drawn thither by a love of art or by the possibility of an investment. His “acquaintances” have been mentioned, and the word is suitable.

“I can’t wait,” he cried, with a passionate appeal. “I have got to see you. You must help me, Mr. Ricardo⁠—you must, indeed!”

Ricardo spun round upon his heel. At first he had thought that the help wanted was the help usually wanted at Aix-les-Bains. A glance at Wethermill’s face, however, and the ringing note of anguish in his voice, told him that the thought was wrong. Mr. Ricardo slipped out of his affectations as out of a loose coat. “What has happened?” he asked quietly.

“Something terrible.” With shaking fingers Wethermill held out a newspaper. “Read it,” he said.

It was a special edition of a local newspaper, Le Journal de Savoie, and it bore the date of that morning.

“They are crying it in the streets,” said Wethermill. “Read!”

A short paragraph was printed in large black letters on the first page, and leaped to the eyes.

“Late last night,” it ran, “an appalling murder was committed at the Villa Rose, on the road to Lac Bourget. Mme. Camille Dauvray, an elderly, rich woman who was well known at Aix, and had occupied the villa every summer for the last few years, was discovered on the floor of her salon, fully dressed and brutally strangled, while upstairs, her maid, Hélène Vauquier, was found in bed, chloroformed, with her hands tied securely behind her back. At the time of going to press she had not recovered consciousness, but the doctor, Emile Peytin, is in attendance upon her, and it is hoped that she will be able shortly to throw some light on this dastardly affair.

The Assembly Hall at Leamington, a crowded audience chiefly of ladies, a platform at one end on which a black cabinet stood. A man, erect and with something of the soldier in his bearing, led forward a girl, pretty and fair-haired, who wore a black velvet dress with a long, sweeping train. She moved like one in a dream. Some half-dozen people from the audience climbed on to the platform, tied the girl’s hands with tape behind her back, and sealed the tape. She was led to the cabinet, and in full view of the audience fastened to a bench. Then the door of the cabinet was closed, the people upon the platform descended into the body of the hall, and the lights were turned very low. The audience sat in suspense, and then abruptly in the silence and the darkness there came the rattle of a tambourine from the empty platform. Rappings and knockings seemed to flicker round the panels of the hall, and in the place where the door of the cabinet should be there appeared a splash of misty whiteness. The whiteness shaped itself dimly into the figure of a woman, a face dark and Eastern became visible, and a deep voice spoke in a chant of the Nile and Antony. Then the vision faded, the tambourines and cymbals rattled again. The lights were turned up, the door of the cabinet thrown open, and the girl in the black velvet dress was seen fastened upon the bench within.

They stood in the darkness listening. But not a sound came from behind the door. Was this room empty, too? In each one’s mind was the fear that the birds had flown. Lemerre carefully took the handle of the door and turned it. Very slowly and cautiously he opened the door. A strong light beat out through the widening gap upon his face. And then, though his feet did not move, his shoulders and his face drew back. The action was significant enough. This room, at all events, was not empty. But of what Lemerre saw in the room his face gave no hint. He opened the door wider, and now Hanaud saw. Ricardo, trembling with excitement, watched him. But again there was no expression of surprise, consternation, or delight. He stood stolidly and watched. Then he turned to Ricardo, placed a finger on his lips, and made room. Ricardo crept on tiptoe to his side. And now he too could look in. He saw a brightly lit bedroom with a made bed. On his left were the shuttered windows overlooking the lake. On his right in the partition wall a door stood open. Through the door he could see a dark, windowless closet, with a small bed from which the bedclothes hung and trailed upon the floor, as though someone had been but now roughly dragged from it. On a table, close by the door, lay a big green hat with a brown ostrich feather, and a white cloak. But the amazing spectacle which kept him riveted was just in front of him. An old hag of a woman was sitting in a chair with her back towards them. She was mending with a big needle the holes in an old sack, and while she bent over her work she crooned to herself some French song.