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A Room With a View

by E. M. Forster

Length: 67,120 words, about 268 pages, about 5 hours to read

Novels, Satire and humour

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What it is

A young English woman falls in love while on tour in Italy.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: The Bertolini

“This meat has surely been used for soup,” said Miss Bartlett, laying down her fork.

“I want so to see the Arno. The rooms the Signora promised us in her letter would have looked over the Arno. The Signora had no business to do it at all. Oh, it is a shame!”

“Any nook does for me,” Miss Bartlett continued; “but it does seem hard that you shouldn’t have a view.”

Lucy felt that she had been selfish. “Charlotte, you mustn’t spoil me: of course, you must look over the Arno, too. I meant that. The first vacant room in the front⁠—”

“You must have it,” said Miss Bartlett, part of whose travelling expenses were paid by Lucy’s mother⁠—a piece of generosity to which she made many a tactful allusion.

“No, no. You must have it.”

“I insist on it. Your mother would never forgive me, Lucy.”

“She would never forgive me.”

The ladies’ voices grew animated, and⁠—if the sad truth be owned⁠—a little peevish. They were tired, and under the guise of unselfishness they wrangled. Some of their neighbours interchanged glances, and one of them⁠—one of the ill-bred people whom one does meet abroad⁠—leant forward over the table and actually intruded into their argument. He said:

“I have a view, I have a view.”

Miss Bartlett was startled. Generally at a pension people looked them over for a day or two before speaking, and often did not find out that they would “do” till they had gone.

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II: In Santa Croce with No Baedeker

“Now don’t be stupid over this. I don’t require you to fall in love with my boy, but I do think you might try and understand him. You are nearer his age, and if you let yourself go I am sure you are sensible. You might help me. He has known so few women, and you have the time. You stop here several weeks, I suppose? But let yourself go. You are inclined to get muddled, if I may judge from last night. Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them. By understanding George you may learn to understand yourself. It will be good for both of you.”

To this extraordinary speech Lucy found no answer.

“I only know what it is that’s wrong with him; not why it is.”

“And what is it?” asked Lucy fearfully, expecting some harrowing tale.

“The old trouble; things won’t fit.”

“What things?”

“The things of the universe. It is quite true. They don’t.”

“Oh, Mr. Emerson, whatever do you mean?”

In his ordinary voice, so that she scarcely realized he was quoting poetry, he said:

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IV: Fourth Chapter

Then something did happen.

Two Italians by the Loggia had been bickering about a debt. “Cinque lire,” they had cried, “cinque lire!” They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin.

That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it.

She thought: “Oh, what have I done?”

“Oh, what have I done?” she murmured, and opened her eyes.

George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms.

They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated:

“Oh, what have I done?”

“You fainted.”

“I⁠—I am very sorry.”

“How are you now?”

“Perfectly well⁠—absolutely well.” And she began to nod and smile.

“Then let us come home. There’s no point in our stopping.”

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VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them

She could not make him understand that perhaps they had missed the clergymen. The view was forming at last; she could discern the river, the golden plain, other hills.

“Eccolo!” he exclaimed.

At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.

“Courage!” cried her companion, now standing some six feet above. “Courage and love.”

She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the wellhead, the primal source whence beauty gushed out to water the earth.

Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone.

George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her.

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XV: The Disaster Within

He took the book from her.

“ ‘Leonora,’ ” he read, “ ‘sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.’ ”

Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear.

“ ‘A golden haze,’ ” he read. He read: “ ‘Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her⁠—’ ”

Lest Cecil should see her face she turned to George and saw his face.

He read: “ ‘There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.’ ”

“This isn’t the passage I wanted,” he informed them, “there is another much funnier, further on.” He turned over the leaves.

“Should we go in to tea?” said Lucy, whose voice remained steady.

She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it; and George, who loved passionately, must blunder against her in the narrow path.

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10 of the best lines

It is so difficult⁠—at least, I find it difficult⁠—to understand people who speak the truth.

I: The BertoliniKeep reading from here

“If Miss Honeychurch ever takes to live as she plays, it will be very exciting both for us and for her.”

III: Music, Violets, and the Letter SKeep reading from here

Anyone can find places, but the finding of people is a gift from God.

VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive ThemKeep reading from here

I mightn’t have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall.

VIII: MedievalKeep reading from here

Secrecy has this disadvantage: we lose the sense of proportion; we cannot tell whether our secret is important or not.

XI: In Mrs. Vyse’s Well-Appointed FlatKeep reading from here

A fault in the scenery, a face in the audience, an irruption of the audience on to the stage, and all our carefully planned gestures mean nothing, or mean too much.

XIII: How Miss Bartlett’s Boiler Was So TiresomeKeep reading from here

Paganism is infectious⁠—more infectious than diphtheria or piety⁠—and the Rector’s niece was taken to church protesting.

XV: The Disaster WithinKeep reading from here

For a crowd is more than the people who make it up. Something gets added to it⁠—no one knows how⁠—just as something has got added to those hills.

XV: The Disaster WithinKeep reading from here

It did not do to think, nor, for the matter of that, to feel.

XVII: Lying to CecilKeep reading from here

Oh, horrible⁠—worst of all⁠—worse than death, when you have made a little clearing in the wilderness, planted your little garden, let in your sunlight, and then the weeds creep in again!

XIX: Lying to Mr. EmersonKeep reading from here

All 61 A Room With a View quotes, with the words around each

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Contents

  1. Part I
  2. I: The Bertolini
  3. II: In Santa Croce with No Baedeker
  4. III: Music, Violets, and the Letter S
  5. IV: Fourth Chapter
  6. V: Possibilities of a Pleasant Outing
  7. VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr. Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett, and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians Drive Them
  8. VII: They Return
  9. Part II
  10. VIII: Medieval
  11. IX: Lucy as a Work of Art
  12. X: Cecil as a Humourist
  13. XI: In Mrs. Vyse’s Well-Appointed Flat
  14. XII: Twelfth Chapter
  15. XIII: How Miss Bartlett’s Boiler Was So Tiresome
  16. XIV: How Lucy Faced the External Situation Bravely
  17. XV: The Disaster Within
  18. XVI: Lying to George
  19. XVII: Lying to Cecil
  20. XVIII: Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and the Servants
  21. XIX: Lying to Mr. Emerson
  22. XX: The End of the Middle Ages

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.