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Women in Love

by D. H. Lawrence

Length: 180,912 words, about 724 pages, about 13 hours to read

Novels, Romance

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What it is

Two women engage in romantic relationships with two men against the backdrop of early 20th Century England.

The best passages

Pages from the book itself, chosen to make you want to read on. Each opens in the reader at that exact spot.

I: Sisters

Ursula and Gudrun Brangwen sat one morning in the window-bay of their father’s house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds.

“Ursula,” said Gudrun, “don’t you really want to get married?” Ursula laid her embroidery in her lap and looked up. Her face was calm and considerate.

“I don’t know,” she replied. “It depends how you mean.”

Gudrun was slightly taken aback. She watched her sister for some moments.

“Well,” she said, ironically, “it usually means one thing! But don’t you think anyhow, you’d be⁠—” she darkened slightly⁠—“in a better position than you are in now.”

A shadow came over Ursula’s face.

“I might,” she said. “But I’m not sure.”

Again Gudrun paused, slightly irritated. She wanted to be quite definite.

“You don’t think one needs the experience of having been married?” she asked.

“Do you think it need be an experience?” replied Ursula.

“Bound to be, in some way or other,” said Gudrun, coolly. “Possibly undesirable, but bound to be an experience of some sort.”

“Not really,” said Ursula. “More likely to be the end of experience.”

Gudrun sat very still, to attend to this.

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I: Sisters

“Tibs! Tibs!” she cried in her sudden, mocking excitement, standing high on the path in the sunlight and waving her bouquet. He, dodging with his hat in his hand, had not heard.

“Tibs!” she cried again, looking down to him.

He glanced up, unaware, and saw the bride and her father standing on the path above him. A queer, startled look went over his face. He hesitated for a moment. Then he gathered himself together for a leap, to overtake her.

“Ah‑h‑h!” came her strange, intaken cry, as, on the reflex, she started, turned and fled, scudding with an unthinkable swift beating of her white feet and fraying of her white garments, towards the church. Like a hound the young man was after her, leaping the steps and swinging past her father, his supple haunches working like those of a hound that bears down on the quarry.

“Ay, after her!” cried the vulgar women below, carried suddenly into the sport.

She, her flowers shaken from her like froth, was steadying herself to turn the angle of the church. She glanced behind, and with a wild cry of laughter and challenge, veered, poised, and was gone beyond the grey stone buttress. In another instant the bridegroom, bent forward as he ran, had caught the angle of the silent stone with his hand, and had swung himself out of sight, his supple, strong loins vanishing in pursuit.

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IV: Diver

All was shadowy with coming summer.

Suddenly, from the boathouse, a white figure ran out, frightening in its swift sharp transit, across the old landing-stage. It launched in a white arc through the air, there was a bursting of the water, and among the smooth ripples a swimmer was making out to space, in a centre of faintly heaving motion. The whole otherworld, wet and remote, he had to himself. He could move into the pure translucency of the grey, uncreated water.

Gudrun stood by the stone wall, watching.

“How I envy him,” she said, in low, desirous tones.

“Ugh!” shivered Ursula. “So cold!”

“Yes, but how good, how really fine, to swim out there!” The sisters stood watching the swimmer move further into the grey, moist, full space of the water, pulsing with his own small, invading motion, and arched over with mist and dim woods.

“Don’t you wish it were you?” asked Gudrun, looking at Ursula.

“I do,” said Ursula. “But I’m not sure⁠—it’s so wet.”

“No,” said Gudrun, reluctantly. She stood watching the motion on the bosom of the water, as if fascinated. He, having swum a certain distance, turned round and was swimming on his back, looking along the water at the two girls by the wall. In the faint wash of motion, they could see his ruddy face, and could feel him watching them.

“It is Gerald Crich,” said Ursula.

“I know,” replied Gudrun.

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V: In the Train

“Something like that,” said Gerald.

Birkin watched him narrowly. He saw the perfect good-humoured callousness, even strange, glistening malice, in Gerald, glistening through the plausible ethics of productivity.

“Gerald,” he said, “I rather hate you.”

“I know you do,” said Gerald. “Why do you?”

Birkin mused inscrutably for some minutes.

“I should like to know if you are conscious of hating me,” he said at last. “Do you ever consciously detest me⁠—hate me with mystic hate? There are odd moments when I hate you starrily.”

Gerald was rather taken aback, even a little disconcerted. He did not quite know what to say.

“I may, of course, hate you sometimes,” he said. “But I’m not aware of it⁠—never acutely aware of it, that is.”

“So much the worse,” said Birkin.

Gerald watched him with curious eyes. He could not quite make him out.

“So much the worse, is it?” he repeated.

There was a silence between the two men for some time, as the train ran on. In Birkin’s face was a little irritable tension, a sharp knitting of the brows, keen and difficult. Gerald watched him warily, carefully, rather calculatingly, for he could not decide what he was after.

Suddenly Birkin’s eyes looked straight and overpowering into those of the other man.

“What do you think is the aim and object of your life, Gerald?” he asked.

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IX: Coal-Dust

Whilst the two girls waited, Gerald Crich trotted up on a red Arab mare. He rode well and softly, pleased with the delicate quivering of the creature between his knees. And he was very picturesque, at least in Gudrun’s eyes, sitting soft and close on the slender red mare, whose long tail flowed on the air. He saluted the two girls, and drew up at the crossing to wait for the gate, looking down the railway for the approaching train. In spite of her ironic smile at his picturesqueness, Gudrun liked to look at him. He was well-set and easy, his face with its warm tan showed up his whitish, coarse moustache, and his blue eyes were full of sharp light as he watched the distance.

The locomotive chuffed slowly between the banks, hidden. The mare did not like it. She began to wince away, as if hurt by the unknown noise. But Gerald pulled her back and held her head to the gate. The sharp blasts of the chuffing engine broke with more and more force on her. The repeated sharp blows of unknown, terrifying noise struck through her till she was rocking with terror. She recoiled like a spring let go. But a glistening, half-smiling look came into Gerald’s face. He brought her back again, inevitably.

The noise was released, the little locomotive with her clanking steel connecting-rod emerged on the highroad, clanking sharply. The mare rebounded like a drop of water from hot iron.

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10 of the best lines

“Not really,” said Ursula. “More likely to be the end of experience.”

I: SistersKeep reading from here

There was a pause of strange enmity between the two men, that was very near to love.

II: ShortlandsKeep reading from here

Humanity is a dead letter.

V: In the TrainKeep reading from here

“Don’t you laugh so pleasantly till you’re out of the wood,” said Birkin.

VIII: BreadalbyKeep reading from here

Because we can go one better,

XIII: MinoKeep reading from here

Yours is, ‘Do you love me? Yield knave, or die.’

XIX: MoonyKeep reading from here

I think it is degrading not to be happy.

XXII: Woman to WomanKeep reading from here

He had a queer, subterranean beauty, repulsive too.

XXVI: A ChairKeep reading from here

“I couldn’t bear this cold, eternal place without you,” he said. “I couldn’t bear it, it would kill the quick of my life.”

XXIX: ContinentalKeep reading from here

“Don’t you think the understanding of a flea is more interesting than the understanding of a fool?” she asked.

XXX: Snowed UpKeep reading from here

All 145 Women in Love quotes, with the words around each

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Contents

All 31 parts
  1. I: Sisters
  2. II: Shortlands
  3. III: Classroom
  4. IV: Diver
  5. V: In the Train
  6. VI: Crème de Menthe
  7. VII: Fetish
  8. VIII: Breadalby
  9. IX: Coal-Dust
  10. X: Sketchbook
  11. XI: An Island
  12. XII: Carpeting
  13. XIII: Mino
  14. XIV: Water-Party
  15. XV: Sunday Evening
  16. XVI: Man to Man
  17. XVII: The Industrial Magnate
  18. XVIII: Rabbit
  19. XIX: Moony
  20. XX: Gladiatorial
  21. XXI: Threshold
  22. XXII: Woman to Woman
  23. XXIII: Excurse
  24. XXIV: Death and Love
  25. XXV: Marriage or Not
  26. XXVI: A Chair
  27. XXVII: Flitting
  28. XXVIII: Gudrun in the Pompadour
  29. XXIX: Continental
  30. XXX: Snowed Up
  31. XXXI: Exeunt

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About this edition

Text from Standard Ebooks. Standard Ebooks dedicate their edition to the public domain (CC0 1.0). Every passage and line on this page is the book's own words, checked against the text.