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Wake-Robin quotes

The lines readers remember from Wake-Robin, by John Burroughs.

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Standout lines

To interpret Nature is not to improve upon her: it is to draw her out; it is to have an emotional intercourse with her, absorb her, and reproduce her tinged with the colors of the spirit.

INTRODUCTION TO RIVERSIDE EDITIONRead from here
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facts are the flora upon which he lives. The more and the fresher the facts the better. I can do nothing without them, but I must give them my own flavor. I must impart to them a quality which heightens and intensifies them.

To interpret Nature is not to improve upon her: it is to draw her out; it is to have an emotional intercourse with her, absorb her, and reproduce her tinged with the colors of the spirit.

If I name every bird I see in my walk, describe its color and ways, etc., give a lot of facts or details about the bird, it is doubtful if my reader is interested.

Next to a castle in the air is a dwelling suspended to the slender branch of a tall tree, swayed and rocked forever by the wind.

I THE RETURN OF THE BIRDSRead from here
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I love his note and ways better even than those of the orchard starling or the Baltimore oriole; yet his nest, compared with theirs, is a half-subterranean hut contrasted with a Roman villa. There is something courtly and poetical in a pensile nest.

Next to a castle in the air is a dwelling suspended to the slender branch of a tall tree, swayed and rocked forever by the wind.

Why need wings be afraid of falling? Why build only where boys can climb? After all, we must set it down to the account of Robin's democratic turn: he is no aristocrat, but one of the people;

The grass, the stones, the stubble, the furrow, the quiet herds, and the warm twilight among the hills, are all subtly expressed in this song; this is what they are at last capable of.

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Often, you will catch only one or two of the bars, the breeze having blown the minor part away. Such unambitious, quiet, unconscious melody! It is one of the most characteristic sounds in nature.

The grass, the stones, the stubble, the furrow, the quiet herds, and the warm twilight among the hills, are all subtly expressed in this song; this is what they are at last capable of.

The female builds a plain nest in the open field, without so much as a bush or thistle or tuft of grass to protect it or mark its site; you may step upon it, or the cattle may tread it into the ground.

Indeed, the songs of most birds have some human significance, which, I think, is the source of the delight we take in them.

II IN THE HEMLOCKSRead from here
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There is nothing plaintive or especially musical in his performance, but the sentiment expressed is eminently that of cheerfulness.

Indeed, the songs of most birds have some human significance, which, I think, is the source of the delight we take in them.

The song of the bobolink to me expresses hilarity; the song sparrow's, faith; the bluebird's, love; the catbird's, pride; the white-eyed flycatcher's, self-consciousness; that of the hermit thrush spiritual serenity: while there is something military in the call of the robin.

The song of the bobolink to me expresses hilarity; the song sparrow's, faith; the bluebird's, love; the catbird's, pride; the white-eyed flycatcher's, self-consciousness; that of the hermit thrush spiritual serenity: while there is something military in the call of the robin.

II IN THE HEMLOCKSRead from here
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There is nothing plaintive or especially musical in his performance, but the sentiment expressed is eminently that of cheerfulness. Indeed, the songs of most birds have some human significance, which, I think, is the source of the delight we take in them.

The song of the bobolink to me expresses hilarity; the song sparrow's, faith; the bluebird's, love; the catbird's, pride; the white-eyed flycatcher's, self-consciousness; that of the hermit thrush spiritual serenity: while there is something military in the call of the robin.

The red-eye is classed among the flycatchers by some writers, but is much more of a worm-eater, and has few of the traits or habits of the Muscicapa or the true Sylvia.

If his life is all poetry and romance, hers is all business and prose.

VII THE BLUEBIRDRead from here
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The male is hilarious and demonstrative, the female serious and anxious about her charge. The male is the attendant of the female, following her wherever she goes. He never leads, never directs, but only seconds and applauds.

If his life is all poetry and romance, hers is all business and prose.

She has no pleasure but her duty, and no duty but to look after her nest and brood. She shows no affection for the male, no pleasure in his society;

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Jump to a chapter
  1. PREFACE TO FIRST EDITION
  2. INTRODUCTION TO RIVERSIDE EDITION
  3. I THE RETURN OF THE BIRDS
  4. II IN THE HEMLOCKS
  5. III THE ADIRONDACKS
  6. IV BIRDS'-NESTS
  7. V SPRING AT THE CAPITAL WITH AN EYE TO THE BIRDS
  8. VI BIRCH BROWSINGS
  9. VII THE BLUEBIRD
  10. VIII THE INVITATION

PREFACE TO FIRST EDITION

I have tried to present a live bird,—a bird in the woods or the fields,—with the atmosphere and associations of the place, and not merely a stuffed and labeled specimen.

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but I have done what I could to bring home the "river and sky" with the sparrow I heard "singing at dawn on the alder bough." In other words,

I have tried to present a live bird,—a bird in the woods or the fields,—with the atmosphere and associations of the place, and not merely a stuffed and labeled specimen.

A more specific title for the volume would have suited me better;

INTRODUCTION TO RIVERSIDE EDITION

I cannot bring myself to think of my books as "works," because so little "work" has gone to the making of them. It has all been play.

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Hence I trust my reader will pardon me if I shrink from any discussion of the merits or demerits of these intellectual children of mine, or indulge in any very confidential remarks with regard to them.

I cannot bring myself to think of my books as "works," because so little "work" has gone to the making of them. It has all been play.

I have gone a-fishing, or camping, or canoeing, and new literary material has been the result. My corn has grown while I loitered or slept. The writing of the book was only a second and finer enjoyment of my holiday in the fields or woods.

My corn has grown while I loitered or slept.

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I cannot bring myself to think of my books as "works," because so little "work" has gone to the making of them. It has all been play. I have gone a-fishing, or camping, or canoeing, and new literary material has been the result.

My corn has grown while I loitered or slept.

The writing of the book was only a second and finer enjoyment of my holiday in the fields or woods. Not till the writing did it really seem to strike in and become part of me.

Winter drives a man back upon himself, and tests his powers of self-entertainment.

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… only time there is a suggestion of an iron wall in front of me is in winter, when ice and snow have blotted out the landscape, and I find that it is in this season that my mind dwells most fondly upon my favorite themes.

Winter drives a man back upon himself, and tests his powers of self-entertainment.

Do such books as mine give a wrong impression of Nature, and lead readers to expect more from a walk or a camp in the woods than they usually get? I have a few times had occasion to think so.

Literature does not grow wild in the woods.

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If my reader thinks he does not get from Nature what I get from her, let me remind him that he can hardly know what he has got till he defines it to himself as I do, and throws about it the witchery of words.

Literature does not grow wild in the woods.

Every artist does something more than copy Nature; more comes out in his account than goes into the original experience.

It is this drop of herself that gives the delicious sting to her sweet.

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What the bee gets from the flower is sweet water: this she puts through a process of her own and imparts to it her own quality; she reduces the water and adds to it a minute drop of formic acid.

It is this drop of herself that gives the delicious sting to her sweet.

The bee is therefore the type of the true poet, the true artist. Her product always reflects her environment, and it reflects something her environment knows not of.

The bee is therefore the type of the true poet, the true artist.

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this she puts through a process of her own and imparts to it her own quality; she reduces the water and adds to it a minute drop of formic acid. It is this drop of herself that gives the delicious sting to her sweet.

The bee is therefore the type of the true poet, the true artist.

Her product always reflects her environment, and it reflects something her environment knows not of. We taste the clover, the thyme, the linden, the sumac, and we also taste something that has its source in none of these flowers.

To interpret Nature is not to improve upon her: it is to draw her out; it is to have an emotional intercourse with her, absorb her, and reproduce her tinged with the colors of the spirit.

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facts are the flora upon which he lives. The more and the fresher the facts the better. I can do nothing without them, but I must give them my own flavor. I must impart to them a quality which heightens and intensifies them.

To interpret Nature is not to improve upon her: it is to draw her out; it is to have an emotional intercourse with her, absorb her, and reproduce her tinged with the colors of the spirit.

If I name every bird I see in my walk, describe its color and ways, etc., give a lot of facts or details about the bird, it is doubtful if my reader is interested.

I THE RETURN OF THE BIRDS

Who saw them come? Who saw them depart?

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We go out in the morning, and no thrush or vireo is to be heard; we go out again, and every tree and grove is musical; yet again, and all is silent.

Who saw them come? Who saw them depart?

This pert little winter wren, for instance, darting in and out the fence, diving under the rubbish here and coming up yards away,—how does he manage with those little circular wings to compass degrees and zones, and arrive always in the nick of time?

And yonder bluebird with the earth tinge on his breast and the sky tinge on his back,—did he come down out of the heaven on that bright March morning when he told us so softly and plaintively that, if we pleased, spring had come?

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Does he travel by easy stages from bush to bush and from wood to wood? or has that compact little body force and courage to brave the night and the upper air, and so achieve leagues at one pull?

And yonder bluebird with the earth tinge on his breast and the sky tinge on his back,—did he come down out of the heaven on that bright March morning when he told us so softly and plaintively that, if we pleased, spring had come?

Indeed, there is nothing in the return of the birds more curious and suggestive than in the first appearance, or rumors of the appearance, of this little blue-coat. The bird at first seems a mere wandering voice in the air:

Robin is one of the most native and democratic of our birds; He is one of the family

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It is in keeping with the scene and the occasion. How round and genuine the notes are, and how eagerly our ears drink them in! The first utterance, and the spell of winter is thoroughly broken, and the remembrance of it afar off.

Robin is one of the most native and democratic of our birds; He is one of the family

, and seems much nearer to us than those rare, exotic visitants, as the orchard starling or rose-breasted grosbeak, with their distant, high-bred ways.

Next to a castle in the air is a dwelling suspended to the slender branch of a tall tree, swayed and rocked forever by the wind.

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I love his note and ways better even than those of the orchard starling or the Baltimore oriole; yet his nest, compared with theirs, is a half-subterranean hut contrasted with a Roman villa. There is something courtly and poetical in a pensile nest.

Next to a castle in the air is a dwelling suspended to the slender branch of a tall tree, swayed and rocked forever by the wind.

Why need wings be afraid of falling? Why build only where boys can climb? After all, we must set it down to the account of Robin's democratic turn: he is no aristocrat, but one of the people;

Why need wings be afraid of falling? Why build only where boys can climb?

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There is something courtly and poetical in a pensile nest. Next to a castle in the air is a dwelling suspended to the slender branch of a tall tree, swayed and rocked forever by the wind.

Why need wings be afraid of falling? Why build only where boys can climb?

After all, we must set it down to the account of Robin's democratic turn: he is no aristocrat, but one of the people; and therefore we should expect stability in his workmanship, rather than elegance.

May is the transition month, and exists to connect April and June, the root with the flower.

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the partridge drums in the fresh sprouting woods; the long, tender note of the meadowlark comes up from the meadow; and at sunset, from every marsh and pond come the ten thousand voices of the hylas.

May is the transition month, and exists to connect April and June, the root with the flower.

With June the cup is full, our hearts are satisfied, there is no more to be desired. The perfection of the season, among other things, has brought the perfection of the song and the plumage of the birds. The master artists are all here;

With June the cup is full, our hearts are satisfied, there is no more to be desired.

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the long, tender note of the meadowlark comes up from the meadow; and at sunset, from every marsh and pond come the ten thousand voices of the hylas. May is the transition month, and exists to connect April and June, the root with the flower.

With June the cup is full, our hearts are satisfied, there is no more to be desired.

The perfection of the season, among other things, has brought the perfection of the song and the plumage of the birds. The master artists are all here; and the expectations excited by the robin and the song sparrow are fully justified.

Such unambitious, quiet, unconscious melody!

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Two or three long, silver notes of peace and rest, ending in some subdued trills and quavers, constitute each separate song. Often, you will catch only one or two of the bars, the breeze having blown the minor part away.

Such unambitious, quiet, unconscious melody!

It is one of the most characteristic sounds in nature. The grass, the stones, the stubble, the furrow, the quiet herds, and the warm twilight among the hills, are all subtly expressed in this song; this is what they are at last capable of.

The grass, the stones, the stubble, the furrow, the quiet herds, and the warm twilight among the hills, are all subtly expressed in this song; this is what they are at last capable of.

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Often, you will catch only one or two of the bars, the breeze having blown the minor part away. Such unambitious, quiet, unconscious melody! It is one of the most characteristic sounds in nature.

The grass, the stones, the stubble, the furrow, the quiet herds, and the warm twilight among the hills, are all subtly expressed in this song; this is what they are at last capable of.

The female builds a plain nest in the open field, without so much as a bush or thistle or tuft of grass to protect it or mark its site; you may step upon it, or the cattle may tread it into the ground.

It was a perfect piece of wood-music, and was of course all the more noticeable for being projected upon such a broad unoccupied page of silence.

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It is sometimes very noticeable, especially early in spring. I remember sitting one bright day in the still leafless April woods, when one of these birds struck up a few rods from me, repeating its lay at short intervals for nearly an hour.

It was a perfect piece of wood-music, and was of course all the more noticeable for being projected upon such a broad unoccupied page of silence.

Its song is like the words, fe-o, fe-o, fe-o, few, few, few, fee fee fee, uttered at first high and leisurely, but running very rapidly toward the close, which is low and soft.

His carriage is music to the eye.

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The wood thrush is the handsomest species of this family. In grace and elegance of manner he has no equal. Such a gentle, high-bred air, and such inimitable ease and composure in his flight and movement! He is a poet in very word and deed.

His carriage is music to the eye.

His performance of the commonest act, as catching a beetle, or picking a worm from the mud, pleases like a stroke of wit or eloquence.

His performance of the commonest act, as catching a beetle, or picking a worm from the mud, pleases like a stroke of wit or eloquence.

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In grace and elegance of manner he has no equal. Such a gentle, high-bred air, and such inimitable ease and composure in his flight and movement! He is a poet in very word and deed. His carriage is music to the eye.

His performance of the commonest act, as catching a beetle, or picking a worm from the mud, pleases like a stroke of wit or eloquence.

Was he a prince in the olden time, and do the regal grace and mien still adhere to him in his transformation? What a finely proportioned form!

She is a good versifier, but not a great poet.

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In other words, she seems to sing from some outward motive, and not from inward joyousness.

She is a good versifier, but not a great poet.

Vigorous, rapid, copious, not without fine touches, but destitute of any high, serene melody, her performance, like that of Thoreau's squirrel, always implies a spectator.

His flight is a perfect picture of repose in motion.

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or, again sailing high and level far above the mountain's peak, no bluster and haste, but as stated, occasionally a terrible earnestness and speed. Fire at one as he sails overhead and, unless wounded badly, he will not change his course or gait.

His flight is a perfect picture of repose in motion.

It strikes the eye as more surprising than the flight of a pigeon, and swallow even, in that the effort put forth is so uniform and delicate as to escape observation, giving to the movement an air of buoyancy and perpetuity, the effluence of power …

Yonder hawk, sailing peacefully away till he is lost in the horizon, is a symbol of the closing season and the departing birds.

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The birds, in a new but less holiday suit, turn their faces southward. The swallows flock and go; the bobolinks flock and go; silently and unobserved, the thrushes go. Autumn arrives, bringing finches, warblers, sparrows, and kinglets from the north. Silently the procession passes.

Yonder hawk, sailing peacefully away till he is lost in the horizon, is a symbol of the closing season and the departing birds.

1863.

II IN THE HEMLOCKS

Nature loves such woods, and places her own seal upon them.

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trees fell across it, mud and limbs choked it up, till finally travelers took the hint and went around; and now, walking along its deserted course, I see only the footprints of coons, foxes, and squirrels.

Nature loves such woods, and places her own seal upon them.

Here she show me what can be done with ferns and mosses and lichens. The soil is marrowy and full of innumerable forests.

It seems to me that I do not know a bird till I have heard its voice; then I come nearer it at once, and it possesses a human interest to me.

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June, of all the months, the student of ornithology can least afford to lose. Most birds are nesting then, and in full song and plumage. And what is a bird without its song? Do we not wait for the stranger to speak?

It seems to me that I do not know a bird till I have heard its voice; then I come nearer it at once, and it possesses a human interest to me.

I have met the gray-cheeked thrush in the woods, and held him in my hand; still I do not know him. The silence of the cedar-bird throws a mystery about him which neither his good looks nor his petty larcenies in cheery time can dispel.

Indeed, the songs of most birds have some human significance, which, I think, is the source of the delight we take in them.

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There is nothing plaintive or especially musical in his performance, but the sentiment expressed is eminently that of cheerfulness.

Indeed, the songs of most birds have some human significance, which, I think, is the source of the delight we take in them.

The song of the bobolink to me expresses hilarity; the song sparrow's, faith; the bluebird's, love; the catbird's, pride; the white-eyed flycatcher's, self-consciousness; that of the hermit thrush spiritual serenity: while there is something military in the call of the robin.

The song of the bobolink to me expresses hilarity; the song sparrow's, faith; the bluebird's, love; the catbird's, pride; the white-eyed flycatcher's, self-consciousness; that of the hermit thrush spiritual serenity: while there is something military in the call of the robin.

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There is nothing plaintive or especially musical in his performance, but the sentiment expressed is eminently that of cheerfulness. Indeed, the songs of most birds have some human significance, which, I think, is the source of the delight we take in them.

The song of the bobolink to me expresses hilarity; the song sparrow's, faith; the bluebird's, love; the catbird's, pride; the white-eyed flycatcher's, self-consciousness; that of the hermit thrush spiritual serenity: while there is something military in the call of the robin.

The red-eye is classed among the flycatchers by some writers, but is much more of a worm-eater, and has few of the traits or habits of the Muscicapa or the true Sylvia.

The greatness and the minuteness of nature pass all understanding.

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But such is the law. Go to the sea or climb the mountain, and with the ruggedest and the savagest you will find likewise the fairest and the most delicate.

The greatness and the minuteness of nature pass all understanding.

Ever since I entered the woods, even while listening to the lesser songsters, or contemplating the silent forms about me, a strain has reached my ears from out of the depths of the forest that to me is the finest sound in nature,—the song of …

Listening to this strain on the lone mountain, with the full moon just rounded from the horizon, the pomp of your cities and the pride of your civilization seemed trivial and cheap.

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A few nights ago I ascended a mountain to see the world by moonlight, and when near the summit the hermit commenced his evening hymn a few rods from me.

Listening to this strain on the lone mountain, with the full moon just rounded from the horizon, the pomp of your cities and the pride of your civilization seemed trivial and cheap.

I have seldom known two of these birds to be singing at the same time in the same locality, rivaling each other, like the wood thrush or the veery.

There is as much wildness in the track of an animal as in its voice.

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here, a squirrel or mink; thee, a skunk; there, a fox. What a clear, nervous track reynard makes! how easy to distinguish it from that of a little dog,—it is so sharply cut and defined! A dog's track is coarse and clumsy beside it.

There is as much wildness in the track of an animal as in its voice.

Is a deer's track like a sheep's or a goat's? What winged-footed fleetness and agility may be inferred from the sharp, braided track of the gray squirrel upon the new snow! Ah! in nature is the best discipline.

Ah! in nature is the best discipline.

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Is a deer's track like a sheep's or a goat's? What winged-footed fleetness and agility may be inferred from the sharp, braided track of the gray squirrel upon the new snow!

Ah! in nature is the best discipline.

How wood-life sharpens the senses, giving a new power to the eye, the ear, the nose! And are not the rarest and most exquisite songsters wood-birds?

How wood-life sharpens the senses, giving a new power to the eye, the ear, the nose!

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Is a deer's track like a sheep's or a goat's? What winged-footed fleetness and agility may be inferred from the sharp, braided track of the gray squirrel upon the new snow! Ah! in nature is the best discipline.

How wood-life sharpens the senses, giving a new power to the eye, the ear, the nose!

And are not the rarest and most exquisite songsters wood-birds?

I almost fear he will kindle the dry limb on which he alights.

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I occasionally meet him in the deep hemlocks, and know no stronger contrast in nature.

I almost fear he will kindle the dry limb on which he alights.

He is quite a solitary bird, and in this section seems to prefer the high, remote woods, even going quite to the mountain's top.

Cruel? So is Nature cruel.

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the old trick of the cow bunting, with a stinging human significance. Taking the interloper by the nape of the neck, I deliberately drop it into the water, but not without a pang, as I see its naked form, convulsed with chills, float downstream.

Cruel? So is Nature cruel.

I take one life to save two. In less than two days this pot-bellied intruder would have caused the death of the two rightful occupants of the nest; so I step in and turn things into their proper channel again.

III THE ADIRONDACKS

It was like the voice of an old friend speaking my name.

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It being August, the birds were all moulting, and sang only fitfully and by brief snatches. I remember hearing but one robin during the whole trip. This was by the Boreas River in the deep forest.

It was like the voice of an old friend speaking my name.

From Hewett's, after engaging his youngest son,—the "Bub" of the family,—a young man about twenty and a thorough woodsman, as our guide, we took to the woods in good earnest, our destination being the Stillwater of the Boreas,—a long, deep, dark reach in one of …

Water is thus facile and adaptive, that makes the wild more wild, while it enhances culture and art.

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In the woods are sounds and voices, and a dumb kind of companionship; one is little more than a walking tree himself; but come upon one of these mountain lakes, and the wildness stands revealed and meets you face to face.

Water is thus facile and adaptive, that makes the wild more wild, while it enhances culture and art.

The end of the pond which we approached was quite shoal, the stones rising above the surface as in a summer brook, and everywhere showing marks of the noble game we were in quest of,—footprints, dung, and cropped and uprooted lily pads.

You see no movement and hear no noise, but the light grows upon you, and stares and stares like a huge eye from infernal regions.

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Witnessing the spectacle from the shore, I can conceive of nothing more sudden or astounding.

You see no movement and hear no noise, but the light grows upon you, and stares and stares like a huge eye from infernal regions.

According to the guide, when a deer has been played upon in this manner and escaped, he is not to be fooled again a second time. Mounting the shore, he gives a long signal snort, which alarms every animal within hearing, and dashes away.

Those who lodge with Nature find early rising quite in order.

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but while testing the quality of some condensed milk that sat uncovered at the foot of a large tree, poor Lepus had his spine injured by a bullet.

Those who lodge with Nature find early rising quite in order.

It is our voluptuous beds, and isolation from the earth and the air, that prevents us from emulating the birds and the beasts in this respect. With the citizen in his chamber, it is not morning, but breakfast-time.

With the citizen in his chamber, it is not morning, but breakfast-time.

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Those who lodge with Nature find early rising quite in order. It is our voluptuous beds, and isolation from the earth and the air, that prevents us from emulating the birds and the beasts in this respect.

With the citizen in his chamber, it is not morning, but breakfast-time.

The camper-out, however, feels morning in the air, he smells it, hears it, and springs up with the general awakening. None were tardy at the row of white chips arranged on the trunk of a prostrate tree, when breakfast was halloed;

But better than fish or game or grand scenery, or any adventure by night or day, is the wordless intercourse with rude Nature one has on these expeditions.

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His wife in the mean time took something from a drawer, and, as her husband finished his recital, she produced a toe-nail of the identical animal with marked dramatic effect.

But better than fish or game or grand scenery, or any adventure by night or day, is the wordless intercourse with rude Nature one has on these expeditions.

It is something to press the pulse of our old mother by mountain lakes and streams, and know what health and vigor are in her veins, and how regardless of observation she deports herself.

IV BIRDS'-NESTS

On the whole, there seems to be a system of Women's Rights prevailing among the birds, which contemplated from the standpoint of the male, is quite admirable.

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The dénouement I cannot relate, as the artful bird, followed by her ardent suitor, soon flew away beyond my sight. It may not be rash to conclude, however, that she held out no longer than was prudent.

On the whole, there seems to be a system of Women's Rights prevailing among the birds, which contemplated from the standpoint of the male, is quite admirable.

In almost all cases of joint interest, the female bird is the most active. She determines the site of the nest, and is usually the most absorbed in its construction.

The woods hold not such another gem as the nest of the hummingbird.

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Weeds and parasites have the odds greatly against them, yet they wage a very successful war nonetheless.

The woods hold not such another gem as the nest of the hummingbird.

The finding of one is an event to date from. It is the next best thing to finding an eagle's nest. I have met with but two, both by chance.

They are perfectly white, and so frail that only a woman's fingers may touch them.

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The hummingbird, unlike all others, does not alight upon the nest, but flies into it. She enters it as quick as a flash, but as light as any feather. Two eggs are the complement.

They are perfectly white, and so frail that only a woman's fingers may touch them.

Incubation lasts about ten days. In a week, the young have flown.

V SPRING AT THE CAPITAL WITH AN EYE TO THE BIRDS

Never a spring comes but I have an almost irresistible desire to depart.

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I walk up beyond the boundary and over Meridian Hill. To move along the drying road and feel the delicious warmth is enough. The cattle low long and loud, and look wistfully into the distance. I sympathize with them.

Never a spring comes but I have an almost irresistible desire to depart.

Some nomadic or migrating instinct or reminiscence stirs within me. I ache to be off.

What can be more welcome to the ear than these early first sounds! They have such a margin of silence!

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As I pass along, the high-bole calls in the distance precisely as I have heard him in the North. After a pause he repeats his summons.

What can be more welcome to the ear than these early first sounds! They have such a margin of silence!

One need but pass the boundary of Washington city to be fairly in the country, and ten minutes' walk in the country brings one to real primitive woods.

The air is filled with crackling, splintering, spurting, semi-musical sounds, which are like pepper and salt to the ear.

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His voice always sounds as if he were laboring under a severe attack of influenza, though a large flock of them, heard at a distance on a bright afternoon of early spring, produce an effect not unpleasing.

The air is filled with crackling, splintering, spurting, semi-musical sounds, which are like pepper and salt to the ear.

All parks and public grounds about the city are full of blackbirds. They are especially plentiful in the trees about the White House, breeding there and waging war on all other birds.

The song of some birds is like scarlet,—strong, intense, emphatic.

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The kingbird and orchard starling remain the whole season, and breed in the treetops. The rich, copious song of the starling may be heard there all the forenoon.

The song of some birds is like scarlet,—strong, intense, emphatic.

This is the character of the orchard starlings, also the tanagers and the various grosbeaks. On the other hand, the songs of other birds, as of certain of the thrushes, suggest the serene blue of the upper sky.

Now he barks like a puppy, then quacks like a duck, then rattles like a kingfisher, then squalls like a fox, then caws like a crow, then mews like a cat.

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He peeps quizzically at you from beneath the branches, and gives a sharp feline mew. In a moment more he says very distinctly, who, who. Then in rapid succession follow notes the most discordant that ever broke the sylvan silence.

Now he barks like a puppy, then quacks like a duck, then rattles like a kingfisher, then squalls like a fox, then caws like a crow, then mews like a cat.

Now he calls as if to be heard a long way off, then changes his key, as if addressing the spectator.

The effect was like a firebrand coming down through the branches.

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He hopped about, now and then uttering his sharp note, till some moth or beetle trying to escape, he broke down through the cover almost where I sat.

The effect was like a firebrand coming down through the branches.

Instantly catching sight of me, he darted away much alarmed. The female is tinged with brown, and shows but a little red except when she takes flight.

VI BIRCH BROWSINGS

Every mountain has its steepest point, which is usually near the summit, in keeping, I suppose, with the providence that makes the darkest hour just before day.

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The water was as cold as one ever need wish. After a while the ascent grew steeper, the creek became a mere rill that issued from beneath loose, moss-covered rocks and stones, and with much labor and puffing we drew ourselves up the rugged declivity.

Every mountain has its steepest point, which is usually near the summit, in keeping, I suppose, with the providence that makes the darkest hour just before day.

It is steep, steeper, steepest, till you emerge on the smooth level or gently rounded space at the top, which the old ice-gods polished off so long ago.

Such a leisurely, golden chant!—it consoled us for all we had undergone.

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Then after a little delay, as the gray light began to grow around, thrushes broke out in full song in all parts of the woods. I thought I had never before heard them sing so sweetly.

Such a leisurely, golden chant!—it consoled us for all we had undergone.

It was the first thing in order,—the worms were safe till after this morning chorus. I judged that the birds roosted but a few feet from the ground.

The eye is as delighted as an escaped bird, and darts gleefully from point to point.

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I exulted silently. There it was at last, sparkling in the morning sun, and as beautiful as a dream. It was so good to come upon such open space and such bright hues, after wandering in the dim, dense woods!

The eye is as delighted as an escaped bird, and darts gleefully from point to point.

The lake was a long oval, scarcely more than a mile in circumference, with evenly wooded shores, which rose gradually on all sides.

Its song is indeed a little cascade of melody.

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If it would only thrive and sing well when caged, like the canary, how far it would surpass that bird! It has all the vivacity and versatility of the canary, without any of its shrillness.

Its song is indeed a little cascade of melody.

We again retraced our steps, rolling the stone, as it were, back up the mountain, determined to commit ourselves to the line of marked trees.

VII THE BLUEBIRD

If his life is all poetry and romance, hers is all business and prose.

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The male is hilarious and demonstrative, the female serious and anxious about her charge. The male is the attendant of the female, following her wherever she goes. He never leads, never directs, but only seconds and applauds.

If his life is all poetry and romance, hers is all business and prose.

She has no pleasure but her duty, and no duty but to look after her nest and brood. She shows no affection for the male, no pleasure in his society;

In most cases the male is the ornamental partner in the firm, and contributes little of the working capital.

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She shows no affection for the male, no pleasure in his society; she only tolerates him as a necessary evil, and, if he is killed, goes in quest of another in the most business-like manner, as you would go for the plumber or the glazier.

In most cases the male is the ornamental partner in the firm, and contributes little of the working capital.

There seems to be more equality of the sexes among the woodpeckers, wrens, and swallows;

There is a Jack to every Jill; and some to boot.

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I will say, in passing, that there are no bachelors from choice among the birds; they are all rejected suitors, while old maids are entirely unknown.

There is a Jack to every Jill; and some to boot.

The males, being more exposed by their song and plumage, and by being the pioneers in migrating, seem to be slightly in excess lest the supply fall short, and hence it sometimes happens that a few are bachelors perforce;

There he lay like a bit of sky fallen upon the grass.

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… mother bluebird had laid her full complement of eggs and was beginning to set, when one day, as her mate was perched above her on the barn, along came a boy with one of those wicked elastic slings and cut him down with a pebble.

There he lay like a bit of sky fallen upon the grass.

The widowed bird seemed to understand what had happened, and without much ado disappeared next day in quest of another mate. How she contrived to make her wants known, without trumpeting them about, I am unable to say.

VIII THE INVITATION

Take the first step in ornithology, procure one new specimen, and you are ticketed for the whole voyage.

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It is a surprise that awaits every student of ornithology, and the thrill of delight that accompanies it, and the feeling of fresh, eager inquiry that follows, can hardly be awakened by any other pursuit.

Take the first step in ornithology, procure one new specimen, and you are ticketed for the whole voyage.

There is a fascination about it quite overpowering. It fits so well with other things,—with fishing, hunting, farming, walking, camping-out,—with all that takes one to the fields and woods. One may go a-blackberrying and make some rare discovery;

Secrets lurk on all sides. There is news in every bush.

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One may go a-blackberrying and make some rare discovery; or, while driving his cow to pasture, hear a new song, or make a new observation.

Secrets lurk on all sides. There is news in every bush.

Expectation is ever on tiptoe. What no man ever saw before may the next moment be revealed to you. What a new interest the woods have! How you long to explore every nook and corner of them!

Bought knowledge is dear at any price. The most precious things have no commercial value.

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why all this ado? "Who would give a hundred and twenty dollars to know about the birds?" said an Eastern governor, half contemptuously, to Wilson, as the latter solicited a subscription to his great work. Sure enough.

Bought knowledge is dear at any price. The most precious things have no commercial value.

It is not, your Excellency, mere technical knowledge of the birds that you are asked to purchase, but a new interest in the fields and the woods, a new moral and intellectual tonic, a new key to the treasure-house of Nature.

The books are only the guide, the invitation.

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Ornithology cannot be satisfactorily learned from the books. The satisfaction is in learning it from nature. One must have an original experience with the birds.

The books are only the guide, the invitation.

Though there remain not another new species to describe, any young person with health and enthusiasm has open to him or her the whole field anew, and is eligible to experience all the thrill and delight of the original discoverers.

His chapter on the wild goose is as good as a poem.

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His drawings surpass all others in accuracy and spirit, while his enthusiasm and devotion to the work he had undertaken have but few parallels in the history of science.

His chapter on the wild goose is as good as a poem.

One readily overlooks his style, which is often verbose and affected, in consideration of enthusiasm so genuine and purpose so single.

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